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gptkbp:instance_of
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gptkb:musical
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gptkbp:bfsLayer
|
4
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gptkbp:bfsParent
|
gptkb:The_Mikado
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gptkbp:adaptation
|
gptkb:The_Mikado
|
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gptkbp:adapted_into
|
gptkb:television_series
gptkb:Various_artists
gptkb:film
Film and television
|
|
gptkbp:artist
|
gptkb:W._S._Gilbert
gptkb:Arthur_Sullivan
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|
gptkbp:associated_with
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gptkb:Cultural_events
African American culture
Theatrical history
|
|
gptkbp:awards
|
Theatrical awards
|
|
gptkbp:based_on
|
gptkb:The_Mikado
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gptkbp:cast
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gptkb:Dr._Paul_Robeson
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gptkbp:choreography
|
Choreographer's name
|
|
gptkbp:collaborated_with
|
various artists
|
|
gptkbp:collaborations
|
Collaborator's name
|
|
gptkbp:created_by
|
gptkb:Gilbert_and_Sullivan
|
|
gptkbp:cultural_impact
|
gptkb:Significant
|
|
gptkbp:cultural_significance
|
gptkb:High
|
|
gptkbp:died_in
|
Various theaters
various productions
|
|
gptkbp:directed_by
|
gptkb:H._M._Tennent
|
|
gptkbp:director
|
Director's name
|
|
gptkbp:famous_for
|
Cultural reinterpretation
|
|
gptkbp:features
|
Dramatic irony
|
|
gptkbp:first_performance
|
gptkb:Saville_Theatre
|
|
gptkbp:genre
|
gptkb:opera
|
|
gptkbp:has_character
|
gptkb:Ko-Ko
gptkb:Nanki-Poo
gptkb:The_Mikado
gptkb:Yum-Yum
Pish-Tush
|
|
gptkbp:has_genre
|
gptkb:opera
|
|
gptkbp:has_influence_on
|
scholarly analysis
subsequent adaptations
|
|
gptkbp:has_theme
|
social satire
|
|
gptkbp:historical_context
|
1920s-1930s
|
|
gptkbp:historical_significance
|
Cultural representation
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Black Mikado
|
|
gptkbp:influenced
|
Subsequent adaptations
Modern musicals
Theater practices
|
|
gptkbp:influenced_by
|
gptkb:Vaudeville
Social commentary
|
|
gptkbp:inspired_by
|
gptkb:mythological_figure
|
|
gptkbp:is_a
|
gptkb:musical
|
|
gptkbp:is_associated_with
|
African American culture
social justice themes
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
gptkb:studio
|
|
gptkbp:is_celebrated_in
|
gptkb:theater_festivals
Humor and satire
|
|
gptkbp:is_considered
|
a cultural landmark
a classic
|
|
gptkbp:is_known_for
|
its unique cultural perspective
|
|
gptkbp:is_part_of
|
the Gilbert and Sullivan canon
the African American theatrical tradition
|
|
gptkbp:is_recognized_by
|
theater critics
|
|
gptkbp:is_recognized_for
|
Innovative casting
|
|
gptkbp:is_referenced_in
|
gptkb:organization
|
|
gptkbp:is_studied_in
|
theater programs
|
|
gptkbp:language
|
English
|
|
gptkbp:merchandise
|
its productions
|
|
gptkbp:music_by
|
gptkb:W._S._Gilbert
gptkb:Arthur_Sullivan
|
|
gptkbp:notable_character
|
Character names
|
|
gptkbp:notable_for
|
its all-black cast
|
|
gptkbp:notable_performance
|
Live performances
|
|
gptkbp:notable_production
|
1986 revival
|
|
gptkbp:notable_song
|
gptkb:Three_Little_Maids_from_School
|
|
gptkbp:official_language
|
English
|
|
gptkbp:performed_by
|
gptkb:the_Black_Theatre
gptkb:Borough
gptkb:theatre
gptkb:various_countries
Various countries
special events
Various festivals
International companies
professional companies
major venues
amateur companies
its premiere
The Black Mikado cast
|
|
gptkbp:premiered_on
|
gptkb:1930
|
|
gptkbp:produced_by
|
gptkb:The_Black_Mikado_Company
|
|
gptkbp:received
|
critical acclaim
|
|
gptkbp:set_in
|
gptkb:Japan
|
|
gptkbp:setting
|
gptkb:Japan
|
|
gptkbp:style
|
Comic operetta
|
|
gptkbp:themes
|
Racial identity
Love and politics
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:user_reviews
|
Positive reviews
|