Statements (53)
Predicate | Object |
---|---|
gptkbp:instance_of |
gptkb:artwork
|
gptkbp:bfsLayer |
4
|
gptkbp:bfsParent |
gptkb:Henri_Matisse
|
gptkbp:art_movement |
cut-out art
|
gptkbp:art_style |
experimental techniques
layering abstract representation exploration of color and form simplified forms expression of emotion through color use of negative space exploration of abstraction context of 20th-century art movements Matisse's vision of beauty abstract forms of the human body widely recognized artwork |
gptkbp:artistic_influence |
remains relevant in contemporary discussions
significant impact on art history influenced abstract art pioneering cut-out technique |
gptkbp:artistic_legacy |
gptkb:20th_century
influential in modern art legacy in the art world |
gptkbp:associated_with |
Henri Matisse's later works
|
gptkbp:collection |
private collections
|
gptkbp:color |
gptkb:blue
|
gptkbp:created_by |
gptkb:Henri_Matisse
|
gptkbp:cultural_significance |
post-war art movement
|
gptkbp:dimensions |
varies by piece
|
gptkbp:exhibited_at |
gptkb:The_Museum_of_Modern_Art
|
gptkbp:exhibition |
Henri Matisse retrospective
multiple exhibitions since creation |
gptkbp:historical_context |
gptkb:post-World_War_II_art
|
https://www.w3.org/2000/01/rdf-schema#label |
The Blue Nudes (1952)
|
gptkbp:influenced |
contemporary artists
|
gptkbp:influenced_artists |
gptkb:Pablo_Picasso
|
gptkbp:influenced_by |
gptkb:fauvism
|
gptkbp:innovation |
innovative artistic practices
|
gptkbp:inspired_by |
African art
|
gptkbp:is_influenced_by |
gptkb:modernism
|
gptkbp:location |
gptkb:Museum_of_Modern_Art,_New_York
|
gptkbp:medium |
cut paper collage
|
gptkbp:narrative_style |
narrative of femininity
engages in dialogue with viewers |
gptkbp:notable_for |
innovative use of color
|
gptkbp:part_of |
gptkb:Blue_Nudes_series
|
gptkbp:style |
modern art
|
gptkbp:subject |
female figures
|
gptkbp:symbolism |
symbol of freedom and expression
|
gptkbp:technique |
collage
cut-out |
gptkbp:themes |
the female form
|
gptkbp:year_created |
gptkb:1952
|