Statements (190)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:novel
gptkb:film |
| gptkbp:adaptation |
gptkb:film_adaptation
gptkb:film_adaptations gptkb:theater gptkb:film gptkb:stage_play |
| gptkbp:adaptation_year |
gptkb:1922
|
| gptkbp:adaptations |
directed by Herbert Brenon
starring Eleanor Boardman starring Warner Baxter |
| gptkbp:adapted_into |
gptkb:film
|
| gptkbp:author |
gptkb:F._Scott_Fitzgerald
|
| gptkbp:available_formats |
gptkb:audiobook
gptkb:print ebook |
| gptkbp:awards |
gptkb:none
|
| gptkbp:based_on |
The Beautiful and Damned (novel)
|
| gptkbp:box_office |
gptkb:unknown
|
| gptkbp:character_arc |
tragic downfall
growth and decline Anthony's struggle with alcoholism Gloria's pursuit of fame |
| gptkbp:character_development |
complex characters
explores decadence Anthony Patch's decline Gloria Gilbert's ambition |
| gptkbp:character_motivation |
fear of failure
search for identity desire for success |
| gptkbp:character_relationships |
gptkb:addiction
ambition family dynamics narcissism external conflict complex relationships Anthony and Gloria's marriage friends and socialites Anthony and Gloria marriage of Anthony and Gloria |
| gptkbp:cinematography |
gptkb:William_H._Daniels
|
| gptkbp:conflict |
internal conflict
man vs. society social conflict man vs. self internal struggles personal vs societal expectations love vs ambition |
| gptkbp:country |
gptkb:United_States
|
| gptkbp:cover_artist |
gptkb:unknown
|
| gptkbp:critical_analysis |
examines social class
depicts the consequences of excess examines the fragility of relationships explores the emptiness of wealth dissects relationships explores themes of excess |
| gptkbp:critical_reception |
mixed
mixed reviews |
| gptkbp:criticism |
analyzed in academia
|
| gptkbp:cultural_impact |
influenced later literature
1920s America adapted into various media exploration of the American Dream depiction of 1920s society reflects 1920s society reflected the Jazz Age lifestyle |
| gptkbp:cultural_references |
gptkb:Prohibition
gptkb:the_Roaring_Twenties American literature flapper culture |
| gptkbp:cultural_significance |
depicts the Jazz Age lifestyle
|
| gptkbp:director |
gptkb:Larry_Semon
|
| gptkbp:distributor |
gptkb:Pathé_Exchange
|
| gptkbp:editing |
gptkb:Larry_Semon
|
| gptkbp:fate |
lost film
|
| gptkbp:followed_by |
gptkb:Tender_Is_the_Night
|
| gptkbp:genre |
gptkb:Fiction
gptkb:comedy gptkb:drama literary fiction |
| gptkbp:historical_context |
Prohibition era
post-World War I America cultural upheaval Great Gatsby parallels |
| https://www.w3.org/2000/01/rdf-schema#label |
The Beautiful and Damned
|
| gptkbp:influence |
American literature
|
| gptkbp:influence_on |
gptkb:popular_culture
|
| gptkbp:influenced |
gptkb:The_Great_Gatsby
subsequent literature subsequent authors subsequent American literature film adaptations of literary works |
| gptkbp:influenced_artists |
modernist literature
inspired future authors American fiction. |
| gptkbp:influenced_by |
gptkb:Jazz_Age
gptkb:modernism European literature American expatriates |
| gptkbp:influences |
gptkb:Jazz_Age
gptkb:Lost_Generation gptkb:Ernest_Hemingway gptkb:T._S._Eliot gptkb:Gertrude_Stein gptkb:popular_culture American literature modernist literature |
| gptkbp:inspiration |
gptkb:the_Roaring_Twenties
F. Scott Fitzgerald's life |
| gptkbp:is_portrayed_as |
first-person perspective
|
| gptkbp:isbn |
978-0743273565
|
| gptkbp:language |
English
|
| gptkbp:length |
approximately 400 pages
|
| gptkbp:literary_devices |
symbolism
imagery irony foreshadowing allusion symbolism of the title |
| gptkbp:literary_movement |
gptkb:Lost_Generation
gptkb:Modernism |
| gptkbp:literary_significance |
explores themes of ambition
reflection of societal changes critique of the American upper class exploration of wealth and morality |
| gptkbp:main_character |
gptkb:Anthony_Patch
Gloria Gilbert |
| gptkbp:motif |
gptkb:wealth
gptkb:youth gptkb:infidelity parties alcoholism ambition disillusionment self-destruction decadence |
| gptkbp:music |
gptkb:Joseph_Carl_Breil
|
| gptkbp:narrative |
omniscient narrator
linear narrative |
| gptkbp:narrative_style |
stream of consciousness
third-person symbolism third-person omniscient foreshadowing |
| gptkbp:narrative_theme |
love and betrayal
the cost of ambition |
| gptkbp:notable_quote |
" The very rich are different from you and me."
" I was within and without, simultaneously enchanted and repelled by the inexhaustible variety of life." " They were a generation that had everything and nothing." " The beautiful and damned" “ The things that we love destroy us.” " The things that will destroy us are: politics, war, drugs, money, and religion." |
| gptkbp:page_count |
320
approximately 400 pages |
| gptkbp:plot |
linear narrative
|
| gptkbp:preceded_by |
gptkb:This_Side_of_Paradise
|
| gptkbp:production_company |
gptkb:Larry_Semon_Productions
|
| gptkbp:published |
gptkb:1922
|
| gptkbp:publisher |
gptkb:Scribner
gptkb:Scribner's_Sons |
| gptkbp:reader_demographic |
enduring popularity
|
| gptkbp:release_date |
November 1922
|
| gptkbp:release_year |
gptkb:1922
|
| gptkbp:runtime |
70 minutes
|
| gptkbp:screenplay |
gptkb:Larry_Semon
|
| gptkbp:setting |
gptkb:New_York_City
|
| gptkbp:setting_time |
gptkb:the_Jazz_Age
1920s the 1920s |
| gptkbp:starring |
gptkb:Dorothy_Dwan
gptkb:Larry_Semon gptkb:Edward_Arnold |
| gptkbp:style |
lyrical prose
|
| gptkbp:symbol |
the green light
|
| gptkbp:symbolism |
gptkb:beer
gptkb:the_Jazz_Age disillusionment the American Dream decadence wealth and excess Anthony as the everyman |
| gptkbp:theme |
gptkb:wealth
love disillusionment the American Dream |
| gptkbp:viewpoint |
omniscient narrator
|
| gptkbp:bfsParent |
gptkb:Zelda_Fitzgerald
gptkb:F._Scott_Fitzgerald gptkb:Art_Deco |
| gptkbp:bfsLayer |
4
|