|
gptkbp:instance_of
|
gptkb:painting
gptkb:concert_tour
gptkb:art_installation
gptkb:novel
gptkb:artwork
gptkb:play
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Mathieu_Amalric
gptkb:The_Phillips_Collection
|
|
gptkbp:accessibility
|
ADA compliant
|
|
gptkbp:acquired
|
gptkb:Museum_of_Modern_Art,_New_York
Museum of Modern Art in 1937
|
|
gptkbp:adaptation
|
gptkb:The_Blue_Room_(film)
gptkb:1969
gptkb:film
|
|
gptkbp:adapted_into
|
La Ronde by Arthur Schnitzler
|
|
gptkbp:addresses
|
123 Main St, New York, NY
|
|
gptkbp:approves
|
credit cards
|
|
gptkbp:art_movement
|
Modern art
|
|
gptkbp:art_style
|
gptkb:soundtrack
soft edges
color harmony
reflects societal changes
impasto
minimalism
exploration of light
perception and reality
female figure
recognized as a masterpiece
balanced composition
light manipulation
transformative experience
varied interpretations by viewers
capturing light
captures fleeting moments
experience over object.
expresses joy and tranquility
|
|
gptkbp:artistic_influence
|
gptkb:philosopher
influenced later artists
influenced modern art movements
inspired by nature
influenced other artists
|
|
gptkbp:artistic_legacy
|
remains influential today
Impressionist period
part of Renoir's legacy
part of Turrell's body of work
|
|
gptkbp:associated_with
|
gptkb:philosopher
|
|
gptkbp:atmosphere
|
lively
|
|
gptkbp:audience
|
gptkb:musician
gptkb:football_club
positive
|
|
gptkbp:author
|
gptkb:Georges_Simenon
Georges Simenon was a Belgian writer.
|
|
gptkbp:awards
|
none known
Laurence Olivier Award nomination
|
|
gptkbp:capacity
|
gptkb:300
|
|
gptkbp:cast
|
gptkb:Jean-Paul_Belmondo
|
|
gptkbp:character
|
gptkb:The_Man
gptkb:The_Stranger
gptkb:The_Woman
gptkb:The_Young_Woman
2
8
The Young Man
The Couple
The Older Man
The Older Woman
|
|
gptkbp:character_appearance
|
casual
|
|
gptkbp:character_arc
|
transformative journeys
|
|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_relationships
|
tragic flaws
intricate dynamics
tension-filled interactions
|
|
gptkbp:cinematography
|
Jean Badal
|
|
gptkbp:collaborations
|
gptkb:Museum_of_Fine_Arts,_Houston
|
|
gptkbp:collection
|
gptkb:State_collections_of_France
Mo MA Collection
|
|
gptkbp:color
|
gptkb:blue
blue tones
chromotherapy
|
|
gptkbp:composed_of
|
asymmetrical
still life and figure
|
|
gptkbp:conflict
|
gptkb:Detective
ambiguous ending
|
|
gptkbp:country
|
gptkb:Monarch
|
|
gptkbp:created_by
|
gptkb:Irma_Stern
gptkb:Gwen_John
gptkb:Henri_Matisse
gptkb:Pablo_Picasso
gptkb:James_Turrell
gptkb:Yves_Klein
gptkb:Pierre-Auguste_Renoir
gptkb:Pierre_Bonnard
gptkb:Spencer_Gore
|
|
gptkbp:critical_reception
|
generally positive
well-received
|
|
gptkbp:cultural_impact
|
influenced modern theatre
influenced crime fiction
|
|
gptkbp:cultural_references
|
contemporary society
|
|
gptkbp:cultural_significance
|
gptkb:soundtrack
modernist art
symbol of the avant-garde
depicts modern life
|
|
gptkbp:curator
|
gptkb:Museum_of_Fine_Arts,_Houston
|
|
gptkbp:depicted_in
|
permanent collection
in major art exhibitions
