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gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:2017
gptkb:The_Beguiled_(1971_film)
gptkb:The_Beguiled_(2017_film)
gptkb:The_Beguiled_(film)
changes in character arcs
The Beguiled (2017 film) directed by Sofia Coppola
altered plot points
tone differences
visual style differences
|
|
gptkbp:adapted_into
|
gptkb:film
|
|
gptkbp:author
|
gptkb:Thomas_Cullinan
|
|
gptkbp:awards
|
gptkb:BAFTA_Award_for_Best_Production_Design
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:none
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Musical_or_Comedy
gptkb:Cannes_Film_Festival_Best_Director
gptkb:Academy_Award_for_Best_Production_Design
|
|
gptkbp:based_on
|
The Beguiled (novel)
|
|
gptkbp:box_office
|
$16.8 million
|
|
gptkbp:budget
|
$10 million
|
|
gptkbp:cast
|
gptkb:Sofia_Coppola
gptkb:Nicole_Kidman
gptkb:Colin_Farrell
gptkb:Kirsten_Dunst
gptkb:Elle_Fanning
|
|
gptkbp:character
|
gptkb:Catherine
gptkb:John_Mc_Burney
gptkb:Martha_Farnsworth
gptkb:Miss_Julia
gptkb:Alicia
gptkb:Carol
gptkb:Corporal_John_Mc_Burney
the soldier
Edwina
Miss Emily
Edwina Morrow
Miss Martha
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|
gptkbp:character_development
|
complex characters
complex female characters
|
|
gptkbp:character_relationships
|
love triangle
|
|
gptkbp:cinematography
|
gptkb:Philippe_Le_Sourd
|
|
gptkbp:conflict
|
internal conflict
external conflict
tension between characters
romantic rivalry
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_reception
|
positive
positive reviews
|
|
gptkbp:cultural_impact
|
inspired film adaptations
inspired discussions on gender roles
studied in literature courses
inspired feminist readings
adapted into stage plays
inspired feminist critiques
exploration of gender roles
influenced discussions on gender roles
|
|
gptkbp:directed_by
|
gptkb:Sofia_Coppola
gptkb:Sophia_Coppola
|
|
gptkbp:director
|
gptkb:Sofia_Coppola
|
|
gptkbp:distributor
|
gptkb:Focus_Features
|
|
gptkbp:edited_by
|
gptkb:Sarah_Flack
|
|
gptkbp:film_festival
|
gptkb:Toronto_International_Film_Festival_2017
gptkb:Cannes_Film_Festival_2017
gptkb:AFI_Fest_2017
gptkb:New_York_Film_Festival_2017
|
|
gptkbp:film_score
|
gptkb:Order_of_chivalry
|
|
gptkbp:filming_location
|
gptkb:Louisiana
|
|
gptkbp:filmography
|
gptkb:The_Beguiled_(2017)
gptkb:Nicole_Kidman
gptkb:Colin_Farrell
gptkb:Kirsten_Dunst
gptkb:Elle_Fanning
|
|
gptkbp:genre
|
gptkb:church
gptkb:Order_of_chivalry
gptkb:High_School
gptkb:film
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Beguiled
|
|
gptkbp:influence
|
gptkb:architect
|
|
gptkbp:influenced_by
|
gptkb:architect
gptkb:The_Beguiled_(1971_film)
Civil War history
Southern culture
real historical events
The Beguiled (novel) by Thomas Cullinan
|
|
gptkbp:influences
|
gptkb:architect
feminist literature
|
|
gptkbp:inspiration
|
gptkb:historical_figure
real events
|
|
gptkbp:is_available_in
|
gptkb:book
ebook
hardcover
paperback
|
|
gptkbp:is_motivated_by
|
gptkb:survival
desire for power
romantic interest
|
|
gptkbp:isbn
|
978-0-316-11680-0
978-0151625000
978-0151625001
|
|
gptkbp:language
|
English
|
|
gptkbp:launch_site
|
gptkb:Southern_United_States
|
|
gptkbp:main_character
|
Miss Farnsworth
|
|
gptkbp:motif
|
isolation
feminine power
manipulation
femininity
|
|
gptkbp:music_by
|
gptkb:Order_of_chivalry
|
|
gptkbp:narrative_style
|
third-person
non-linear
|
|
gptkbp:page_count
|
192
|
|
gptkbp:plot
|
tension between characters
|
|
gptkbp:premiered_on
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:Sofia_Coppola
|
|
gptkbp:published_by
|
gptkb:1966
gptkb:Harcourt_Brace_Jovanovich
|
|
gptkbp:published_year
|
gptkb:1966
|
|
gptkbp:publisher
|
gptkb:Little,_Brown_and_Company
gptkb:Harcourt_Brace_Jovanovich
|
|
gptkbp:reader_demographic
|
adult audience
historical fiction enthusiasts
|
|
gptkbp:release_date
|
June 23, 2017
|
|
gptkbp:release_year
|
gptkb:2017
|
|
gptkbp:released_in
|
gptkb:2017
|
|
gptkbp:runtime
|
94 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Sofia_Coppola
|
|
gptkbp:set_in
|
gptkb:American_Civil_War
|
|
gptkbp:setting
|
gptkb:American_Civil_War
gptkb:Virginia
gptkb:High_School
|
|
gptkbp:starring
|
gptkb:Nicole_Kidman
gptkb:Colin_Farrell
gptkb:Kirsten_Dunst
gptkb:Elle_Fanning
|
|
gptkbp:style
|
lyrical
lyrical prose
suspenseful
atmospheric
|
|
gptkbp:symbolism
|
the house
the garden
the war
the house as a prison
the war as a backdrop
the garden as a refuge
|
|
gptkbp:theme
|
gptkb:betrayal
gptkb:survival
desire
feminine perspective
|
|
gptkbp:themes
|
gptkb:philosopher
gptkb:betrayal
gptkb:loyalty
isolation
manipulation
desire
feminine power dynamics
|
|
gptkbp:written_by
|
gptkb:Thomas_Cullinan
|
|
gptkbp:bfsParent
|
gptkb:Sofia_Coppola
gptkb:Nicole_Kidman
|
|
gptkbp:bfsLayer
|
3
|