Statements (66)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:painting
gptkb:poet |
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Dante_Gabriel_Rossetti
gptkb:Pre-Raphaelite_Brotherhood gptkb:The_Pre-Raphaelites |
| gptkbp:art_movement |
Victorian art
|
| gptkbp:art_style |
use of light and shadow
layering of paint idealized beauty recognized as a significant work in art history expresses deep emotional resonance balanced and harmonious rich textures and patterns Rossetti's vision of love beyond death depicts a spiritual reunion reflects Victorian attitudes towards death use of vibrant colors and intricate details |
| gptkbp:artistic_influence |
inspired discussions on love and spirituality
significant in the Pre-Raphaelite movement influenced the Pre-Raphaelite Brotherhood's ideals. |
| gptkbp:artistic_legacy |
remains a subject of study in art history
considered a masterpiece of the Pre-Raphaelite Brotherhood |
| gptkbp:associated_with |
Dante Gabriel Rossetti's literary works
|
| gptkbp:author |
gptkb:Dante_Gabriel_Rossetti
|
| gptkbp:color |
vibrant colors
|
| gptkbp:creator |
gptkb:Dante_Gabriel_Rossetti
|
| gptkbp:cultural_impact |
influenced Victorian art and literature
|
| gptkbp:cultural_significance |
represents Victorian ideals of love and loss
|
| gptkbp:depicts |
a woman gazing at her lover from heaven
|
| gptkbp:dimensions |
29.5 in × 19.5 in
|
| gptkbp:exhibition |
Tate Britain exhibitions
Exhibited at the Royal Academy in 1871 |
| gptkbp:form |
stanzaic structure
|
| gptkbp:genre |
gptkb:poet
|
| gptkbp:historical_context |
created during the Victorian era
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Blessed Damozel
|
| gptkbp:influence |
inspired later Pre-Raphaelite works
|
| gptkbp:influenced_artists |
Dante Alighieri's works
later Pre-Raphaelite painters |
| gptkbp:influenced_by |
gptkb:award
gptkb:Pre-Raphaelite_Brotherhood |
| gptkbp:inspiration |
poem by Dante Gabriel Rossetti
|
| gptkbp:language |
English
|
| gptkbp:location |
gptkb:Tate_Britain
|
| gptkbp:medium |
gptkb:oil_on_canvas
|
| gptkbp:mood |
gptkb:melancholic
|
| gptkbp:motif |
angels and heavenly imagery
|
| gptkbp:narrative_style |
tells a story of love and loss
|
| gptkbp:notable_features |
depiction of a woman in a heavenly setting
|
| gptkbp:notable_quote |
' The blessed damozel leaned out'
|
| gptkbp:published_by |
1850
|
| gptkbp:reproduction |
widely reproduced in prints
|
| gptkbp:setting |
gptkb:fortification
|
| gptkbp:style |
gptkb:Pre-Raphaelite
|
| gptkbp:subject |
heavenly love
|
| gptkbp:symbolism |
spiritual longing
represents eternal love represents the ideal of eternal love |
| gptkbp:technique |
detailed brushwork
|
| gptkbp:themes |
gptkb:cemetery
love longing longing and separation love, death, and the afterlife |
| gptkbp:year_created |
gptkb:1871
|