|
|
gptkbp:depicts
|
interior scene
a woman in a blue room
|
|
gptkbp:dimensions
|
variable
100 cm × 73 cm
100 cm × 81 cm
76.2 cm × 101.6 cm
76.2 cm × 61 cm
100 x 81 cm
195 x 130 cm
180 cm × 220 cm
|
|
gptkbp:director
|
gptkb:Gérard_Oury
|
|
gptkbp:discusses
|
in art forums
|
|
gptkbp:duration
|
ongoing
approximately 90 minutes
|
|
gptkbp:events
|
DJ performances
themed nights
private parties
|
|
gptkbp:examines
|
art theory discussions
|
|
gptkbp:exhibited_at
|
gptkb:Paris
gptkb:Paris_Salon
gptkb:Salon_d'_Automne
various art museums
in international museums
Yves Klein: The Blue Revolution
|
|
gptkbp:exhibition
|
gptkb:Armory_Show_1913
gptkb:Salon_d'_Automne
permanent collection
featured in major exhibitions
featured in various exhibitions
high value
Yves Klein: The Artist and the Void
|
|
gptkbp:exhibits
|
melancholy themes
|
|
gptkbp:famous_for
|
its vibrant colors
its emotional resonance
|
|
gptkbp:features
|
gptkb:candy
live music
a woman
a man
dance floor
monochromatic blue palette
woman in a blue room
monochromatic blue hues
|
|
gptkbp:filmography
|
gptkb:French
100 minutes
|
|
gptkbp:first_performance
|
1998-01-01
|
|
gptkbp:genre
|
gptkb:Michel_Magne
gptkb:Detective
gptkb:High_School
various
|
|
gptkbp:has
|
gptkb:musician
gptkb:theatre
restrooms
dance competitions
special events
tables
outdoor seating
soundproofing
VIP area
chairs
dance floors
happy hour specials
themed parties
open mic nights
themed decorations
live bands
lighting control
lighting effects
dance instructors
karaoke nights
photo booth
security staff
signature drinks
coat check
food menu
bar stools
live D Js
guest D Js
|
|
gptkbp:has_gameplay_element
|
the blue color
|
|
gptkbp:has_influence_on
|
contemporary artists
other artists
|
|
gptkbp:historical_context
|
post-war Europe
|
|
gptkbp:historical_significance
|
early 20th century art
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Blue Room
|
|
gptkbp:influenced
|
gptkb:soundtrack
|
|
gptkbp:influenced_by
|
gptkb:Symbolism
gptkb:painting
surrealism
symbolism
Japanese prints
|
|
gptkbp:influences
|
gptkb:Post-Impressionism
gptkb:existentialism
gptkb:La_Ronde
perception
later artists
|
|
gptkbp:innovation
|
innovative use of color
|
|
gptkbp:inspiration
|
gptkb:Arthur_Schnitzler
natural phenomena
real-life events
Renoir's wife
Bonnard's home life
|
|
gptkbp:inspired_by
|
the concept of the void
Picasso's experiences in Paris
|
|
gptkbp:installation
|
site-specific
permanent installation
to evoke emotion
|
|
gptkbp:interacts_with
|
viewer engagement
|
|
gptkbp:is_accessible_by
|
gptkb:railway_station
|
|
gptkbp:is_analyzed_in
|
gptkb:literary_work
its emotional impact
in art criticism
for its composition
its spatial dynamics
|
|
gptkbp:is_associated_with
|
the theme of domesticity
|
|
gptkbp:is_celebrated_in
|
its artistic innovation
|
|
gptkbp:is_cited_in
|
art literature
in art history textbooks
|
|
gptkbp:is_considered
|
a masterpiece
a significant work in art history
a reflection of social issues
a significant contribution to modern art.
