|
gptkbp:instance_of
|
gptkb:painting
gptkb:novel
gptkb:installation_art
gptkb:cultural_venue
gptkb:artwork
gptkb:play
|
|
gptkbp:accepts
|
credit cards
|
|
gptkbp:accessibility
|
ADA compliant
|
|
gptkbp:acquired_by
|
gptkb:Museum_of_Modern_Art,_New_York
Museum of Modern Art in 1937
|
|
gptkbp:adaptation
|
gptkb:film_adaptation
gptkb:The_Blue_Room_(film)
gptkb:film
|
|
gptkbp:adaptation_year
|
gptkb:1969
|
|
gptkbp:adapted_into
|
La Ronde by Arthur Schnitzler
|
|
gptkbp:address
|
123 Main St, New York, NY
|
|
gptkbp:art_movement
|
Modern art
|
|
gptkbp:art_style
|
gptkb:painting
color harmony
minimalism
capturing light
|
|
gptkbp:artistic_expression
|
reflects societal changes
varied interpretations by viewers
expresses joy and tranquility
|
|
gptkbp:artistic_focus
|
female figure
|
|
gptkbp:artistic_influence
|
gptkb:spirituality
influenced later artists
influenced modern art movements
inspired by nature
influenced other artists
|
|
gptkbp:artistic_innovation
|
innovative use of color
|
|
gptkbp:artistic_legacy
|
remains influential today
Impressionist period
part of Renoir's legacy
part of Turrell's body of work
|
|
gptkbp:artistic_philosophy
|
experience over object.
|
|
gptkbp:artistic_technique
|
soft edges
impasto
light manipulation
|
|
gptkbp:artistic_vision
|
exploration of light
perception and reality
recognized as a masterpiece
balanced composition
transformative experience
captures fleeting moments
|
|
gptkbp:associated_with
|
gptkb:spirituality
|
|
gptkbp:atmosphere
|
lively
|
|
gptkbp:audience
|
gptkb:immersive_experience
gptkb:Public
positive
|
|
gptkbp:author
|
gptkb:Georges_Simenon
Georges Simenon was a Belgian writer.
|
|
gptkbp:awards
|
Laurence Olivier Award nomination
|
|
gptkbp:capacity
|
gptkb:300
|
|
gptkbp:cast
|
gptkb:Jean-Paul_Belmondo
|
|
gptkbp:character
|
gptkb:The_Man
gptkb:The_Stranger
gptkb:The_Woman
gptkb:The_Young_Woman
The Young Man
The Couple
The Older Man
The Older Woman
|
|
gptkbp:character_arc
|
transformative journeys
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_motivation
|
personal desires
|
|
gptkbp:character_relationships
|
tragic flaws
intricate dynamics
tension-filled interactions
|
|
gptkbp:characters
|
2
8
|
|
gptkbp:cinematography
|
Jean Badal
|
|
gptkbp:collaboration
|
gptkb:Museum_of_Fine_Arts,_Houston
|
|
gptkbp:collection
|
gptkb:State_collections_of_France
Mo MA Collection
|
|
gptkbp:color
|
gptkb:blue
chromotherapy
|
|
gptkbp:color_palette
|
blue tones
|
|
gptkbp:coloration
|
gptkb:blue
|
|
gptkbp:composed_by
|
asymmetrical
still life and figure
|
|
gptkbp:conflict
|
gptkb:murder_mystery
ambiguous ending
|
|
gptkbp:costume_design
|
casual
|
|
gptkbp:country
|
gptkb:France
|
|
gptkbp:created_by
|
gptkb:Irma_Stern
gptkb:Gwen_John
gptkb:Henri_Matisse
gptkb:Pablo_Picasso
gptkb:James_Turrell
gptkb:Yves_Klein
gptkb:Pierre-Auguste_Renoir
gptkb:Pierre_Bonnard
gptkb:Spencer_Gore
|
|
gptkbp:critical_reception
|
generally positive
well-received
|
|
gptkbp:cultural_impact
|
influenced modern theatre
influenced crime fiction
|
|
gptkbp:cultural_references
|
contemporary society
|
|
gptkbp:cultural_significance
|
gptkb:contemporary_art
modernist art
