|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:awards
|
none known
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cinematography_by
|
gptkb:Cecil_Beaton
|
|
gptkbp:color
|
black and white
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:critical_reception
|
mixed
|
|
gptkbp:cultural_impact
|
depicted POW experiences
|
|
gptkbp:directed_by
|
Cyril Frankel
|
|
gptkbp:distributor
|
gptkb:General_Film_Distributors
|
|
gptkbp:edited_by
|
gptkb:John_D._Guthrie
|
|
gptkbp:features
|
gptkb:prison
|
|
gptkbp:follows
|
British POWs
|
|
gptkbp:genre
|
gptkb:drama
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Captive Heart
|
|
gptkbp:influenced_by
|
gptkb:Bridge_on_the_River_Kwai
gptkb:narrative_structure
gptkb:The_Great_Escape
gptkb:loss
gptkb:loyalty
gptkb:Legacy
gptkb:honor
gptkb:military_history
gptkb:identity
gptkb:memory
gptkb:sacrifice
British history
history
patriotism
trauma
hope
plot twists
suffering
grief
redemption
symbolism
emotional depth
forgiveness
moral dilemmas
British cinema
cinematic techniques
character arcs
visual storytelling
historical dramas
duty
real events
war films
human resilience
despair
psychological themes
climactic moments
character studies
themes of war
post-war narratives
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:William_Alwyn
|
|
gptkbp:notable_quote
|
" Hope is a dangerous thing."
" We are all prisoners here."
|
|
gptkbp:premiere
|
gptkb:London
|
|
gptkbp:produced_by
|
Cyril Frankel
|
|
gptkbp:production_company
|
gptkb:Eagle-Lion_Films
|
|
gptkbp:release_date
|
1950-09-01
|
|
gptkbp:released_in
|
1950
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:James_A._Mc_Crea
|
|
gptkbp:set_in
|
gptkb:World_War_II
|
|
gptkbp:starring
|
gptkb:Michael_Redgrave
gptkb:Bernard_Lee
gptkb:John_Mills
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:survival
gptkb:friendship
courage
|
|
gptkbp:bfsParent
|
gptkb:Renaissance_album
|
|
gptkbp:bfsLayer
|
5
|