|
gptkbp:instance_of
|
gptkb:musical
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:awards
|
BAFTA nominations
Academy Award nominations
Golden Globe nominations
|
|
gptkbp:based_on
|
gptkb:musical
|
|
gptkbp:box_office
|
$2.5 million
£1.5 million
|
|
gptkbp:budget
|
$1.5 million
£1 million
|
|
gptkbp:cast
|
gptkb:Diana_Dors
gptkb:Beryl_Reid
gptkb:Terry_Scott
gptkb:Marilyn_Hill_Smith
gptkb:Maggie_Smith
gptkb:Graham_Payn
gptkb:Julie_Andrews
gptkb:Clive_Dunn
gptkb:John_Le_Mesurier
gptkb:Richard_O'_Sullivan
|
|
gptkbp:character
|
gptkb:Lord_Brockhurst
gptkb:Bobby
gptkb:The_Boyfriend
gptkb:The_Countess
Maisie
Polly Browne
|
|
gptkbp:character_appearance
|
gptkb:Anthony_Powell
|
|
gptkbp:character_development
|
comedic elements
romantic subplot
strong female lead
|
|
gptkbp:choreography
|
gptkb:Tommy_Tune
gptkb:Twiggy
|
|
gptkbp:cinematography
|
gptkb:David_Watkin
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:country
|
gptkb:United_Kingdom
|
|
gptkbp:created_by
|
gptkb:Sandy_Wilson
|
|
gptkbp:critical_reception
|
mixed reviews
|
|
gptkbp:cultural_impact
|
influenced later musicals
performed at festivals
performed in schools and community theaters
inspired adaptations and parodies
influenced fashion trends of the time
revivals in various countries
associated with the 1950s British theatre scene
celebrated for its lightheartedness
part of British musical theatre history
recognized for its catchy tunes
revived interest in 1920s style musicals
|
|
gptkbp:cultural_references
|
1960s fashion
British pop music
theatre traditions
|
|
gptkbp:design
|
colorful costumes
elaborate sets
|
|
gptkbp:died_in
|
gptkb:2002
gptkb:2013
|
|
gptkbp:director
|
gptkb:Ken_Russell
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:Michael_Bradsell
|
|
gptkbp:film_festival
|
gptkb:film_festival
|
|
gptkbp:film_score
|
original compositions
|
|
gptkbp:filming_location
|
gptkb:Borough
|
|
gptkbp:filmography
|
gptkb:Michael_Bradsell
linear editing
|
|
gptkbp:first_released
|
gptkb:West_End
|
|
gptkbp:genre
|
gptkb:musical
|
|
gptkbp:has_cameo
|
gptkb:Tommy_Tune
gptkb:Clive_Revill
gptkb:Dudley_Moore
gptkb:battle
gptkb:Anna_Quayle
|
|
gptkbp:home_media_release
|
gptkb:DJ
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Boyfriend
|
|
gptkbp:influenced_by
|
1920s musical style
|
|
gptkbp:influences
|
British musical theatre
British theatre
1960s pop culture
|
|
gptkbp:inspired_by
|
The Boyfriend (musical)
|
|
gptkbp:is_worshipped_by
|
gptkb:church
gptkb:battle
|
|
gptkbp:language
|
English
|
|
gptkbp:music_by
|
gptkb:Ronnie_Hazlehurst
gptkb:Lerner_and_Loewe
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_song
|
gptkb:The_Girl_Who_Came_to_Supper
gptkb:The_Boyfriend
I Could Be Happy With You
Won't You Charleston With Me?
Take a Little One Step
|
|
gptkbp:premiere
|
gptkb:Borough
|
|
gptkbp:premiered_on
|
1953
|
|
gptkbp:production_company
|
gptkb:20th_Century_Fox
|
|
gptkbp:release_date
|
December 1971
|
|
gptkbp:release_year
|
gptkb:1971
|
|
gptkbp:remake
|
gptkb:The_Boyfriend_(2010)
gptkb:battle
|
|
gptkbp:runtime
|
100 minutes
108 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Julian_Barry
|
|
gptkbp:sequel
|
gptkb:battle
|
|
gptkbp:set_in
|
gptkb:Ken_Adam
|
|
gptkbp:setting
|
gptkb:French_Riviera
|
|
gptkbp:sound
|
gptkb:Mono
|
|
gptkbp:soundtrack
|
gptkb:The_Boyfriend_(soundtrack_album)
available on CD
available on vinyl
|
|
gptkbp:starring
|
gptkb:Tommy_Tune
gptkb:Anne_Heywood
gptkb:Twiggy
gptkb:Clive_Revill
gptkb:Dudley_Moore
gptkb:Anna_Quayle
|
|
gptkbp:themes
|
gptkb:benchmark
gptkb:TV_series
gptkb:theatre
love
romance
artifice
class differences
|
|
gptkbp:bfsParent
|
gptkb:Kate_Moss
gptkb:Kristin_Chenoweth
gptkb:state_highway
gptkb:Fleabag
|
|
gptkbp:bfsLayer
|
3
|