|
gptkbp:instance_of
|
gptkb:novel
|
|
gptkbp:adaptation
|
gptkb:The_Book_of_Evidence_(film)
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1999
gptkb:2007
|
|
gptkbp:audience
|
mixed reviews
|
|
gptkbp:author
|
gptkb:John_Banville
|
|
gptkbp:awards
|
gptkb:James_Tait_Black_Memorial_Prize
|
|
gptkbp:box_office
|
$500,000
$1 million
|
|
gptkbp:cast
|
gptkb:John_C._Reilly
|
|
gptkbp:character_arc
|
redemption
|
|
gptkbp:character_development
|
gptkb:complex
|
|
gptkbp:character_motivation
|
desire for freedom
|
|
gptkbp:character_relationships
|
narcissism
estranged family
|
|
gptkbp:cinematography
|
gptkb:Michael_Mc_Donough
|
|
gptkbp:climax
|
confrontation with the law
|
|
gptkbp:conflict
|
gptkb:murder
internal conflict
|
|
gptkbp:country
|
gptkb:Ireland
|
|
gptkbp:cover_artist
|
gptkb:unknown
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:criticism
|
analyzed extensively
|
|
gptkbp:cultural_impact
|
gptkb:Celtic_mythology
|
|
gptkbp:director
|
gptkb:David_O._Russell
gptkb:David_O'_Hara
|
|
gptkbp:film
|
gptkb:David_O'_Hara
gptkb:Ruth_Negga
gptkb:Aidan_Gillen
gptkb:Liam_Cunningham
gptkb:Tommy_Tiernan
gptkb:Ciarán_Hinds
gptkb:Lindsay_Duncan
gptkb:Gerard_Mc_Sorley
gptkb:Ruth_Bradley
gptkb:Dervla_Kirwan
English
|
|
gptkbp:film_awards
|
nominated for awards
Best Film at the Irish Film and Television Awards
|
|
gptkbp:film_editing
|
The Book of Evidence (1999)
|
|
gptkbp:film_length
|
90 minutes
|
|
gptkbp:followed_by
|
gptkb:The_Infinities
gptkb:Ghost
|
|
gptkbp:genre
|
gptkb:John_Banville
gptkb:drama
Literary fiction
literary fiction
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Book of Evidence
|
|
gptkbp:influenced_artists
|
contemporary writers
|
|
gptkbp:influences
|
gptkb:existentialism
gptkb:Kafka
gptkb:Proust
Joyce
|
|
gptkbp:inspiration
|
real-life events
|
|
gptkbp:is_symbolic_of
|
truth
|
|
gptkbp:isbn
|
978-0-14-024066-0
978-0330371864
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
witty
|
|
gptkbp:literary_devices
|
stream of consciousness
|
|
gptkbp:main_character
|
gptkb:Philip_O’_Leary
gptkb:Philip_Baker
Freddie Montgomery
|
|
gptkbp:motif
|
gptkb:memory
|
|
gptkbp:narrative
|
first-person
unreliable narrator
|
|
gptkbp:narrative_style
|
gptkb:postmodernism
first-person
|
|
gptkbp:page_count
|
256
|
|
gptkbp:part_of_series
|
The Book of Evidence series
|
|
gptkbp:plot
|
gptkb:murder_mystery
|
|
gptkbp:production_company
|
gptkb:First_Look_Studios
|
|
gptkbp:protagonist
|
gptkb:Artist
gptkb:Philip_Baker
|
|
gptkbp:published
|
gptkb:1989
|
|
gptkbp:published_year
|
gptkb:1999
|
|
gptkbp:publisher
|
gptkb:Picador
gptkb:Secker_&_Warburg
|
|
gptkbp:reader_demographic
|
thought-provoking
|
|
gptkbp:release_year
|
1999-09-01
2007-09-21
|
|
gptkbp:resolution
|
ambiguous ending
|
|
gptkbp:screenplay
|
gptkb:John_Banville
|
|
gptkbp:setting
|
gptkb:Dublin
gptkb:Ireland
|
|
gptkbp:setting_time
|
gptkb:1980s
|
|
gptkbp:start_location
|
gptkb:Dublin
|
|
gptkbp:style
|
stream of consciousness
metafiction
|
|
gptkbp:symbolism
|
gptkb:art
|
|
gptkbp:tempo
|
slow
|
|
gptkbp:theme
|
gptkb:identity
gptkb:memory
morality
guilt
|
|
gptkbp:themes
|
gptkb:identity
|
|
gptkbp:bfsParent
|
gptkb:John_Banville
|
|
gptkbp:bfsLayer
|
4
|