|
gptkbp:instance_of
|
gptkb:novel
gptkb:song
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:none
none known
|
|
gptkbp:album
|
gptkb:Color_Him_Father
gptkb:To_Pimp_a_Butterfly
|
|
gptkbp:artist
|
gptkb:Kendrick_Lamar
|
|
gptkbp:artistic_influence
|
gptkb:Yes
spoken word
|
|
gptkbp:artistic_vision
|
Kendrick Lamar's perspective
|
|
gptkbp:audience
|
critically acclaimed
positive
|
|
gptkbp:author
|
gptkb:Wallace_Thurman
|
|
gptkbp:available_formats
|
gptkb:audiobook
gptkb:print
ebook
|
|
gptkbp:awards
|
gptkb:Grammy_nominations
Grammy nomination
|
|
gptkbp:based_on
|
novel by Wallace Thurman
|
|
gptkbp:box_office
|
gptkb:unknown
|
|
gptkbp:character
|
gptkb:Mr._Orange
gptkb:Mr._Tellurium
gptkb:Mr._Pink
gptkb:Mr._Californium
gptkb:Mr._Curium
gptkb:Mr._Darmstadtium
gptkb:Bobby
gptkb:Clara
gptkb:acceptance
gptkb:Mr._Black
gptkb:Mr._Blue
gptkb:Mr._Brown
gptkb:Miss_Americium
gptkb:Miss_Bohrium
gptkb:Miss_Copper
gptkb:Miss_Dubnium
gptkb:Miss_Mendelevium
gptkb:Miss_Nihonium
gptkb:Miss_Polonium
gptkb:Miss_Radium
gptkb:Miss_Roentgenium
gptkb:Miss_Vanadium
gptkb:Miss_Arsenic
gptkb:Miss_Uranium
gptkb:Mr._Copernicium
gptkb:Mr._Plutonium
gptkb:Dr._Johnson
gptkb:Mr._Fermium
gptkb:Mr._Seaborgium
gptkb:Mrs._Brown
gptkb:Mr._Flerovium
gptkb:Mr._White
gptkb:Mr._Titanium
gptkb:Mr._Smith
social issues
African American community
Mrs. Smith
personal struggles
Mr. Thompson
Mr. and Mrs. Johnson
Miss Jones
Miss Brown
Miss Gold
Miss Zinc
Mr. Silver
Miss Purple
Miss Red
Mr. Neptunium
Mr. Nobelium
Mr. Livermorium
Miss Williams
Mr. Davis
Mr. Antimony
Mr. Bronze
Mr. Cobalt
Mr. Lead
Mr. Steel
Mr. Tin
Mr. Astatine
Mr. Oganesson
Mr. Chromium
Mr. Francium
Mr. Hassium
Mr. Rutherfordium
Miss Berkelium
Miss Bismuth
Miss Einsteinium
Miss Green
Miss Lawrencium
Miss Manganese
Miss Meitnerium
Miss Moscovium
Miss Nickel
Miss Radon
Miss Tennessine
Miss Yellow
Miss Gray
Miss Iron
Miss Taylor
Emma Lou
Reverend Johnson
|
|
gptkbp:character_development
|
complex characters
Emma Lou's journey
|
|
gptkbp:chart_performance
|
gptkb:Billboard_Hot_100
Billboard Hot R& B/ Hip-Hop Songs
|
|
gptkbp:chart_position
|
#1 on US Billboard Hot R& B/ Hip-Hop Songs
#2 on Billboard R& B chart
#2 on US Billboard Hot 100
|
|
gptkbp:cinematography
|
gptkb:James_Wong_Howe
|
|
gptkbp:collaborations
|
gptkb:Thundercat
gptkb:Anna_Wise
|
|
gptkbp:collaborator
|
gptkb:Thundercat
|
|
gptkbp:color
|
gptkb:Black
gptkb:Red
gptkb:Yellow
black-and-white
|
|
gptkbp:community_impact
|
gptkb:Yes
|
|
gptkbp:conflict
|
internal and external conflicts
|
|
gptkbp:context
|
gptkb:Black_Lives_Matter_movement
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:created_in
|
gptkb:2014
|
|
gptkbp:critical_reception
|
acclaimed
positive
mixed
mixed reviews
widely acclaimed
|
|
gptkbp:cultural_impact
