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gptkbp:instance_of
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gptkb:play
|
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gptkbp:adaptation
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gptkb:film_adaptation
gptkb:radio_station
gptkb:stage_adaptation
gptkb:television_adaptation
|
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gptkbp:author
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gptkb:Jean_Genet
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gptkbp:character_relationships
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Irma and her clients
The Bishop and The Judge
The General and Irma
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gptkbp:critical_reception
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controversial
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gptkbp:cultural_significance
|
explores societal roles
|
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gptkbp:director
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gptkb:Andrei_Konchalovsky
gptkb:Lindsay_Anderson
gptkb:Michael_Blakemore
gptkb:David_Mamet
gptkb:Peter_Hall
gptkb:Richard_Eyre
gptkb:Dario_Fo
gptkb:Robert_Wilson
gptkb:Yasmina_Reza
gptkb:Robert_Lepage
gptkb:Peter_Stein
gptkb:David_Ives
gptkb:Joseph_Chaikin
gptkb:John_Dexter
gptkb:Marianne_Elliott
gptkb:Peter_Brook
gptkb:Roger_Blin
gptkb:Julian_Beck
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gptkbp:first_performance
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gptkb:1960
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gptkbp:genre
|
gptkb:drama
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|
https://www.w3.org/2000/01/rdf-schema#label
|
The Balcony
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gptkbp:influence
|
gptkb:theater_of_the_absurd
|
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gptkbp:influenced
|
postmodern theater
|
|
gptkbp:influenced_artists
|
gptkb:Harold_Pinter
gptkb:Samuel_Beckett
gptkb:Tennessee_Williams
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|
gptkbp:inspiration
|
political unrest
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gptkbp:language
|
gptkb:French
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gptkbp:notable_awards
|
gptkb:Molière_Award
Tony Award nomination
|
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gptkbp:notable_character
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gptkb:The_Bishop
gptkb:The_Judge
gptkb:The_General
Irma
|
|
gptkbp:notable_production
|
gptkb:Royal_Court_Theatre
gptkb:Theater_de_l'_Atelier
gptkb:The_Old_Vic
gptkb:The_Comédie-Française
|
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gptkbp:notable_quote
|
" The world is a stage."
|
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gptkbp:original_language
|
gptkb:French
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gptkbp:performance
|
approximately 90 minutes
|
|
gptkbp:premiere
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gptkb:1956
|
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gptkbp:published_in
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gptkb:1958
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gptkbp:setting
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a brothel in an unnamed city
|
|
gptkbp:style
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surrealism
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gptkbp:symbolism
|
power dynamics
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gptkbp:themes
|
illusion vs reality
|
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gptkbp:translated_into
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gptkb:B._M._H._Mc_Gowan
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gptkbp:bfsParent
|
gptkb:Edouard_Manet
gptkb:Édouard_Manet
gptkb:play
|
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gptkbp:bfsLayer
|
4
|