gptkbp:instance_of
|
gptkb:film
|
gptkbp:based_on
|
the life of a gambler
|
gptkbp:box_office
|
$2.5 million
|
gptkbp:budget
|
gptkb:$5_million
|
gptkbp:character
|
gptkb:William_Tell
gptkb:World_Series_of_Poker
Cirk
La Linda
|
gptkbp:character_arc
|
redemption arc
|
gptkbp:cinematography_by
|
Alexander Dynan
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
Metacritic score
Rotten Tomatoes score
|
gptkbp:directed_by
|
gptkb:Paul_Schrader
|
gptkbp:distributor
|
gptkb:Focus_Features
|
gptkbp:edited_by
|
gptkb:Maryann_Brandon
|
gptkbp:film_festival
|
gptkb:Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
|
gptkbp:filming_location
|
gptkb:Las_Vegas
|
gptkbp:genre
|
gptkb:drama
gptkb:thriller
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Card Counter
|
gptkbp:influenced_by
|
gptkb:moral_ambiguity
gptkb:American_cinema
psychological thriller
art house cinema
independent films
film noir
war films
existential themes
gambling culture
character study
gambling films
|
gptkbp:inspired_by
|
real-life experiences
|
gptkbp:language
|
English
|
gptkbp:music_by
|
gptkb:Robert_Levon_Been
|
gptkbp:narrative_style
|
non-linear storytelling
|
gptkbp:plot
|
A former military interrogator turned gambler.
|
gptkbp:premiered_on
|
gptkb:Venice_Film_Festival
|
gptkbp:production_company
|
Black Bear Pictures
|
gptkbp:received
|
mixed reviews
|
gptkbp:release_date
|
September 10, 2021
|
gptkbp:released_in
|
gptkb:2021
|
gptkbp:runtime
|
101 minutes
|
gptkbp:screenplay_by
|
gptkb:Paul_Schrader
|
gptkbp:starring
|
gptkb:Tiffany_Haddish
gptkb:Tye_Sheridan
gptkb:Willem_Dafoe
gptkb:Oscar_Isaac
|
gptkbp:themes
|
trauma
isolation
morality
redemption
|
gptkbp:bfsParent
|
gptkb:The_Black_List
gptkb:Sundance_Film_Festival
gptkb:Oscar_Isaac
gptkb:Paul_Schrader
gptkb:Angela_W._White
gptkb:The_House_(film)
|
gptkbp:bfsLayer
|
4
|