Statements (276)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:museum
gptkb:artwork |
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Robert_Rauschenberg
gptkb:Kerry_James_Marshall |
| gptkbp:art_movement |
gptkb:Post-Painterly_Abstraction
gptkb:soundtrack modern art self-discovery |
| gptkbp:art_style |
gptkb:architect
gptkb:painting gptkb:existentialism gptkb:radio_station gptkb:musical_group gptkb:organization gptkb:Surah European art Critical acclaim critical acclaim shape abstract art for art's sake emotional depth layering minimalism texture reconciliation Postmodern art contrast light and shadow color field painting non-representational art the nature of perception rejection of traditional aesthetics Exploration of power dynamics non-representational textural contrast hard-edge painting challenge perception exploration of visual language use of negative space post-war American art the relationship between color and form memory and forgetting exploration of void personal expression through abstraction use of monochrome. widely regarded as significant elimination of color limits of painting on surface and texture subtle variations in black |
| gptkbp:artistic_influence |
gptkb:cultural_discourse
gptkb:Joseph_Beuys gptkb:artwork cultural significance on visual arts influenced installation art Influence on visual culture challenged traditional aesthetics redefined painting's boundaries to abstract expressionism |
| gptkbp:artistic_legacy |
gptkb:soundtrack
influence on future artists impact on future generations pioneering abstract art |
| gptkbp:artwork |
mixed media
historical consciousness |
| gptkbp:associated_with |
gptkb:New_York_School
Romanticism movement |
| gptkbp:challenges |
artistic conventions
to conventional art forms |
| gptkbp:characteristics |
intense emotions
use of light and shadow dark themes social commentary symbolism psychological depth exploration of the subconscious dramatic scenes exploration of the human condition use of irony exploration of existential themes use of allegory depiction of violence exploration of fear exploration of madness distorted forms exploration of mortality depiction of folklore depiction of despair depiction of the macabre depiction of the tragic figurative representation exploration of the absurd depiction of the supernatural exploration of the grotesque depiction of isolation monochromatic palette use of grotesque imagery absence of traditional beauty depiction of the uncanny emphasis on human suffering exploration of the irrational |
| gptkbp:collection |
gptkb:The_Guggenheim_Museum
Private collections private collections |
| gptkbp:color |
gptkb:Black
gptkb:black Black and white black and white dark tones |
| gptkbp:created |
gptkb:1967
|
| gptkbp:created_by |
gptkb:Francisco_Goya
gptkb:Ad_Reinhardt gptkb:Anselm_Kiefer gptkb:Ralph_Hotere gptkb:Robert_Longo gptkb:Frank_Stella |
| gptkbp:cultural_impact |
post-war Germany
significant in contemporary art discourse on art |
| gptkbp:cultural_significance |
reflection of Goya's mental state
Reflection of 1980s America |
| gptkbp:dimensions |
Variable
varies by piece |
| gptkbp:exhibited_at |
gptkb:Whitney_Museum_of_American_Art
gptkb:Guggenheim_Museum gptkb:Museum_of_Modern_Art gptkb:Museo_del_Prado Permanent collections |
| gptkbp:exhibition |
gptkb:Art_Gallery_of_New_South_Wales
gptkb:The_Museum_of_Contemporary_Art gptkb:Borough gptkb:1967 gptkb:1968 gptkb:1987 gptkb:2016 gptkb:New_York gptkb:Museum_of_Modern_Art gptkb:Museum_of_New_Zealand_Te_Papa_Tongarewa gptkb:Documenta_IX gptkb:National_Gallery_of_New_Zealand solo exhibition The Black Paintings at the Guggenheim Robert Longo: The Black Paintings |
