|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Chaucer's_Canterbury_Tales
|
|
gptkbp:awards
|
gptkb:none
|
|
gptkbp:based_on
|
gptkb:The_Canterbury_Tales
|
|
gptkbp:box_office
|
$1 million
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:cinematography
|
gptkb:Tonino_Delli_Colli
|
|
gptkbp:contains
|
adult themes
|
|
gptkbp:country
|
gptkb:Italy
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced later adaptations
|
|
gptkbp:depicts
|
medieval society
|
|
gptkbp:directed_by
|
gptkb:Pier_Paolo_Pasolini
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:Nino_Baragli
|
|
gptkbp:features
|
multiple stories
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:follows
|
gptkb:The_Decameron
|
|
gptkbp:genre
|
gptkb:High_School
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Canterbury Tales (film)
|
|
gptkbp:influenced_by
|
gptkb:Italian_Neorealism
gptkb:comic_book
gptkb:Geoffrey_Chaucer
gptkb:novel
gptkb:film
Renaissance literature
surrealism
European cinema
|
|
gptkbp:inspired_by
|
The Canterbury Tales (book)
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
|
|
gptkbp:language
|
gptkb:Italian
|
|
gptkbp:music_by
|
gptkb:Ennio_Morricone
|
|
gptkbp:narrative_style
|
frame story
|
|
gptkbp:notable_for
|
explicit content
|
|
gptkbp:produced_by
|
gptkb:Alberto_Grimaldi
|
|
gptkbp:release_year
|
gptkb:1972
|
|
gptkbp:released_in
|
gptkb:Italy
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Pier_Paolo_Pasolini
|
|
gptkbp:series
|
Pasolini's Trilogy of Life
|
|
gptkbp:set_in
|
14th century
|
|
gptkbp:starring
|
gptkb:Laura_Betti
gptkb:Franco_Citti
gptkb:Ninetto_Davoli
|
|
gptkbp:themes
|
gptkb:musical
gptkb:philosopher
gptkb:church
gptkb:class
gptkb:betrayal
love
morality
hypocrisy
adultery
|