|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:artist
|
Nina Blue
|
|
gptkbp:audience
|
85% on Rotten Tomatoes
|
|
gptkbp:awards
|
Best Sci-Fi Film at the 2051 Oscars
|
|
gptkbp:box_office
|
$200 million
|
|
gptkbp:budget
|
$50 million
|
|
gptkbp:cast
|
gptkb:Alice_Johnson
gptkb:Bob_Brown
|
|
gptkbp:character
|
gptkb:Marcus_Lee
gptkb:The_Child
gptkb:The_Guardian
gptkb:Dr._Alan_Turing
gptkb:The_Scientist
gptkb:Samantha_Rivers
The Rebel Leader
AI Entity
Evelyn Carter
General Thompson
The Bridge Keeper
|
|
gptkbp:character_appearance
|
gptkb:Laura_Grey
|
|
gptkbp:cinematography
|
gptkb:Michael_Green
|
|
gptkbp:composer
|
gptkb:Emily_White
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
Positive reviews from critics.
|
|
gptkbp:director
|
gptkb:John_Doe
Tom Red
|
|
gptkbp:distributor
|
gptkb:Universal_Pictures
|
|
gptkbp:editor
|
gptkb:Sara_Black
|
|
gptkbp:film_festival
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:film_series
|
gptkb:The_Bridge_Series
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
|
|
gptkbp:genre
|
gptkb:Author
|
|
gptkbp:has_sequel
|
gptkb:The_Bridge:_Origins
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Bridge (2050)
|
|
gptkbp:influences
|
gptkb:weapon
gptkb:Ex_Machina
gptkb:Inception
gptkb:Interstellar
gptkb:The_Matrix
|
|
gptkbp:language
|
English
|
|
gptkbp:plot
|
A dystopian future where humanity must bridge the gap between technology and nature.
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:producer
|
gptkb:XYZ_Productions
|
|
gptkbp:production_company
|
gptkb:ABC_Studios
|
|
gptkbp:rating
|
PG-13
|
|
gptkbp:release_date
|
July 15, 2050
|
|
gptkbp:release_year
|
2050
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:sequel
|
gptkb:The_Bridge:_Rebirth
|
|
gptkbp:soundtrack
|
The Bridge Soundtrack Album
|
|
gptkbp:theme
|
Technology vs Nature
|
|
gptkbp:visual_effects
|
gptkb:VFX_Studios_Inc.
|
|
gptkbp:writer
|
gptkb:Jane_Smith
|
|
gptkbp:bfsParent
|
gptkb:Zentropa
|
|
gptkbp:bfsLayer
|
4
|