a pivotal work in Bonnard's career
a reflection of Bonnard's style
a precursor to later works by Picasso
as a masterpiece of the Blue Period
|
|
gptkbp:is_considered_as
|
a precursor to later works
a key example of Post-Impressionism
|
|
gptkbp:is_decorated_with
|
modern
|
|
gptkbp:is_discussed_in
|
art education
art critiques
|
|
gptkbp:is_featured_in
|
exhibitions
|
|
gptkbp:is_known_for
|
live performances
themed events
dance parties
|
|
gptkbp:is_motivated_by
|
personal desires
|
|
gptkbp:is_noted_for
|
its unique perspective
|
|
gptkbp:is_part_of
|
Picasso's early works
20th-century art movements
the narrative of Picasso's life
the evolution of modern art
Picasso's Blue Period works
Bonnard's exploration of color and light
Bonnard's legacy
Bonnard's series of interiors
|
|
gptkbp:is_popular_in
|
young adults
birthday parties
bachelorette parties
|
|
gptkbp:is_recognized_by
|
gptkb:art_historians
a significant work
for its emotional depth
|
|
gptkbp:is_referenced_in
|
gptkb:organization
in popular culture
|
|
gptkbp:is_reflected_in
|
Picasso's emotional state
|
|
gptkbp:is_represented_in
|
art history books
|
|
gptkbp:is_sought_after_by
|
art collectors
|
|
gptkbp:is_studied_in
|
in art schools
|
|
gptkbp:is_valued_for
|
for its historical significance
|
|
gptkbp:isbn
|
978-2-07-036080-0
|
|
gptkbp:language
|
gptkb:French
English
|
|
gptkbp:lighting
|
gptkb:lighthouse
|
|
gptkbp:located_in
|
gptkb:Manhattan
|
|
gptkbp:location
|
gptkb:Borough
gptkb:Iziko_South_African_National_Gallery
gptkb:Museum_of_Modern_Art,_New_York
gptkb:Tate_Britain
gptkb:Museum_of_Modern_Art
gptkb:Museum_of_Fine_Arts,_Houston
gptkb:Tate_Gallery,_London
gptkb:Musee_d'_Orsay
indoor space
|
|
gptkbp:main_character
|
gptkb:Tony_Falcone
gptkb:Businessman
|
|
gptkbp:media_coverage
|
art publications
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
gptkb:tank
Oil on canvas
|
|
gptkbp:motif
|
isolation
|
|
gptkbp:narrative_style
|
third-person
foreshadowing
minimalist prose
limited perspective
tells a story of domestic life
|
|
gptkbp:notable_character
|
gptkb:Sir_Jodie_Comer
gptkb:Anna_Friel
gptkb:Jesse_Buckley
gptkb:Maisie_Williams
gptkb:Richard_Armitage
gptkb:David_Mitchell
gptkb:Emily_Blunt
gptkb:Judi_Dench
gptkb:Margot_Robbie
gptkb:Sophie_Turner
gptkb:Hayley_Atwell
gptkb:John_Simm
gptkb:Charlize_Theron
gptkb:Michaela_Coel
gptkb:Tom_Hollander
gptkb:Noma_Dumezweni
gptkb:Milly_Alcock
gptkb:Claudie_Blakley
gptkb:Amandla_Stenberg
gptkb:Anne_Jacqueline_Hathaway
gptkb:Anya_Taylor-Joy
gptkb:Caleb_Mc_Laughlin
gptkb:Camila_Carraro_Mendes
gptkb:Cara_Buono
gptkb:Daniel_Kaluuya
gptkb:David_Gyasi
gptkb:Gal_Gadot
gptkb:Lupita_Nyong'o
gptkb:Octavia_Spencer
gptkb:Sadie_Elizabeth_Sink
gptkb:Scarlett_Johansson
gptkb:Sir_Phoebe_Waller-Bridge
gptkb:Storm_Reid
gptkb:Viola_Ann_Davis
gptkb:Catherine_Tate
gptkb:Daisy_Ridley
gptkb:Daniel_Craig
gptkb:David_Bradley
gptkb:David_Tennant
gptkb:Gaten_Matarazzo
gptkb:Jessica_Chastain
gptkb:Jessica_Henwick
gptkb:John_Boyega
gptkb:Katherine_Kelly
gptkb:Keke_Palmer
gptkb:Meryl_Streep
gptkb:Natalie_Portman
gptkb:Olivia_Colman
gptkb:Olivia_Rodrigo
gptkb:Rosamund_Pike
gptkb:Ruth_Negga
gptkb:Sabrina_Carpenter
gptkb:Sophie_Skelton
gptkb:Winona_Ryder
gptkb:Billie_Piper
gptkb:Danai_Gurira
gptkb:David_Oyelowo
gptkb:Finn_Wolfhard
gptkb:Kate_Winslet
