|
gptkbp:instance_of
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gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Harold_Bell_Wright
|
|
gptkbp:based_on
|
novel by Edna Ferber
The Cabin in the Cotton (novel)
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|
gptkbp:box_office
|
$1.5 million
$2 million
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gptkbp:budget
|
$1 million
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gptkbp:character
|
gptkb:Tom
gptkb:The_Cotton_Picker
gptkb:The_Narrator
gptkb:The_Mentor
gptkb:The_Protagonist
gptkb:Missy
gptkb:The_Preacher
gptkb:Marjorie
The Townsfolk
The Rival
The Sheriff
The Love Interest
The Antagonist
The Supporting Character
The Minor Character
Mr. Mc Gowan
Mr. Mc Gowan's Daughter
The Laborers
The Landowner
The Wealthy Family
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gptkbp:character_development
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David's growth
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gptkbp:cinematography
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gptkb:John_Alton
gptkb:James_Wong_Howe
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gptkbp:color
|
gptkb:Black_and_White
black and white
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|
gptkbp:conflict
|
class struggle
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|
gptkbp:country
|
gptkb:United_States
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gptkbp:critical_reception
|
Mixed reviews
mixed reviews
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gptkbp:cultural_impact
|
influenced later works
Reflected social issues of the time.
depiction of Southern life
|
|
gptkbp:depicts
|
Southern Gothic elements
|
|
gptkbp:directed_by
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gptkb:Michael_Curtiz
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|
gptkbp:director
|
gptkb:Michael_Curtiz
gptkb:Ira_Levin
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gptkbp:distributor
|
gptkb:Columbia_Pictures
|
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gptkbp:edited_by
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George Amy
George Hively
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|
gptkbp:explores
|
moral dilemmas
family dynamics
economic hardship
personal sacrifice
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|
gptkbp:features
|
strong female characters
complex male characters
|
|
gptkbp:film_festival
|
gptkb:None
|
|
gptkbp:filming_location
|
gptkb:California
|
|
gptkbp:filmography
|
George Hively
|
|
gptkbp:follows
|
The Cabin in the Cotton (novel)
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|
gptkbp:genre
|
gptkb:Romance
gptkb:Author
gptkb:High_School
|
|
gptkbp:home_media_release
|
gptkb:DJ
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Cabin in the Cotton
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|
gptkbp:influenced
|
film noir
social commentary films
later Southern dramas
subsequent films about the South
|
|
gptkbp:influenced_by
|
American literature
silent films
|
|
gptkbp:influences
|
gptkb:architect
|
|
gptkbp:inspired
|
the Southern Gothic genre
|
|
gptkbp:inspired_by
|
Real-life events in the South
|
|
gptkbp:is_available_on
|
gptkb:DJ
gptkb:film
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:David
|
|
gptkbp:motif
|
rural life
|
|
gptkbp:music_by
|
gptkb:Bernard_Herrmann
gptkb:Hugo_Friedhofer
|
|
gptkbp:narrative_style
|
first-person
|
|
gptkbp:notable_appearance
|
gptkb:the_love_triangle
the confrontation scene
the cotton field scene
|
|
gptkbp:notable_for
|
gptkb:its_score
its narrative style
its character development
its cultural significance
its historical context
its cinematography
its artistic merit
its direction
its screenplay
Bette Davis's early role
Richard Barthelmess's performance
|
|
gptkbp:notable_quote
|
" I am a man of the people."
" I’m not a cotton picker, I’m a man!"
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|
gptkbp:plot
|
David's journey in a divided society.
|
|
gptkbp:plot_summary
|
A young man becomes involved in a love triangle and class struggle.
|
|
gptkbp:produced_by
|
gptkb:Warner_Bros.
|
|
gptkbp:production_company
|
gptkb:Columbia_Pictures
|
|
gptkbp:published_by
|
gptkb:1920
|
|
gptkbp:publisher
|
gptkb:G._P._Putnam's_Sons
|
|
gptkbp:release_date
|
December 10, 1932
April 1950
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:release_year
|
gptkb:1932
1950
|
|
gptkbp:released
|
gptkb:1932
|
|
gptkbp:remake
|
gptkb:None
The Cabin in the Cotton (1950)
|
|
gptkbp:runtime
|
90 minutes
80 minutes
|
|
gptkbp:screenplay_by
|
gptkb:J._Grubb_Alexander
Hugh Mc Elroy
|
|
gptkbp:set_in
|
gptkb:Mississippi
|
|
gptkbp:setting
|
gptkb:Arkansas
|
|
gptkbp:soundtrack
|
Original score by Hugo Friedhofer
|
|
gptkbp:starring
|
gptkb:Mona_Freeman
gptkb:Richard_Barthelmess
gptkb:Beverly_Tyler
gptkb:Bette_Davis
gptkb:Richard_Arlen
gptkb:John_Mc_Intire
|
|
gptkbp:symbolism
|
the cabin
|
|
gptkbp:theme
|
social issues
|
|
gptkbp:themes
|
love
class struggle
racial tension
|
|
gptkbp:bfsParent
|
gptkb:Bette_Davis
|
|
gptkbp:bfsLayer
|
3
|