Statements (117)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:poetry
gptkb:literary_work |
| gptkbp:adaptations |
gptkb:musical_composition
gptkb:theatrical_performances graphic novels |
| gptkbp:art_style |
relief etching
|
| gptkbp:associated_with |
William Blake's vision
|
| gptkbp:author |
gptkb:William_Blake
|
| gptkbp:available_in |
public domain
|
| gptkbp:characters |
gptkb:Urizen
Los Enitharmon The Divine Vision |
| gptkbp:contains |
social commentary
poetic verses mythical narratives the exploration of identity philosophical reflections political themes the quest for knowledge spiritual exploration philosophical ideas the nature of existence allegorical elements the struggle for freedom the role of the artist mythological references the critique of materialism the exploration of morality the exploration of the human condition dichotomy of good and evil the exploration of the self the exploration of fate and free will the idea of redemption cosmological views the examination of power dynamics illustrated poems the conflict between reason and imagination the exploration of love and desire the critique of organized religion the exploration of dreams and visions the representation of chaos and order the concept of the fall the exploration of time and eternity the portrayal of divine beings the portrayal of the cosmos the portrayal of the natural world the representation of duality the representation of the sublime the representation of the unconscious mind |
| gptkbp:critical_reception |
mixed
mixed reviews analyzed for symbolism considered complex |
| gptkbp:cultural_impact |
in literature
inspired artists in philosophy studied in academia influenced literary criticism in visual arts |
| gptkbp:explores |
the fall of man
the nature of existence the role of the creator the concept of the eternal the conflict between reason and imagination |
| gptkbp:first_edition |
hand-printed
|
| gptkbp:genre |
gptkb:poetry
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Book of Urizen
|
| gptkbp:illustrated_by |
gptkb:William_Blake
|
| gptkbp:influenced |
gptkb:T._S._Eliot
gptkb:Dylan_Thomas gptkb:William_Butler_Yeats postmodern literature surrealism |
| gptkbp:influences |
gptkb:Gnosticism
gptkb:Romanticism modern literature |
| gptkbp:inspired |
later artists
theosophical movements |
| gptkbp:is_a_source_of |
inspiration for writers
|
| gptkbp:is_a_subject_of |
scholarly debate
|
| gptkbp:is_analyzed_in |
gptkb:literary_criticism
|
| gptkbp:is_available_in |
various translations
|
| gptkbp:is_considered |
a foundational text of Romantic literature
|
| gptkbp:is_known_for |
its unique style
|
| gptkbp:is_often_compared_to |
other prophetic works by Blake
|
| gptkbp:is_part_of |
Western literary canon
|
| gptkbp:is_referenced_in |
academic papers
|
| gptkbp:is_regarded_as |
a complex work
|
| gptkbp:is_studied_in |
literary courses
|
| gptkbp:language |
English
|
| gptkbp:main_character |
gptkb:Urizen
|
| gptkbp:narrative_style |
symbolic
mythical |
| gptkbp:notable_for |
its illustrations
|
| gptkbp:notable_quote |
' The Eternal Female'
' The mind-forg'd manacles' |
| gptkbp:part_of |
gptkb:The_Prophetic_Books
Blake's prophetic books |
| gptkbp:published |
1794
|
| gptkbp:published_in |
gptkb:London
1794 |
| gptkbp:related_works |
gptkb:Songs_of_Innocence_and_of_Experience
gptkb:Milton gptkb:The_Marriage_of_Heaven_and_Hell |
| gptkbp:structure |
gptkb:poetry
illustrated text |
| gptkbp:symbolism |
the four Zoas
|
| gptkbp:themes |
gptkb:mythology
gptkb:oppression gptkb:philosophy creation innocence vs experience fall of man |
| gptkbp:bfsParent |
gptkb:Jerusalem
gptkb:William_Blake |
| gptkbp:bfsLayer |
4
|