gptkb:Madelaine_Petsch
gptkb:Madison_Bailey
gptkb:Noah_Schnapp
gptkb:Taraji_P._Henson
gptkb:Zoe_Kravitz
gptkb:Zoe_Saldana
gptkb:Charlie_Heaton
gptkb:Katherine_Parkinson
gptkb:Lily_James
gptkb:Tessa_Thompson
gptkb:Rebecca_Hall
gptkb:Lili_Reinhart
gptkb:Ben_Whishaw
gptkb:Angela_Bassett
gptkb:David_Harbour
gptkb:Emma_Stone
gptkb:Florence_Pugh
gptkb:Jennifer_Lawrence
gptkb:Sophie_Okonedo
gptkb:Tom_Hiddleston
gptkb:Jessica_Brown_Findlay
gptkb:Matthew_Macfadyen
gptkb:Millie_Bobby_Brown
gptkb:Yara_Shahidi
gptkb:Matthew_Goode
gptkb:Hugh_Dancy
gptkb:Natalia_Dyer
gptkb:Chiwetel_Ejiofor
gptkb:Lily_Collins
gptkb:Natalie_Dormer
gptkb:Sir_Ruth_Wilson
gptkb:Emma_Corrin
gptkb:Emma_Mackey
gptkb:Samantha_Bond
gptkb:Kaya_Scodelario
gptkb:Rafe_Spall
gptkb:Maisie_Peters
gptkb:Ian_Mc_Kellen
|
|
gptkbp:notable_features
|
light and shadow play
|
|
gptkbp:notable_for
|
its emotional depth
use of color
its somber mood
|
|
gptkbp:notable_production
|
gptkb:Royal_Court_Theatre
gptkb:West_End
gptkb:Off-Broadway
|
|
gptkbp:offers
|
gptkb:cocktail
gptkb:beer
bottled beer
|
|
gptkbp:official_language
|
English
|
|
gptkbp:open_to_public
|
on permanent display
|
|
gptkbp:opened
|
gptkb:2000
|
|
gptkbp:opening_hours
|
9 PM to 4 AM
|
|
gptkbp:owner
|
gptkb:unknown
|
|
gptkbp:page_count
|
192
|
|
gptkbp:part_of
|
Blue Period series
|
|
gptkbp:performance
|
realism
|
|
gptkbp:plot
|
non-linear
|
|
gptkbp:plot_twist
|
unexpected revelations
|
|
gptkbp:premiered_on
|
gptkb:1998
|
|
gptkbp:production_company
|
gptkb:CIC
Les Films de la Plume
|
|
gptkbp:published_by
|
gptkb:Faber_and_Faber
gptkb:1964
|
|
gptkbp:publisher
|
gptkb:Presses_de_la_Cité
|
|
gptkbp:reader_demographic
|
adult readers
thought-provoking
open to analysis
|
|
gptkbp:related_works
|
gptkb:Luncheon_of_the_Boating_Party
|
|
gptkbp:release_year
|
1969-12-17
|
|
gptkbp:represents
|
the infinite
the artist's emotional state
the immaterial
|
|
gptkbp:restoration
|
restored in 2000s
|
|
gptkbp:screenplay_by
|
gptkb:Gérard_Oury
|
|
gptkbp:series
|
gptkb:Monochrome_Blue_Series
gptkb:none
|
|
gptkbp:setting
|
gptkb:Belgium
mid-20th century
various hotel rooms
a hotel room
|
|
gptkbp:significance
|
notable work of Simenon
|
|
gptkbp:sound
|
silent
|
|
gptkbp:stations
|
well-received by critics
|
|
gptkbp:style
|
gptkb:painting
gptkb:Blue_Period
gptkb:Expressionism
gptkb:Fauvism
gptkb:Post-Impressionism
minimalist
abstract
psychological thriller
|
|
gptkbp:subject
|
domestic life
interior scene
woman in a blue room
|
|
gptkbp:symbolism
|
symbol of modernity
the blue room itself
|
|
gptkbp:symbolizes
|
freedom
creativity
intimacy
isolation
intimacy and comfort
|
|
gptkbp:technique
|
loose brushwork
color layering
color blocking
|
|
gptkbp:thematic_element
|
gptkb:moral_ambiguity
|
|
gptkbp:theme
|
gptkb:jealousy
domestic life
perception of light
poverty and melancholy
|
|
gptkbp:themes
|
gptkb:betrayal
love
relationships
leisure and relaxation
sexuality
serene atmosphere
|
|
gptkbp:translated_into
|
gptkb:C._K._Scott_Moncrieff
|
|
gptkbp:type
|
gptkb:football_club
environmental art
|
|
gptkbp:user_experience
|
immersive
|
|
gptkbp:visitors
|
variable
transcendent
|
|
gptkbp:website
|
www.blueroomnyc.com
|
|
gptkbp:written_by
|
gptkb:David_Hare
|
|
gptkbp:year_created
|
gptkb:1930
gptkb:1961
gptkb:2017
1901
1907
1910
1911
1934
permanent
|