Statements (144)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:film
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Gabrielle_Union
gptkb:Gone_with_the_Wind gptkb:Cecil_B._De_Mille |
| gptkbp:awards |
gptkb:award
Academy Award nominations |
| gptkbp:based_on |
gptkb:The_Klansman
gptkb:Nat_Turner's_slave_rebellion The Klansman by Thomas Dixon Jr. |
| gptkbp:box_office |
$10 million
$16 million |
| gptkbp:budget |
$10 million
|
| gptkbp:character |
gptkb:Catherine
gptkb:Tommy gptkb:Nat_Turner gptkb:Rufus gptkb:Hannah gptkb:Will gptkb:Elizabeth_Turner Samuel Turner Reverend Turner |
| gptkbp:cinematography |
gptkb:Griffith
gptkb:Pedro_Luque Griffith and G. W. Bitzer |
| gptkbp:composer |
gptkb:Henry_Jackman
|
| gptkbp:controversy |
racism
depiction of African Americans |
| gptkbp:country |
gptkb:United_States
|
| gptkbp:critical_reception |
mixed reviews
|
| gptkbp:cultural_impact |
influenced the film industry
protests against it |
| gptkbp:cultural_references |
referenced in various media
|
| gptkbp:cultural_significance |
considered a landmark in film history
|
| gptkbp:depicts |
gptkb:the_American_Civil_War
gptkb:political_movement racial tensions |
| gptkbp:directed_by |
gptkb:D._W._Griffith
|
| gptkbp:director |
gptkb:Nate_Parker
gptkb:D._W._Griffith |
| gptkbp:distributor |
gptkb:Fox_Searchlight_Pictures
|
| gptkbp:edited_by |
gptkb:D._W._Griffith
|
| gptkbp:editor |
gptkb:Margaret_Booth
gptkb:Nate_Parker |
| gptkbp:famous_for |
first feature-length film to be screened at the White House
|
| gptkbp:features |
gptkb:the_Ku_Klux_Klan
|
| gptkbp:film_festival |
screened at various film festivals
|
| gptkbp:film_score |
gptkb:musical_composition
|
| gptkbp:filming_location |
gptkb:California
gptkb:Virginia |
| gptkbp:filmography |
innovative narrative techniques
|
| gptkbp:genre |
gptkb:High_School
gptkb:archaeological_site Historical drama Historical Drama |
| gptkbp:has |
influenced civil rights movements
a legacy of racial discourse a score that includes orchestral music been banned in some places |
| gptkbp:historical_context |
set during the American Civil War and Reconstruction era
|
| gptkbp:historical_figure |
depicts figures like Abraham Lincoln
depicts figures like Jefferson Davis depicts figures like Ulysses S. Grant |
| gptkbp:home_media_release |
released on DVD and Blu-ray
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Birth of a Nation
|
| gptkbp:influenced |
gptkb:film_production_company
the rise of the Ku Klux Klan |
| gptkbp:influenced_artists |
epic films
|
| gptkbp:influences |
gptkb:historical_event
gptkb:American_history African American culture |
| gptkbp:inspiration |
inspired protests and counter-films
|
| gptkbp:inspired |
subsequent films about the Civil War
|
| gptkbp:is |
a controversial film
a subject of academic analysis often studied in film courses a silent film considered a landmark in film history a film that has been referenced in popular culture a film that has been restored and re-released a film that has been recognized for its technical innovations a film that has been analyzed for its impact on American culture a film that has been a focal point in discussions about film censorship. a film that has been re-evaluated over time a film that has sparked protests a film that reflects its time a film that has been discussed in relation to modern racism one of the first feature-length films a film that has been critiqued for its portrayal of history a film that has been used in discussions about freedom of speech a film that has been influential in the development of narrative cinema a film that has been the subject of numerous documentaries a film that has been critiqued for its artistic merit versus its message a film that has been influential in shaping the portrayal of African Americans in cinema |
| gptkbp:is_criticized_for |
historical inaccuracies
analyzed in film studies analyzed by film critics accused of promoting racism |
| gptkbp:is_evaluated_by |
for technical achievements
|
| gptkbp:language |
English
|
| gptkbp:legacy |
remains a subject of debate
|
| gptkbp:music |
gptkb:Joseph_Carl_Breil
|
| gptkbp:music_by |
gptkb:Joseph_Carl_Breil
|
| gptkbp:notable_appearance |
the burning of Atlanta
the Klan's march the rescue of a captured soldier |
| gptkbp:notable_for |
controversial portrayal of race relations
|
| gptkbp:portrayed_by |
African Americans negatively
|
| gptkbp:premiere |
gptkb:film_festival
February 8, 1915 |
| gptkbp:producer |
gptkb:Nate_Parker
|
| gptkbp:production_company |
gptkb:Freestyle_Releasing
gptkb:Bron_Studios gptkb:David_W._Griffith_Corporation gptkb:Nate_Parker_Productions gptkb:The_Birth_of_a_Nation_LLC |
| gptkbp:promotes |
white supremacy
|
| gptkbp:release_date |
gptkb:2016
1915 |
| gptkbp:release_format |
theatrical
theatrical release |
| gptkbp:release_year |
gptkb:2005
gptkb:2016 |
| gptkbp:released_in |
1915
|
| gptkbp:remake |
remade in 2016
|
| gptkbp:restoration |
preserved by the Library of Congress
restored versions exist |
| gptkbp:runtime |
120 minutes
195 minutes |
| gptkbp:screenplay_by |
gptkb:Nate_Parker
gptkb:D._W._Griffith |
| gptkbp:sequel |
gptkb:The_Birth_of_a_Nation_(2016)
|
| gptkbp:set_in |
gptkb:the_United_States
|
| gptkbp:sparked |
debates on race and representation
|
| gptkbp:starring |
gptkb:Jackie_Earle_Haley
gptkb:Aja_Naomi_King gptkb:Nate_Parker gptkb:Penelope_Ann_Miller gptkb:Armie_Hammer |
| gptkbp:theme |
gptkb:political_movement
freedom slavery |
| gptkbp:writer |
gptkb:Nate_Parker
gptkb:D._W._Griffith |