|
gptkbp:instance_of
|
gptkb:television_series
|
|
gptkbp:bfsLayer
|
4
|
|
gptkbp:bfsParent
|
gptkb:Encounter_with_the_USS_Enterprise-D
|
|
gptkbp:air_date
|
January 25, 1988
|
|
gptkbp:character
|
gptkb:Database_Management_System
gptkb:Riker
gptkb:Worf
gptkb:Beverly_Crusher
gptkb:Jean-Luc_Picard
Troi
Gideon Seyetik
Vash
|
|
gptkbp:character_appearance
|
gptkb:Robert_Blackman
|
|
gptkbp:character_development
|
Data's understanding of human behavior
|
|
gptkbp:conflict
|
Holodeck malfunction
|
|
gptkbp:critical_reception
|
Positive reviews
|
|
gptkbp:cultural_references
|
gptkb:Film_noir
|
|
gptkbp:design
|
412
|
|
gptkbp:directed_by
|
gptkb:David_Livingston
|
|
gptkbp:features
|
gptkb:Database_Management_System
gptkb:Dr._Beverly_Crusher
gptkb:Captain_Jean-Luc_Picard
|
|
gptkbp:filming_location
|
gptkb:Paramount_Studios
|
|
gptkbp:followed_by
|
gptkb:The_Arsenal_of_Freedom
|
|
gptkbp:genre
|
gptkb:Author
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Big Goodbye
|
|
gptkbp:influences
|
Subsequent holodeck episodes
|
|
gptkbp:inspiration
|
Film noir classics
|
|
gptkbp:language
|
English
|
|
gptkbp:narrative_style
|
Non-linear storytelling
|
|
gptkbp:network
|
Syndication
|
|
gptkbp:notable_for
|
gptkb:First_holodeck_episode
|
|
gptkbp:number_of_episodes
|
gptkb:12
45 minutes
|
|
gptkbp:plot
|
The crew experiences a holodeck program set in 1940s San Francisco.
|
|
gptkbp:preceded_by
|
gptkb:Encounter_at_Farpoint
|
|
gptkbp:resolution
|
Crew escapes the holodeck.
|
|
gptkbp:season
|
gptkb:musical
|
|
gptkbp:series
|
gptkb:television_series
|
|
gptkbp:setting
|
gptkb:video_game
|
|
gptkbp:soundtrack
|
gptkb:Original_score_by_Ron_Jones
|
|
gptkbp:theme
|
Exploration of reality vs. simulation
|
|
gptkbp:viewership
|
7.1 million
|
|
gptkbp:visual_effects
|
Visual effects by Industrial Light & Magic
|
|
gptkbp:written_by
|
gptkb:David_Gerrold
|