|
gptkb:significant
discussions on identity
influenced Black filmmakers
discusses colorism in African American community
|
|
gptkbp:cultural_references
|
gptkb:Yes
African heritage
|
|
gptkbp:cultural_significance
|
gptkb:Black_Lives_Matter_movement
gptkb:Yes
depicts African American life
|
|
gptkbp:dimensions
|
Variable
|
|
gptkbp:director
|
gptkb:Oscar_Micheaux
|
|
gptkbp:discussed_in_interviews
|
Kendrick Lamar interviews
|
|
gptkbp:discussed_in_media
|
music blogs
|
|
gptkbp:distributor
|
gptkb:Micheaux_Film_Corporation
|
|
gptkbp:editing
|
montage
|
|
gptkbp:exhibited_at
|
gptkb:Museum_of_Contemporary_Art,_Los_Angeles
|
|
gptkbp:fan_reception
|
widely acclaimed
|
|
gptkbp:featured_artist
|
gptkb:None
gptkb:none
|
|
gptkbp:featured_in
|
gptkb:documentaries
gptkb:To_Pimp_a_Butterfly
|
|
gptkbp:features_song
|
Best of 2015
|
|
gptkbp:film_appearance
|
gptkb:None
gptkb:Black_Panther
|
|
gptkbp:film_editing
|
gptkb:Oscar_Micheaux
|
|
gptkbp:film_festival
|
gptkb:NAACP_Image_Award
|
|
gptkbp:film_technique
|
realism
|
|
gptkbp:followed_by
|
gptkb:You_Ain't_Gotta_Lie_(Momma_Said)
gptkb:The_Betrayal_(1948)
Mortal Man
|
|
gptkbp:genre
|
gptkb:Fiction
gptkb:soul
gptkb:drama
hip hop
|
|
gptkbp:historical_context
|
post-World War II America
1920s America
|
|
gptkbp:historical_impact
|
Ferguson protests
|
|
gptkbp:historical_legacy
|
gptkb:Black_Power_Movement
gptkb:Afrofuturism
impact on hip hop.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Blacker the Berry
|
|
gptkbp:impact
|
gptkb:music_industry
gptkb:social_movements
political discourse
artistic expression
cultural significance
cultural discussions
cultural discussions on race
|
|
gptkbp:influence
|
cultural studies
modern discussions on race
scholarly analysis of race relations
|
|
gptkbp:influenced
|
gptkb:hip_hop_culture
gptkb:social_movements
African American literature
feminist literature
social justice movements
contemporary literature
subsequent African American cinema
|
|
gptkbp:influenced_artists
|
gptkb:J._Cole
gptkb:Tupac_Shakur
gptkb:The_Miseducation_of_Lauryn_Hill
gptkb:Nas
gptkb:Public_Enemy
gptkb:Yes
neo-soul
Black culture
jazz rap
|
|
gptkbp:influenced_by
|
gptkb:hip_hop_culture
gptkb:Harlem_Renaissance
gptkb:W._E._B._Du_Bois
gptkb:Langston_Hughes
gptkb:Zora_Neale_Hurston
gptkb:Nella_Larsen
gptkb:Claude_Mc_Kay
gptkb:poet
African American culture
hip hop artists
social activists
civil rights leaders
Harlem Renaissance literature
|
|
gptkbp:influences
|
gptkb:Harlem_Renaissance
African American culture
social issues
social commentary
|
|
gptkbp:inspiration
|
personal experiences
Kendrick Lamar's experiences
Wallace Thurman's novel
Thurman's own experiences
|
|
gptkbp:inspired_by
|
gptkb:historical_events
gptkb:Black_Lives_Matter_movement