symbol of the avant-garde
depicts modern life
|
|
gptkbp:curator
|
gptkb:Museum_of_Fine_Arts,_Houston
|
|
gptkbp:depicts
|
interior scene
a woman in a blue room
|
|
gptkbp:dimensions
|
variable
100 cm × 73 cm
100 cm × 81 cm
76.2 cm × 101.6 cm
76.2 cm × 61 cm
100 x 81 cm
195 x 130 cm
180 cm × 220 cm
|
|
gptkbp:director
|
gptkb:Gérard_Oury
|
|
gptkbp:discusses
|
in art forums
|
|
gptkbp:duration
|
ongoing
approximately 90 minutes
|
|
gptkbp:element
|
the blue color
|
|
gptkbp:events
|
DJ performances
themed nights
private parties
|
|
gptkbp:exhibited_at
|
gptkb:Paris
gptkb:Paris_Salon
gptkb:Salon_d'_Automne
various art museums
in international museums
Yves Klein: The Blue Revolution
|
|
gptkbp:exhibition
|
gptkb:Salon_d'_Automne
permanent collection
high value
Yves Klein: The Artist and the Void
|
|
gptkbp:exhibition_history
|
gptkb:Armory_Show_1913
featured in major exhibitions
featured in various exhibitions
|
|
gptkbp:exhibits
|
melancholy themes
|
|
gptkbp:features
|
gptkb:bar
live music
a woman
a man
dance floor
monochromatic blue palette
woman in a blue room
monochromatic blue hues
|
|
gptkbp:film
|
gptkb:French
|
|
gptkbp:film_awards
|
none known
|
|
gptkbp:film_length
|
100 minutes
|
|
gptkbp:first_performance
|
1998-01-01
|
|
gptkbp:genre
|
gptkb:Michel_Magne
gptkb:drama
gptkb:detective_fiction
|
|
gptkbp:has
|
gptkb:sound_system
gptkb:stage_play
restrooms
dance competitions
special events
tables
outdoor seating
soundproofing
VIP area
chairs
dance floors
happy hour specials
themed parties
open mic nights
themed decorations
live bands
lighting control
lighting effects
dance instructors
karaoke nights
photo booth
security staff
signature drinks
live DJs
coat check
guest DJs
food menu
bar stools
|
|
gptkbp:has_influenced
|
contemporary artists
other artists
|
|
gptkbp:has_reception
|
well-received by critics
|
|
gptkbp:historical_context
|
post-war Europe
|
|
gptkbp:historical_significance
|
early 20th century art
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Blue Room
|
|
gptkbp:iconography
|
intimacy and comfort
|
|
gptkbp:influenced
|
gptkb:contemporary_art
|
|
gptkbp:influenced_by
|
gptkb:Symbolism
gptkb:Impressionism
surrealism
symbolism
Japanese prints
|
|
gptkbp:influences
|
gptkb:Post-Impressionism
gptkb:existentialism
gptkb:La_Ronde
perception
later artists
|
|
gptkbp:inspiration
|
gptkb:Arthur_Schnitzler
natural phenomena
real-life events
Renoir's wife
Bonnard's home life
|
|
gptkbp:inspired_by
|
the concept of the void
Picasso's experiences in Paris
|
|
gptkbp:installation
|
site-specific
to evoke emotion
|
|
gptkbp:installation_type
|
permanent installation
|
|
gptkbp:interacts_with
|
viewer engagement
|
|
gptkbp:is_accessible_by
|
gptkb:subway
|
|
gptkbp:is_analyzed_in
|
gptkb:art_critics
its emotional impact
in art criticism
for its composition
its spatial dynamics
|
|
gptkbp:is_associated_with
|
the theme of domesticity
|
|
gptkbp:is_celebrated_for
|
its artistic innovation
|
|
gptkbp:is_cited_in
|
art literature
in art history textbooks
|
|
gptkbp:is_considered
|
a masterpiece
a significant work in art history
a reflection of social issues
a significant contribution to modern art.
