|
gptkbp:instance_of
|
gptkb:painting
|
|
gptkbp:acquired_by
|
gptkb:Philadelphia_Museum_of_Art
|
|
gptkbp:art_movement
|
gptkb:Post-Impressionism
|
|
gptkbp:artist
|
gptkb:Paul_Cézanne
|
|
gptkbp:associated_with
|
Cézanne's later works
|
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gptkbp:collection
|
gptkb:The_Barnes_Foundation
|
|
gptkbp:color_palette
|
vibrant colors
|
|
gptkbp:created_in
|
gptkb:France
|
|
gptkbp:cultural_significance
|
important work in art history
|
|
gptkbp:depicts
|
three bathers
|
|
gptkbp:dimensions
|
210 cm × 250 cm
|
|
gptkbp:exhibited_at
|
gptkb:Salon_d'_Automne
|
|
gptkbp:exhibition
|
Cézanne and Beyond
|
|
gptkbp:featured_in
|
art textbooks
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Bathers (Les Grandes Baigneuses)
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|
gptkbp:influence
|
gptkb:Cubism
|
|
gptkbp:influenced
|
gptkb:Henri_Matisse
gptkb:Pablo_Picasso
20th-century artists
|
|
gptkbp:influenced_by
|
gptkb:Impressionism
|
|
gptkbp:inspired
|
feminist interpretations
modern art movements
artistic critiques
|
|
gptkbp:is_analyzed_in
|
art critiques
|
|
gptkbp:location
|
gptkb:Philadelphia_Museum_of_Art
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
|
|
gptkbp:notable_aspect
|
gptkb:composition
color contrast
light and shadow
landscape background
figure arrangement
|
|
gptkbp:notable_for
|
depiction of human figures
|
|
gptkbp:notable_technique
|
color theory
geometric forms
|
|
gptkbp:part_of
|
gptkb:Cézanne's_bathers_series
permanent collection
|
|
gptkbp:recognized_by
|
gptkb:art_historians
|
|
gptkbp:represents
|
the human form
|
|
gptkbp:style
|
gptkb:Post-Impressionism
|
|
gptkbp:subject
|
nude women bathing
|
|
gptkbp:symbolizes
|
the transition in art
|
|
gptkbp:technique
|
brushwork
|
|
gptkbp:theme
|
nature and leisure
|
|
gptkbp:year_created
|
1890
|
|
gptkbp:bfsParent
|
gptkb:Pierre-Auguste_Renoir
|
|
gptkbp:bfsLayer
|
4
|