African American culture
|
|
gptkbp:is_a
|
gptkb:artwork
|
|
gptkbp:is_analyzed_in
|
Art criticism
|
|
gptkbp:is_cited_in
|
music reviews
|
|
gptkbp:is_considered
|
A commentary on race
A reflection on identity
|
|
gptkbp:is_critiqued_by
|
gptkb:Yes
|
|
gptkbp:is_discussed_in
|
Academic journals
academic papers
|
|
gptkbp:is_displayed_in
|
gptkb:The_Studio_Museum_in_Harlem
|
|
gptkbp:is_influenced_by
|
gptkb:cultural_identity
gptkb:Civil_Rights_Movement
gptkb:Black_Lives_Matter
|
|
gptkbp:is_part_of
|
Mark Bradford's body of work
|
|
gptkbp:is_reviewed_by
|
Art publications
|
|
gptkbp:isbn
|
978-1-56663-123-4
978-1-60306-123-4
|
|
gptkbp:label
|
gptkb:Interscope_Records
gptkb:Top_Dawg_Entertainment
gptkb:Metromedia_Records
gptkb:Aftermath_Entertainment
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
248
295
2:59
4:55
4:08
|
|
gptkbp:literary_devices
|
symbolism
imagery
irony
foreshadowing
|
|
gptkbp:literary_significance
|
explores themes of race and identity
|
|
gptkbp:live_performance
|
gptkb:The_Tonight_Show_Starring_Jimmy_Fallon
gptkb:Coachella
gptkb:Coachella_2016
frequently performed
|
|
gptkbp:lyrical_themes
|
gptkb:race
gptkb:Yes
gptkb:identity
self-identity
identity and pride
self-hatred
|
|
gptkbp:lyricist
|
gptkb:Kendrick_Lamar
|
|
gptkbp:main_character
|
Emma Lou
|
|
gptkbp:message
|
gptkb:social_justice
identity and pride
|
|
gptkbp:motif
|
gptkb:cultural_heritage
gptkb:Color
gptkb:community
discrimination
self-acceptance
family dynamics
|
|
gptkbp:music
|
gptkb:Duke_Ellington
|
|
gptkbp:music_genre
|
conscious hip hop
political hip hop
|
|
gptkbp:music_style
|
conscious rap
verse-chorus
political hip hop
|
|
gptkbp:music_video
|
gptkb:Yes
|
|
gptkbp:music_video_director
|
gptkb:Director_X
|
|
gptkbp:musical_elements
|
jazz influences
jazz and funk influences
|
|
gptkbp:narrative
|
first-person
|
|
gptkbp:narrative_style
|
third-person
non-linear
|
|
gptkbp:notable_achievements
|
Grammy nominations.
|
|
gptkbp:notable_awards
|
gptkb:MTV_Video_Music_Awards
|
|
gptkbp:notable_cast
|
gptkb:Ethel_Waters
gptkb:Dr._Paul_Robeson
gptkb:Ruby_Dee
|
|
gptkbp:notable_collaborations
|
gptkb:Sounwave
Sounwave, Thundercat
|
|
gptkbp:notable_for
|
sampled in hip hop music
|
|
gptkbp:notable_performance
|
gptkb:BET_Awards_2015
|
|
gptkbp:notable_performances
|
gptkb:BET_Awards_2015
gptkb:Coachella_2016
|
|
gptkbp:notable_quote
|
" I am proud of my heritage."
The blacker the berry, the sweeter the juice.
" Color is a social construct."
" I am black and beautiful."
" Identity is a complex issue."
" The blacker the berry, the sweeter the juice."
|
|
gptkbp:notable_song
|
The blacker the berry, the sweeter the juice.
“ The blacker the berry, the sweeter the juice.”
“ I’m the biggest hypocrite of 2015.”
“ You hate me, don’t you?”