a pivotal work in Bonnard's career
a precursor to later works by Picasso
|
|
gptkbp:is_considered_to_be
|
a reflection of Bonnard's style
|
|
gptkbp:is_decorated_with
|
modern
|
|
gptkbp:is_discussed_in
|
art critiques
|
|
gptkbp:is_displayed_in
|
permanent collection
in major art exhibitions
|
|
gptkbp:is_examined_in
|
art theory discussions
|
|
gptkbp:is_famous_for
|
its vibrant colors
its emotional resonance
|
|
gptkbp:is_featured_in
|
exhibitions
|
|
gptkbp:is_known_for
|
live performances
themed events
dance parties
|
|
gptkbp:is_located_in
|
gptkb:Manhattan
|
|
gptkbp:is_notable_for
|
its emotional depth
its somber mood
|
|
gptkbp:is_noted_for
|
its unique perspective
|
|
gptkbp:is_often_discussed_in
|
art education
|
|
gptkbp:is_part_of
|
Picasso's early works
20th-century art movements
the narrative of Picasso's life
the evolution of modern art
Picasso's Blue Period works
Bonnard's exploration of color and light
Bonnard's legacy
Bonnard's series of interiors
|
|
gptkbp:is_popular_among
|
young adults
|
|
gptkbp:is_popular_for
|
birthday parties
bachelorette parties
|
|
gptkbp:is_recognized_as
|
a significant work
for its emotional depth
|
|
gptkbp:is_recognized_by
|
gptkb:art_historians
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
in popular culture
|
|
gptkbp:is_regarded_as
|
a precursor to later works
a key example of Post-Impressionism
as a masterpiece of the Blue Period
|
|
gptkbp:is_represented_in
|
art history books
|
|
gptkbp:is_sought_after_by
|
art collectors
|
|
gptkbp:is_studied_in
|
in art schools
|
|
gptkbp:is_valued_for
|
for its historical significance
|
|
gptkbp:isbn
|
978-2-07-036080-0
|
|
gptkbp:language
|
gptkb:French
English
|
|
gptkbp:lighting
|
gptkb:LED
|
|
gptkbp:literary_significance
|
notable work of Simenon
|
|
gptkbp:location
|
gptkb:Iziko_South_African_National_Gallery
gptkb:Museum_of_Modern_Art,_New_York
gptkb:New_York_City
gptkb:Tate_Britain
gptkb:Museum_of_Modern_Art
gptkb:Museum_of_Fine_Arts,_Houston
gptkb:Tate_Gallery,_London
gptkb:Musee_d'_Orsay
indoor space
|
|
gptkbp:main_character
|
gptkb:Tony_Falcone
|
|
gptkbp:media_coverage
|
art publications
|
|
gptkbp:medium
|
gptkb:light
gptkb:oil_on_canvas
Oil on canvas
|
|
gptkbp:motif
|
isolation
|
|
gptkbp:music_genre
|
various
|
|
gptkbp:narrative
|
limited perspective
tells a story of domestic life
|
|
gptkbp:narrative_style
|
third-person
foreshadowing
minimalist prose
|
|
gptkbp:notable_actor
|
gptkb:Anna_Friel
gptkb:Jesse_Buckley
gptkb:Maisie_Williams
gptkb:Richard_Armitage
gptkb:David_Mitchell
gptkb:Emily_Blunt
gptkb:Judi_Dench
gptkb:Margot_Robbie
gptkb:Sophie_Turner
gptkb:Hayley_Atwell
gptkb:John_Simm
gptkb:Charlize_Theron
gptkb:Michaela_Coel
gptkb:Tom_Hollander
gptkb:Noma_Dumezweni
gptkb:Milly_Alcock
gptkb:Claudie_Blakley
gptkb:Amandla_Stenberg
gptkb:Anne_Jacqueline_Hathaway
gptkb:Anya_Taylor-Joy
gptkb:Caleb_Mc_Laughlin
gptkb:Camila_Carraro_Mendes
gptkb:Cara_Buono
gptkb:Daniel_Kaluuya
gptkb:David_Gyasi
gptkb:Gal_Gadot
gptkb:Lupita_Nyong'o
gptkb:Octavia_Spencer
gptkb:Sadie_Elizabeth_Sink
gptkb:Scarlett_Johansson
gptkb:Sir_Phoebe_Waller-Bridge
gptkb:Storm_Reid
gptkb:Viola_Ann_Davis
gptkb:Catherine_Tate
gptkb:Daisy_Ridley
gptkb:Daniel_Craig
gptkb:David_Bradley
gptkb:David_Tennant
gptkb:Gaten_Matarazzo
gptkb:Jessica_Chastain
gptkb:Jessica_Henwick
gptkb:Jodie_Comer
gptkb:John_Boyega
gptkb:Katherine_Kelly
gptkb:Keke_Palmer
gptkb:Meryl_Streep
gptkb:Natalie_Portman
gptkb:Olivia_Colman
gptkb:Olivia_Rodrigo
gptkb:Rosamund_Pike
gptkb:Ruth_Negga
gptkb:Ruth_Wilson
gptkb:Sabrina_Carpenter
gptkb:Sophie_Skelton
