|
gptkbp:instance_of
|
gptkb:musical
|
|
gptkbp:adaptation
|
gptkb:The_Mikado
|
|
gptkbp:adapted_into
|
gptkb:Various_artists
gptkb:television
gptkb:film
Film and television
|
|
gptkbp:associated_with
|
gptkb:Cultural_events
African American culture
Theatrical history
|
|
gptkbp:choreography
|
Choreographer's name
|
|
gptkbp:created_by
|
gptkb:Gilbert_and_Sullivan
|
|
gptkbp:cultural_impact
|
gptkb:Significant
|
|
gptkbp:cultural_significance
|
gptkb:High
|
|
gptkbp:directed_by
|
gptkb:H._M._Tennent
|
|
gptkbp:director
|
Director's name
|
|
gptkbp:famous_for
|
Cultural reinterpretation
|
|
gptkbp:features
|
Dramatic irony
|
|
gptkbp:features_song
|
gptkb:W._S._Gilbert
gptkb:Arthur_Sullivan
|
|
gptkbp:first_performance
|
gptkb:Saville_Theatre
|
|
gptkbp:genre
|
gptkb:operetta
|
|
gptkbp:has_character
|
gptkb:Ko-Ko
gptkb:Nanki-Poo
gptkb:The_Mikado
gptkb:Yum-Yum
Pish-Tush
|
|
gptkbp:has_collaborated_with
|
various artists
|
|
gptkbp:has_genre
|
gptkb:operetta
|
|
gptkbp:has_influenced
|
subsequent adaptations
|
|
gptkbp:has_inspired
|
scholarly analysis
|
|
gptkbp:has_performed_at
|
major venues
its premiere
|
|
gptkbp:has_received
|
critical acclaim
|
|
gptkbp:has_themes
|
social satire
|
|
gptkbp:historical_context
|
1920s-1930s
|
|
gptkbp:historical_significance
|
Cultural representation
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Black Mikado
|
|
gptkbp:influenced
|
Subsequent adaptations
Modern musicals
Theater practices
|
|
gptkbp:influenced_by
|
gptkb:Vaudeville
Social commentary
|
|
gptkbp:inspired_by
|
gptkb:Japanese_culture
|
|
gptkbp:is_a
|
gptkb:stage_adaptation
|
|
gptkbp:is_associated_with
|
African American culture
social justice themes
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
gptkb:recordings
|
|
gptkbp:is_based_on
|
gptkb:The_Mikado
|
|
gptkbp:is_celebrated_for
|
Humor and satire
|
|
gptkbp:is_celebrated_in
|
gptkb:theater_festivals
|
|
gptkbp:is_considered
|
a cultural landmark
a classic
|
|
gptkbp:is_known_for
|
its unique cultural perspective
|
|
gptkbp:is_notable_for
|
its all-black cast
|
|
gptkbp:is_part_of
|
the Gilbert and Sullivan canon
the African American theatrical tradition
|
|
gptkbp:is_recognized_by
|
theater critics
|
|
gptkbp:is_recognized_for
|
Innovative casting
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
|
gptkbp:is_studied_in
|
theater programs
|
|
gptkbp:language
|
English
|
|
gptkbp:merchandise
|
its productions
|
|
gptkbp:music_by
|
gptkb:W._S._Gilbert
gptkb:Arthur_Sullivan
|
|
gptkbp:notable_awards
|
Theatrical awards
|
|
gptkbp:notable_cast
|
gptkb:Dr._Paul_Robeson
|
|
gptkbp:notable_characters
|
Character names
|
|
gptkbp:notable_collaborators
|
Collaborator's name
|
|
gptkbp:notable_performances
|
Live performances
|
|
gptkbp:notable_production
|
1986 revival
|
|
gptkbp:notable_song
|
gptkb:Three_Little_Maids_from_School
|
|
gptkbp:notable_themes
|
Love and politics
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performed_at
|
Various festivals
|
|
gptkbp:performed_by
|
gptkb:the_Black_Theatre
International companies
professional companies
amateur companies
The Black Mikado cast
|
|
gptkbp:performed_in
|
gptkb:various_countries
gptkb:London
gptkb:theater
Various countries
special events
|
|
gptkbp:premiered_on
|
gptkb:1930
|
|
gptkbp:produced_by
|
gptkb:The_Black_Mikado_Company
|
|
gptkbp:reviews
|
Positive reviews
|
|
gptkbp:revived_in
|
Various theaters
various productions
|
|
gptkbp:set_in
|
gptkb:Japan
|
|
gptkbp:setting
|
gptkb:Japan
|
|
gptkbp:style
|
Comic operetta
|
|
gptkbp:themes
|
Racial identity
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:bfsParent
|
gptkb:The_Mikado
|
|
gptkbp:bfsLayer
|
4
|