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gptkbp:instance_of
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gptkb:film
|
|
gptkbp:bfsLayer
|
5
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|
gptkbp:bfsParent
|
gptkb:Renaissance_album
|
|
gptkbp:awards
|
none known
|
|
gptkbp:based_on
|
gptkb:novel
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:cinematography
|
gptkb:Cecil_Beaton
|
|
gptkbp:color
|
black and white
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|
gptkbp:country
|
gptkb:United_Kingdom
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|
gptkbp:critical_reception
|
mixed
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|
gptkbp:cultural_impact
|
depicted POW experiences
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|
gptkbp:directed_by
|
Cyril Frankel
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gptkbp:distributor
|
gptkb:General_Film_Distributors
|
|
gptkbp:edited_by
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gptkb:John_D._Guthrie
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|
gptkbp:features
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gptkb:prison
|
|
gptkbp:follows
|
British PO Ws
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|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Captive Heart
|
|
gptkbp:influenced_by
|
gptkb:Bridge_on_the_River_Kwai
gptkb:military_unit
gptkb:TV_series
gptkb:church
gptkb:award
gptkb:Magic:_The_Gathering_set
gptkb:The_Great_Escape
gptkb:loss
gptkb:loyalty
gptkb:Saint
gptkb:archaeological_site
British history
history
patriotism
trauma
hope
plot twists
suffering
grief
redemption
symbolism
emotional depth
forgiveness
moral dilemmas
British cinema
cinematic techniques
character arcs
visual storytelling
historical dramas
duty
real events
war films
human resilience
despair
psychological themes
climactic moments
character studies
themes of war
post-war narratives
|
|
gptkbp:language
|
English
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|
gptkbp:music_by
|
gptkb:William_Alwyn
|
|
gptkbp:notable_quote
|
" Hope is a dangerous thing."
" We are all prisoners here."
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|
gptkbp:premiere
|
gptkb:Borough
|
|
gptkbp:produced_by
|
Cyril Frankel
|
|
gptkbp:production_company
|
gptkb:Eagle-Lion_Films
|
|
gptkbp:release_date
|
1950-09-01
|
|
gptkbp:released_in
|
1950
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:screenplay_by
|
gptkb:James_A._Mc_Crea
|
|
gptkbp:set_in
|
gptkb:World_War_II
|
|
gptkbp:starring
|
gptkb:Michael_Redgrave
gptkb:Bernard_Lee
gptkb:John_Mills
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:survival
gptkb:Community_Center
courage
|