gptkbp:instance_of
|
gptkb:comic_book
|
gptkbp:adapted_into
|
gptkb:television_series
|
gptkbp:art_style
|
gritty
|
gptkbp:awards
|
gptkb:Eisner_Award
|
gptkbp:character
|
gptkb:The_Boys
gptkb:The_Seven
|
gptkbp:character_development
|
complex characters
|
gptkbp:colorist
|
Tony Aviña
|
gptkbp:conflict
|
The Boys vs The Seven
|
gptkbp:created_by
|
gptkb:Garth_Ennis
|
gptkbp:critical_reception
|
positive
|
gptkbp:cultural_impact
|
critique of superhero genre
|
gptkbp:editor
|
gptkb:Dynamite_Entertainment
|
gptkbp:first_appearance
|
The Boys #1
|
gptkbp:first_published
|
gptkb:The_Boys_#1-6
|
gptkbp:followed_by
|
gptkb:The_Boys:_Volume_2
|
gptkbp:format
|
gptkb:trade_paperback
|
gptkbp:genre
|
gptkb:superhero
|
gptkbp:illustrated_by
|
gptkb:Darick_Robertson
|
gptkbp:influenced_by
|
gptkb:Saga
gptkb:Watchmen
gptkb:The_Sandman
gptkb:The_Ultimates
gptkb:The_New_Frontier
gptkb:The_Flashpoint_Paradox
gptkb:Fables
gptkb:The_Walking_Dead
gptkb:Y:_The_Last_Man
gptkb:Civil_War
gptkb:The_Dark_Knight_Returns
gptkb:Locke_&_Key
gptkb:Daredevil
gptkb:The_Punisher
gptkb:clergy
gptkb:The_Authority
gptkb:Kick-Ass
gptkb:Kingdom_Come
gptkb:The_Boys_(TV_series)
Bone
Identity Crisis
Marvels
|
gptkbp:isbn
|
978-1-932112-24-0
|
gptkbp:language
|
English
|
gptkbp:last_appearance
|
gptkb:The_Boys_#6
|
gptkbp:main_character
|
gptkb:Hughie_Campbell
gptkb:Billy_Butcher
Mother's Milk
Frenchman
The Female
|
gptkbp:narrative_focus
|
superheroes and their consequences
|
gptkbp:narrative_style
|
dark humor
|
gptkbp:page_count
|
160
|
gptkbp:plot
|
anti-superhero narrative
|
gptkbp:published_by
|
gptkb:Dynamite_Entertainment
|
gptkbp:published_in
|
gptkb:2006
|
gptkbp:release_date
|
gptkb:2006
|
gptkbp:series
|
gptkb:The_Boys
|
gptkbp:setting
|
a world with superheroes
|
gptkbp:style
|
satirical
|
gptkbp:target_audience
|
mature readers
|
gptkbp:television_show
|
gptkb:The_Boys
|
gptkbp:theme
|
gptkb:corruption
vigilantism
|
gptkbp:bfsParent
|
gptkb:Garth_Ennis
|
gptkbp:bfsLayer
|
4
|