gptkbp:instanceOf
|
poem
|
gptkbp:analyzes
|
literary critics
|
gptkbp:author
|
gptkb:William_Blake
|
gptkbp:contains
|
visions
|
gptkbp:discusses
|
innocence and experience
|
gptkbp:explores
|
life and death
|
gptkbp:features
|
The Lamb
The Urizen
Thel
|
gptkbp:follows
|
Songs of Innocence
|
gptkbp:formFactor
|
narrative poem
|
gptkbp:genre
|
lyric poetry
|
gptkbp:gift_shop
|
philosophical questions
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Book of Thel
|
gptkbp:illustratedBy
|
gptkb:William_Blake
|
gptkbp:influenced
|
modern poetry
|
gptkbp:influencedBy
|
Romanticism
|
gptkbp:isAssociatedWith
|
William_Blake's_philosophy
|
gptkbp:isAvailableIn
|
public domain
|
gptkbp:isCharacterizedBy
|
symbolism
|
gptkbp:isCitedIn
|
literary analyses
|
gptkbp:isConsidered
|
a significant work
|
gptkbp:isCriticizedFor
|
for its depth
|
gptkbp:isExploredIn
|
academic papers
|
gptkbp:isFiledIn
|
the late 18th century
a general audience
|
gptkbp:isIncorporatedIn
|
several languages
|
gptkbp:isInfluencedBy
|
gptkb:the_Bible
|
gptkbp:isInspiredBy
|
Blake's_personal_experiences
Blake's_visions
|
gptkbp:isNotableFor
|
its illustrations
|
gptkbp:isNotedFor
|
its lyrical quality
|
gptkbp:isOftenMadeWith
|
other_Blake_works
|
gptkbp:isPartOf
|
Blake's_mythos
|
gptkbp:isPublishedIn
|
anthologies
|
gptkbp:isRecognizedFor
|
a classic
|
gptkbp:isReferencedIn
|
various literary works
|
gptkbp:isReflectedIn
|
various editions
|
gptkbp:isReviewedBy
|
literary journals
|
gptkbp:isSetIn
|
a dreamlike landscape
|
gptkbp:isStudiedIn
|
collectors
literature courses
|
gptkbp:isUsedIn
|
thematic studies
|
gptkbp:isValuedFor
|
its artistic merit
|
gptkbp:isVisitedBy
|
gptkb:William_Blake's_engravings
|
gptkbp:language
|
English
|
gptkbp:partOf
|
Songs of Experience
|
gptkbp:publishedBy
|
gptkb:Joseph_Johnson
|
gptkbp:publishedIn
|
1789
|
gptkbp:reflects
|
Blake's_worldview
|
gptkbp:represents
|
the quest for understanding
|
gptkbp:symbolizes
|
the soul
|
gptkbp:theme
|
innocence
|
gptkbp:translatedInto
|
multiple languages
|
gptkbp:wasEstablishedIn
|
the late 18th century
|