The Big Shot (1942)

GPTKB entity

Statements (57)
Predicate Object
gptkbp:instance_of gptkb:film
gptkbp:artist standard makeup
gptkbp:audience cult following
gptkbp:awards gptkb:none
gptkbp:box_office $2,000,000
gptkbp:budget $1,000,000
gptkbp:character_appearance period costumes
gptkbp:character_arc protagonist's struggle
gptkbp:character_development complex characters
gptkbp:cinematography Sidney Hickox
gptkbp:color black and white
gptkbp:country gptkb:United_States
gptkbp:critical_reception mixed
gptkbp:cultural_impact film noir genre
gptkbp:design stylized sets
gptkbp:director gptkb:Gordon_Douglas
gptkbp:distributor gptkb:Warner_Bros.
gptkbp:editor Warren Low
linear editing
gptkbp:famous_quote " I’m not a killer, I’m a businessman."
gptkbp:film_series gptkb:none
gptkbp:filming_location gptkb:California
gptkbp:genre gptkb:Police_Department
gptkb:High_School
film noir
gptkbp:home_media_release gptkb:2005
gptkb:DJ
https://www.w3.org/2000/01/rdf-schema#label The Big Shot (1942)
gptkbp:influenced_by gptkb:The_Big_Sleep
gptkbp:influences gptkb:The_Maltese_Falcon
gptkbp:language English
sharp and witty
gptkbp:legacy influential film noir
gptkbp:music_by gptkb:Miklós_Rózsa
gptkbp:plot A gangster tries to go straight but is pulled back into crime.
gptkbp:production_company gptkb:Warner_Bros.
gptkbp:rating NR
gptkbp:release_date gptkb:1942
gptkb:April
gptkb:10
gptkbp:release_format theatrical
gptkbp:remake gptkb:none
gptkbp:runtime 80 minutes
gptkbp:screenplay_by gptkb:William_Bowers
gptkbp:set_in gptkb:Los_Angeles
gptkbp:sound diegetic sound
gptkbp:soundtrack gptkb:musical
gptkbp:starring gptkb:Humphrey_Bogart
gptkb:Eve_Arden
gptkb:James_Gleason
gptkbp:themes gptkb:betrayal
redemption
crime and punishment
gptkbp:visual_effects practical effects
gptkbp:writer gptkb:William_Bowers
gptkbp:bfsParent gptkb:Archie_Mayo
gptkbp:bfsLayer 5