gptkb:Winona_Ryder
gptkb:Billie_Piper
gptkb:Danai_Gurira
gptkb:David_Oyelowo
gptkb:Finn_Wolfhard
gptkb:Kate_Winslet
gptkb:Madelaine_Petsch
gptkb:Madison_Bailey
gptkb:Noah_Schnapp
gptkb:Taraji_P._Henson
gptkb:Zoe_Saldana
gptkb:Charlie_Heaton
gptkb:Katherine_Parkinson
gptkb:Lily_James
gptkb:Tessa_Thompson
gptkb:Rebecca_Hall
gptkb:Lili_Reinhart
gptkb:Ben_Whishaw
gptkb:Angela_Bassett
gptkb:David_Harbour
gptkb:Emma_Stone
gptkb:Florence_Pugh
gptkb:Jennifer_Lawrence
gptkb:Sophie_Okonedo
gptkb:Tom_Hiddleston
gptkb:Jessica_Brown_Findlay
gptkb:Matthew_Macfadyen
gptkb:Millie_Bobby_Brown
gptkb:Yara_Shahidi
gptkb:Matthew_Goode
gptkb:Hugh_Dancy
gptkb:Natalia_Dyer
gptkb:Chiwetel_Ejiofor
gptkb:Natalie_Dormer
gptkb:Emma_Corrin
gptkb:Emma_Mackey
gptkb:Samantha_Bond
gptkb:Kaya_Scodelario
gptkb:Zoe_Isabella_Kravitz
gptkb:Rafe_Spall
gptkb:Maisie_Peters
gptkb:Ian_Mc_Kellen
gptkb:Lily_Jane_Collins
|
|
gptkbp:notable_features
|
light and shadow play
|
|
gptkbp:notable_for
|
use of color
|
|
gptkbp:notable_production
|
gptkb:Royal_Court_Theatre
gptkb:West_End
gptkb:Off-Broadway
|
|
gptkbp:notable_technique
|
color blocking
|
|
gptkbp:offers
|
gptkb:cocktail
gptkb:wine
bottled beer
|
|
gptkbp:open_to_public
|
on permanent display
|
|
gptkbp:opened
|
gptkb:2000
|
|
gptkbp:opening_hours
|
9 PM to 4 AM
|
|
gptkbp:original_language
|
English
|
|
gptkbp:owner
|
gptkb:unknown
|
|
gptkbp:page_count
|
192
|
|
gptkbp:part_of
|
Blue Period series
|
|
gptkbp:part_of_series
|
gptkb:Monochrome_Blue_Series
|
|
gptkbp:performance_style
|
realism
|
|
gptkbp:plot
|
non-linear
|
|
gptkbp:plot_twist
|
unexpected revelations
|
|
gptkbp:premiered_on
|
gptkb:1998
|
|
gptkbp:production_company
|
gptkb:CIC
Les Films de la Plume
|
|
gptkbp:protagonist
|
gptkb:Businessman
|
|
gptkbp:published_by
|
gptkb:Faber_and_Faber
|
|
gptkbp:published_in
|
gptkb:1964
|
|
gptkbp:publisher
|
gptkb:Presses_de_la_Cité
|
|
gptkbp:reader_demographic
|
adult readers
thought-provoking
open to analysis
|
|
gptkbp:reflects
|
Picasso's emotional state
|
|
gptkbp:related_works
|
gptkb:Luncheon_of_the_Boating_Party
|
|
gptkbp:release_year
|
1969-12-17
|
|
gptkbp:represents
|
the infinite
the artist's emotional state
the immaterial
|
|
gptkbp:restoration
|
restored in 2000s
|
|
gptkbp:screenplay
|
gptkb:Gérard_Oury
|
|
gptkbp:series
|
gptkb:none
|
|
gptkbp:setting
|
gptkb:Belgium
various hotel rooms
a hotel room
|
|
gptkbp:setting_time
|
mid-20th century
|
|
gptkbp:sound
|
silent
|
|
gptkbp:style
|
gptkb:Blue_Period
gptkb:Expressionism
gptkb:Fauvism
gptkb:Post-Impressionism
gptkb:Impressionism
minimalist
abstract
psychological thriller
|
|
gptkbp:subject
|
interior scene
woman in a blue room
|
|
gptkbp:subject_matter
|
domestic life
|
|
gptkbp:symbolism
|
symbol of modernity
the blue room itself
|
|
gptkbp:symbolizes
|
freedom
creativity
intimacy
isolation
|
|
gptkbp:technique
|
loose brushwork
color layering
|
|
gptkbp:thematic_element
|
gptkb:moral_ambiguity
|
|
gptkbp:theme
|
gptkb:jealousy
domestic life
perception of light
poverty and melancholy
|
|
gptkbp:themes
|
gptkb:betrayal
love
relationships
leisure and relaxation
sexuality
serene atmosphere
|
|
gptkbp:translated_into
|
gptkb:C._K._Scott_Moncrieff
|
|
gptkbp:type
|
gptkb:nightclub
environmental art
|
|
gptkbp:user_experience
|
immersive
|
|
gptkbp:visitors
|
variable
transcendent
|
|
gptkbp:website
|
www.blueroomnyc.com
|
|
gptkbp:written_by
|
gptkb:David_Hare
|
|
gptkbp:year_created
|
gptkb:1930
gptkb:1961
gptkb:2017
1901
1907
1910
1911
1934
permanent
|
|
gptkbp:bfsParent
|
gptkb:The_Phillips_Collection
|
|
gptkbp:bfsLayer
|
3
|