|
gptkbp:instance_of
|
gptkb:novel
gptkb:play
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:theatre
gptkb:radio_station
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Dr._Yueh
|
|
gptkbp:awards
|
Best New Play
|
|
gptkbp:character
|
gptkb:Henry
gptkb:Paul
gptkb:Martha
|
|
gptkbp:character_arc
|
rise and fall
|
|
gptkbp:character_development
|
gptkb:Petyr_Baelish
|
|
gptkbp:character_relationships
|
gptkb:greed
complex dynamics
|
|
gptkbp:character_traits
|
gptkb:psychologist
|
|
gptkbp:climax
|
betrayal revealed
|
|
gptkbp:conflict
|
gptkb:political_intrigue
gptkb:military_operation
internal conflict
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:cover_art
|
gptkb:John_Jude_Palencar
|
|
gptkbp:critical_reception
|
positive
mixed reviews
|
|
gptkbp:cultural_impact
|
inspired discussions
|
|
gptkbp:depicts
|
human relationships
|
|
gptkbp:directed_by
|
gptkb:Holly_Morris
|
|
gptkbp:distributes
|
First Run Features
|
|
gptkbp:examines
|
gptkb:loyalty
gptkb:Trust
gptkb:military_operation
|
|
gptkbp:explores
|
moral dilemmas
themes of loss and exile
|
|
gptkbp:features
|
complex characters
interviews with family members
|
|
gptkbp:focuses_on
|
the life of a Russian family
|
|
gptkbp:follows
|
gptkb:A_Game_of_Thrones
post-World War II Germany
|
|
gptkbp:genre
|
gptkb:Magic:_The_Gathering_set
gptkb:Author
gptkb:High_School
gptkb:film
|
|
gptkbp:has_awards
|
gptkb:Best_Documentary
|
|
gptkbp:has_title
|
gptkb:David_H._Williams
|
|
gptkbp:historical_source
|
gptkb:real-world_politics
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Betrayal
|
|
gptkbp:impact
|
intense
|
|
gptkbp:influenced
|
subsequent playwrights
|
|
gptkbp:influenced_by
|
gptkb:Shakespeare
gptkb:historical_event
|
|
gptkbp:influences
|
modern fantasy
|
|
gptkbp:inspiration
|
gptkb:historical_event
|
|
gptkbp:inspired_by
|
personal experiences
|
|
gptkbp:is_available_in
|
digital format
print format
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
gptkb:DJ
|
|
gptkbp:is_considered
|
a significant work
|
|
gptkbp:is_motivated_by
|
self-interest
|
|
gptkbp:is_part_of
|
Holly Morris filmography
C. P. Taylor's body of work
|
|
gptkbp:is_studied_in
|
literature courses
theatrical studies
|
|
gptkbp:isbn
|
gptkb:unknown
978-0553106633
|
|
gptkbp:language
|
English
|
|
gptkbp:length
|
300 pages
approximately 90 minutes
|
|
gptkbp:literary_devices
|
foreshadowing
|
|
gptkbp:main_character
|
gptkb:Petyr_Baelish
gptkb:unknown
|
|
gptkbp:motif
|
ambition
|
|
gptkbp:narrated_by
|
gptkb:Holly_Morris
|
|
gptkbp:narrative_style
|
third-person
omniscient narrator
|
|
gptkbp:notable_for
|
its character development
its dialogue
its exploration of betrayal
|
|
gptkbp:notable_production
|
1986 premiere
|
|
gptkbp:performed_by
|
gptkb:Royal_Court_Theatre
gptkb:various_countries
various theatre companies
|
|
gptkbp:plot
|
gptkb:power_struggles
|
|
gptkbp:plot_twist
|
unexpected outcomes
|
|
gptkbp:precedes
|
gptkb:A_Clash_of_Kings
|
|
gptkbp:premiered_on
|
gptkb:film_festival
gptkb:1986
|
|
gptkbp:published_by
|
gptkb:Bantam_Books
gptkb:Methuen_Publishing
gptkb:1986
gptkb:2015
|
|
gptkbp:published_year
|
gptkb:2021
|
|
gptkbp:publisher
|
gptkb:unknown
|
|
gptkbp:reader_demographic
|
thought-provoking
engaged audience
|
|
gptkbp:received
|
critical acclaim
|
|
gptkbp:released_in
|
gptkb:2009
|
|
gptkbp:resolution
|
power shift
|
|
gptkbp:runtime
|
80 minutes
|
|
gptkbp:series
|
gptkb:A_Song_of_Ice_and_Fire
|
|
gptkbp:set_in
|
gptkb:government_agency
gptkb:Westeros
|
|
gptkbp:setting
|
gptkb:King's_Landing
medieval
modern society
|
|
gptkbp:style
|
realism
|
|
gptkbp:symbolism
|
chaos
Petyr Baelish as chaos.
|
|
gptkbp:target_audience
|
young adult
|
|
gptkbp:theme
|
gptkb:betrayal
|
|
gptkbp:themes
|
gptkb:TV_series
gptkb:historical_event
gptkb:betrayal
loyalty and betrayal
|
|
gptkbp:translated_into
|
gptkb:French
gptkb:Spanish
gptkb:Native_American_tribe
|
|
gptkbp:written_by
|
gptkb:Petyr_Baelish
gptkb:C._P._Taylor
|
|
gptkbp:bfsParent
|
gptkb:Garry's_Mod:_The_Series
|
|
gptkbp:bfsLayer
|
3
|