|
gptkbp:instance_of
|
gptkb:film
|
|
gptkbp:art_style
|
Cinematographic techniques
|
|
gptkbp:audience
|
Cult classic status
|
|
gptkbp:awards
|
Nominated for Academy Award
Nominated for Golden Globe
|
|
gptkbp:box_office
|
$2.5 million
$1.2 million
|
|
gptkbp:budget
|
$1.5 million
|
|
gptkbp:character
|
gptkb:Cable_Hogue
gptkb:Hilda
gptkb:Joshua
gptkb:The_Preacher
Hildy
Hogue's love interest
The bandit
The preacher
|
|
gptkbp:character_arc
|
gptkb:Redemption
Self-discovery
|
|
gptkbp:character_development
|
Complex characters
|
|
gptkbp:character_motivation
|
Survival instinct
Quest for identity
Desire for companionship
|
|
gptkbp:cinematography
|
gptkb:Lucien_Ballard
|
|
gptkbp:cinematography_by
|
gptkb:Lucien_Ballard
|
|
gptkbp:color
|
gptkb:Technicolor
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
Explores themes of loneliness.
Examines the human condition.
|
|
gptkbp:critical_reception
|
Mixed reviews
|
|
gptkbp:cultural_impact
|
Cult following
Cult classic
Cult classic status
|
|
gptkbp:cultural_significance
|
Exploration of the American West
|
|
gptkbp:director
|
gptkb:Sam_Peckinpah
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
gptkb:Warner_Bros.
|
|
gptkbp:edited_by
|
gptkb:Robert_L._Simpson
|
|
gptkbp:editing
|
gptkb:Robert_L._Simpson
Pacing and rhythm
|
|
gptkbp:film_awards
|
gptkb:N/_A
|
|
gptkbp:film_editing
|
gptkb:Robert_L._Simpson
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival_1970
|
|
gptkbp:film_length
|
121 minutes
|
|
gptkbp:film_series
|
gptkb:N/_A
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:Death_Valley
|
|
gptkbp:genre
|
Western
|
|
gptkbp:historical_context
|
Set in the late 19th century.
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Ballad of Cable Hogue
|
|
gptkbp:influenced
|
Later Western films
|
|
gptkbp:influenced_by
|
gptkb:Film_Noir
gptkb:Film_noir
gptkb:American_Western_films
gptkb:Spaghetti_Westerns
Classic Westerns
American cinema.
Western genre.
Literature on the American West
|
|
gptkbp:influences
|
gptkb:Spaghetti_Westerns
Classic Westerns
|
|
gptkbp:inspiration
|
Real-life prospector
Real-life figure Cable Hogue
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
Witty and sharp
|
|
gptkbp:legacy
|
Influence on later Westerns
Influenced filmmakers.
Influenced later Westerns.
|
|
gptkbp:music
|
gptkb:Jerry_Fielding
|
|
gptkbp:music_by
|
gptkb:Jerry_Fielding
|
|
gptkbp:narrative
|
A story of survival and friendship.
|
|
gptkbp:narrative_style
|
Non-linear storytelling
|
|
gptkbp:notable_quote
|
" You can't take it with you."
" I just want to be left alone."
" I ain't got no water!"
" You can't take it with you!"
" I ain't got no place to go."
|
|
gptkbp:notable_scene
|
The final confrontation
The desert scenes
|
|
gptkbp:plot
|
A prospector finds a water spring in the desert.
A man finds a way to survive in the desert after being left for dead.
A man waits for a stagecoach in the desert.
|
|
gptkbp:premiere
|
gptkb:Los_Angeles
gptkb:Cannes_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Warner_Bros.
|
|
gptkbp:release_date
|
June 1970
|
|
gptkbp:release_format
|
Theatrical
|
|
gptkbp:release_region
|
gptkb:North_America
|
|
gptkbp:release_year
|
gptkb:1970
|
|
gptkbp:remake
|
gptkb:N/_A
|
|
gptkbp:runtime
|
121 minutes
|
|
gptkbp:screenplay
|
gptkb:John_Thomas
|
|
gptkbp:screenplay_by
|
gptkb:Peckinpah,_N._B._Smith
gptkb:John_Thomas
|
|
gptkbp:setting
|
gptkb:Arizona
gptkb:American_Southwest
|
|
gptkbp:soundtrack
|
gptkb:Jerry_Fielding
Jerry Fielding's score
|
|
gptkbp:starring
|
gptkb:Stella_Stevens
gptkb:David_Warner
gptkb:Jason_Robards
|
|
gptkbp:symbolism
|
Desert as a character
Water as a theme
|
|
gptkbp:themes
|
gptkb:Isolation
gptkb:Love
gptkb:Survival
gptkb:friendship
|
|
gptkbp:bfsParent
|
gptkb:Sam_Peckinpah
|
|
gptkbp:bfsLayer
|
4
|