|
gptkbp:instanceOf
|
gptkb:film
|
|
gptkbp:basedOn
|
gptkb:La_Cage_aux_Folles_(play)
|
|
gptkbp:boxOfficeGross
|
$185 million
|
|
gptkbp:cinematography
|
gptkb:Emmanuel_Lubezki
|
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
|
gptkbp:criticalReception
|
positive
|
|
gptkbp:director
|
gptkb:Mike_Nichols
|
|
gptkbp:distributor
|
gptkb:MGM/UA_Distribution_Co.
|
|
gptkbp:editingBy
|
gptkb:Arthur_Schmidt
|
|
gptkbp:filmingLocation
|
gptkb:Miami_Beach,_Florida
|
|
gptkbp:genre
|
gptkb:comedy
gptkb:LGBT-related_film
|
|
gptkbp:language
|
English
|
|
gptkbp:metacriticScore
|
72
|
|
gptkbp:musicBy
|
gptkb:Jonathan_Tunick
|
|
gptkbp:nominatedFor
|
gptkb:Academy_Award_for_Best_Picture
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Musical_or_Comedy
|
|
gptkbp:notableCharacter
|
gptkb:Albert_Goldman
gptkb:Armand_Goldman
gptkb:Louise_Keeley
gptkb:Senator_Kevin_Keeley
gptkb:Val_Goldman
|
|
gptkbp:notableQuote
|
"You do an eclectic celebration of a dance!"
|
|
gptkbp:plotSummary
|
A gay cabaret owner and his drag queen partner agree to put up a false straight front so that their son can introduce them to his fiancée's right-wing moralistic parents.
|
|
gptkbp:producer
|
gptkb:Mike_Nichols
gptkb:Elyse_Dorfman
|
|
gptkbp:productionCompany
|
gptkb:United_Artists
|
|
gptkbp:releaseDate
|
1996-03-08
|
|
gptkbp:RottenTomatoesScore
|
83%
|
|
gptkbp:runtime
|
117 minutes
|
|
gptkbp:screenwriter
|
gptkb:Elaine_May
|
|
gptkbp:setting
|
gptkb:Miami,_Florida
|
|
gptkbp:starring
|
gptkb:Robin_Williams
gptkb:Dianne_Wiest
gptkb:Hank_Azaria
gptkb:Nathan_Lane
gptkb:Dan_Futterman
Gene Hackman
|
|
gptkbp:theme
|
gptkb:family
gptkb:identity
LGBTQ+ issues
acceptance
|
|
gptkbp:bfsParent
|
gptkb:Robin_Williams
gptkb:Dianne_Wiest
gptkb:Elaine_May
gptkb:La_Cage_aux_Folles
gptkb:Nathan_Lane
gptkb:Sol_C._Siegel
gptkb:Christine_Baranski
|
|
gptkbp:bfsLayer
|
5
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Birdcage
|