| gptkbp:historical_significance |
gptkb:post-World_War_II_art
1960s art movement |
| gptkbp:historical_source |
gptkb:World_War_II
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Black Paintings
|
| gptkbp:impact |
Cultural commentary
|
| gptkbp:influence |
gptkb:Expressionism
gptkb:memorial minimalism |
| gptkbp:influenced |
gptkb:soundtrack
Graphic design Visual Arts contemporary artists future generations of artists |
| gptkbp:influenced_by |
gptkb:European_modernism
gptkb:Spanish_War_of_Independence gptkb:political_organization gptkb:Jackson_Pollock gptkb:German_Romanticism |
| gptkbp:innovation |
use of industrial materials
in the use of black |
| gptkbp:inspiration |
gptkb:mythological_figure
|
| gptkbp:inspired |
gptkb:art_installation
|
| gptkbp:inspired_by |
gptkb:temple
gptkb:modernism personal experiences Media imagery |
| gptkbp:is_analyzed_in |
Art Theory
|
| gptkbp:is_characterized_by |
Geometric shapes
|
| gptkbp:is_considered |
Pioneering work in Minimalism
|
| gptkbp:is_criticized_for |
mixed reviews
Societal norms polarizing opinions debate on meaning |
| gptkbp:is_part_of |
American Art History
Frank Stella's body of work |
| gptkbp:is_recognized_by |
Art Critics
|
| gptkbp:is_reflected_in |
human experience
|
| gptkbp:is_studied_in |
Art History Courses
|
| gptkbp:location |
gptkb:Museo_del_Prado
gptkb:Museo_Nacional_Centro_de_Arte_Reina_Sofía various collections |
| gptkbp:medium |
gptkb:oil_on_canvas
Oil on canvas Acrylic Paint Acrylic on canvas oil on plaster Charcoal on paper |
| gptkbp:motif |
darkness
|
| gptkbp:narrative_style |
past and present
historical trauma between art and viewer between painting and sculpture |
| gptkbp:notable_artists |
gptkb:Saturn_Devouring_His_Son
gptkb:The_Dog gptkb:The_Colossus gptkb:The_Clothed_Maja gptkb:The_Naked_Maja gptkb:The_Third_of_May_1808 gptkb:Witches'_Sabbath gptkb:The_Executions_of_May_3,_1808 gptkb:The_Family_of_Charles_IV gptkb:The_Fates Fight with Cudgels A Pilgrimage to San Isidro |
| gptkbp:notable_performance |
gptkb:14
|
| gptkbp:notable_production |
gptkb:Saturn_Devouring_His_Son
gptkb:The_Dog gptkb:The_Colossus gptkb:The_Duchess_of_Alba gptkb:The_Clothed_Maja gptkb:The_Naked_Maja gptkb:The_Third_of_May_1808 gptkb:Witches'_Sabbath gptkb:The_Executions_of_May_3,_1808 gptkb:The_Milkmaid_of_Bordeaux gptkb:The_Family_of_Charles_IV gptkb:The_Fates The Parasol Fight with Cudgels A Pilgrimage to San Isidro |
| gptkbp:notable_work |
gptkb:Frank_Stella
gptkb:Men_in_the_Cities Untitled (Studio) Reinhardt's later works |
| gptkbp:number_of_pieces |
gptkb:14
|
| gptkbp:part_of |
Frank Stella's oeuvre
|
| gptkbp:related_to |
gptkb:Color_Field_painting
gptkb:The_Seven_Heavenly_Palaces |
| gptkbp:represents |
Transition in art history
|
| gptkbp:significance |
Historical context
Artistic expression Cultural commentary exploration of form and space exploration of abstraction |
| gptkbp:size |
large-scale
|
| gptkbp:style |
gptkb:award
gptkb:Minimalism gptkb:Neo-Expressionism Contemporary abstract art abstract expressionism |
| gptkbp:subject |
gptkb:Magic:_The_Gathering_set
Human figures |
| gptkbp:symbolism |
suffering
despair |
| gptkbp:technique |
geometric abstraction
impasto layering glossy finish layering paint Charcoal drawing Stripe painting |
| gptkbp:texture |
rough
|
| gptkbp:theme |
German history
perception of color African American Experience darkness and despair Violence and power |
| gptkbp:themes |
gptkb:TV_series
gptkb:Loss gptkb:Memory gptkb:Colonialism |
| gptkbp:type_of |
gptkb:artwork
|
| gptkbp:year_created |
gptkb:1958
gptkb:1980s gptkb:1967 1819 1960s 1970s 1819-1823 |