gptkbp:instance_of
|
gptkb:film
|
gptkbp:artist
|
standard makeup
|
gptkbp:audience
|
cult following
|
gptkbp:awards
|
gptkb:none
|
gptkbp:box_office
|
$2,000,000
|
gptkbp:budget
|
$1,000,000
|
gptkbp:character_appearance
|
period costumes
|
gptkbp:character_arc
|
protagonist's struggle
|
gptkbp:character_development
|
complex characters
|
gptkbp:cinematography
|
Sidney Hickox
|
gptkbp:color
|
black and white
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
mixed
|
gptkbp:cultural_impact
|
film noir genre
|
gptkbp:design
|
stylized sets
|
gptkbp:director
|
gptkb:Gordon_Douglas
|
gptkbp:distributor
|
gptkb:Warner_Bros.
|
gptkbp:editor
|
Warren Low
linear editing
|
gptkbp:famous_quote
|
" I’m not a killer, I’m a businessman."
|
gptkbp:film_series
|
gptkb:none
|
gptkbp:filming_location
|
gptkb:California
|
gptkbp:genre
|
gptkb:Police_Department
gptkb:High_School
film noir
|
gptkbp:home_media_release
|
gptkb:2005
gptkb:DJ
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Big Shot (1942)
|
gptkbp:influenced_by
|
gptkb:The_Big_Sleep
|
gptkbp:influences
|
gptkb:The_Maltese_Falcon
|
gptkbp:language
|
English
sharp and witty
|
gptkbp:legacy
|
influential film noir
|
gptkbp:music_by
|
gptkb:Miklós_Rózsa
|
gptkbp:plot
|
A gangster tries to go straight but is pulled back into crime.
|
gptkbp:production_company
|
gptkb:Warner_Bros.
|
gptkbp:rating
|
NR
|
gptkbp:release_date
|
gptkb:1942
gptkb:April
gptkb:10
|
gptkbp:release_format
|
theatrical
|
gptkbp:remake
|
gptkb:none
|
gptkbp:runtime
|
80 minutes
|
gptkbp:screenplay_by
|
gptkb:William_Bowers
|
gptkbp:set_in
|
gptkb:Los_Angeles
|
gptkbp:sound
|
diegetic sound
|
gptkbp:soundtrack
|
gptkb:musical
|
gptkbp:starring
|
gptkb:Humphrey_Bogart
gptkb:Eve_Arden
gptkb:James_Gleason
|
gptkbp:themes
|
gptkb:betrayal
redemption
crime and punishment
|
gptkbp:visual_effects
|
practical effects
|
gptkbp:writer
|
gptkb:William_Bowers
|
gptkbp:bfsParent
|
gptkb:Archie_Mayo
|
gptkbp:bfsLayer
|
5
|