“ The blacker the berry, the sweeter the juice”
|
|
gptkbp:notable_themes
|
identity politics
|
|
gptkbp:page_count
|
320
|
|
gptkbp:performed_at
|
gptkb:Grammy_Awards_2016
|
|
gptkbp:performed_by
|
gptkb:The_Winstons
gptkb:Kendrick_Lamar
|
|
gptkbp:performed_in
|
gptkb:2015_tour
|
|
gptkbp:plot
|
Emma Lou's life and struggles
|
|
gptkbp:preceded_by
|
gptkb:King_Kunta
i
|
|
gptkbp:premiere_location
|
gptkb:New_York_City
|
|
gptkbp:producer
|
gptkb:Sounwave
|
|
gptkbp:production_company
|
gptkb:Micheaux_Film_Corporation
|
|
gptkbp:protagonist
|
gptkb:Emma_Lou_Brown
|
|
gptkbp:published
|
gptkb:1929
|
|
gptkbp:publisher
|
Knopf
|
|
gptkbp:record_label
|
gptkb:Interscope_Records
gptkb:Top_Dawg_Entertainment
gptkb:Aftermath_Entertainment
|
|
gptkbp:recorded_in
|
gptkb:2014
|
|
gptkbp:recording_location
|
gptkb:Los_Angeles
|
|
gptkbp:recording_year
|
gptkb:2014
|
|
gptkbp:release_date
|
1948-01-01
|
|
gptkbp:release_format
|
digital and physical
|
|
gptkbp:release_year
|
gptkb:2015
1948
|
|
gptkbp:released
|
gptkb:2015
|
|
gptkbp:released_as_single
|
gptkb:Yes
|
|
gptkbp:released_in
|
gptkb:1969
|
|
gptkbp:released_on
|
March 23, 2015
|
|
gptkbp:remix
|
gptkb:Yes
|
|
gptkbp:runtime
|
90 minutes
|
|
gptkbp:sampled_in
|
gptkb:None
“ The Blacker the Berry” by Kendrick Lamar
The Blacker the Berry by The Winstons
|
|
gptkbp:score
|
gptkb:Duke_Ellington
|
|
gptkbp:screenplay
|
gptkb:Oscar_Micheaux
|
|
gptkbp:setting
|
gptkb:Harlem_Renaissance
gptkb:Harlem,_New_York
gptkb:Harlem
|
|
gptkbp:social_issues
|
racism and discrimination
|
|
gptkbp:song
|
gptkb:Alright
|
|
gptkbp:songwriters
|
gptkb:Drew_J._Smith
gptkb:Kendrick_Lamar
gptkb:Mark_Anthony_Spears
gptkb:Terrence_Henderson
gptkb:Kendrick_Duckworth
gptkb:Sounwave
Kendrick Lamar and Sounwave
Kendrick Lamar, Mark Anthony, and others
Kendrick Lamar, Mark Anthony, and others.
|
|
gptkbp:soundtrack
|
Duke Ellington's compositions
|
|
gptkbp:streaming_platforms
|
gptkb:Spotify
|
|
gptkbp:studio
|
gptkb:Westlake_Recording_Studios
|
|
gptkbp:style
|
gptkb:Modernist
Contemporary art
conscious rap
|
|
gptkbp:symbolism
|
color as a symbol of identity
|
|
gptkbp:theme
|
gptkb:race
gptkb:identity
racial identity
race and identity
colorism
|
|
gptkbp:themes
|
gptkb:cultural_identity
gptkb:historical_context
systemic racism
community issues
personal struggle
identity and race
|
|
gptkbp:vocalization
|
aggressive delivery
|
|
gptkbp:writer
|
gptkb:Kendrick_Lamar
gptkb:Jesse_Lee_Williams
|
|
gptkbp:bfsParent
|
gptkb:Kendrick_Lamar
gptkb:Langston_Hughes
|
|
gptkbp:bfsLayer
|
3
|