|
gptkbp:instance_of
|
gptkb:television_series
gptkb:film
|
|
gptkbp:art_style
|
gptkb:Cedric_Gibbons
|
|
gptkbp:audience
|
Positive.
Critically acclaimed.
|
|
gptkbp:awards
|
gptkb:1
gptkb:Best_Supporting_Actress
gptkb:Best_Art_Direction
|
|
gptkbp:based_on
|
short story by George Bradshaw
|
|
gptkbp:box_office
|
$2.5 million
|
|
gptkbp:character
|
gptkb:Georgia_Lorrison
gptkb:James_Lee_Bartlow
gptkb:Jonathan_Shields
Harry Pebbel
|
|
gptkbp:character_arc
|
Transformation through adversity.
Protagonist's moral decline.
|
|
gptkbp:character_conflict_analysis
|
Struggles between personal and professional.
|
|
gptkbp:character_development
|
complex characters
Complex characters.
|
|
gptkbp:character_motivation
|
Desire for success.
Ambition drives actions.
|
|
gptkbp:character_relationships
|
Internal and external conflicts.
Power struggles.
Complex interactions.
Complicated and intertwined.
Deeply flawed characters.
|
|
gptkbp:cinematography
|
gptkb:Robert_Surtees
Innovative for its time.
|
|
gptkbp:cinematography_by
|
gptkb:Robert_Surtees
|
|
gptkbp:color
|
gptkb:Technicolor
Black and white
black and white
|
|
gptkbp:costume_design
|
gptkb:Helen_Rose
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:Charles_Brackett
|
|
gptkbp:critical_analysis
|
Examined in film studies.
|
|
gptkbp:critical_reception
|
Highly acclaimed
positive
highly acclaimed
|
|
gptkbp:criticism
|
Analyzed for its portrayal of ambition.
Subject of scholarly articles.
|
|
gptkbp:cultural_impact
|
Considered a classic.
influential in Hollywood storytelling
inspired other films about Hollywood
|
|
gptkbp:cultural_references
|
Referenced in various media.
|
|
gptkbp:cultural_significance
|
Reflects Hollywood's dark side.
|
|
gptkbp:design
|
gptkb:Cedric_Gibbons
|
|
gptkbp:directed_by
|
gptkb:Vincente_Minnelli
|
|
gptkbp:director
|
gptkb:Vincente_Minnelli
gptkb:L._Scott_Caldwell
|
|
gptkbp:distributor
|
gptkb:MGM
|
|
gptkbp:edited_by
|
gptkb:George_Boemler
|
|
gptkbp:editing
|
gptkb:George_Boemler
|
|
gptkbp:film_awards
|
Nominated for multiple awards.
|
|
gptkbp:film_editing
|
gptkb:George_Boemler
Pacing enhances tension.
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
gptkb:New_York_Film_Festival
|
|
gptkbp:film_length
|
118 minutes
|
|
gptkbp:film_score
|
gptkb:David_Raksin
Orchestral.
|
|
gptkbp:film_technique
|
Yes.
Influenced later films.
Stylized cinematography.
Melodramatic.
Influenced perceptions of Hollywood.
|
|
gptkbp:filmography
|
Examined for its narrative techniques.
|
|
gptkbp:first_aired
|
gptkb:1958
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_backstory
|
Rich and detailed.
|
|
gptkbp:historical_context
|
Post-war Hollywood.
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
DVD and Blu-ray.
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Bad and the Beautiful
|
|
gptkbp:influenced
|
Filmmakers and screenwriters.
|
|
gptkbp:influenced_artists
|
Yes.
|
|
gptkbp:influenced_by
|
gptkb:Sunset_Boulevard
film noir
|
|
gptkbp:influenced_by_film_noir
|
Yes.
|
|
gptkbp:influences
|
gptkb:Hollywood_film_industry
film noir
|
|
gptkbp:inspiration
|
real-life Hollywood figures
based on a story by George Bradshaw
|
|
gptkbp:inspired_by
|
real-life Hollywood figures.
|
|
gptkbp:is_decorated_with
|
gptkb:Edwin_B._Willis
|
|
gptkbp:is_portrayed_as
|
Nuanced performances.
|
|
gptkbp:language
|
English
|
|
gptkbp:last_aired
|
gptkb:1959
|
|
gptkbp:legacy
|
Studied in film schools.
Enduring popularity.
|
|
gptkbp:motif
|
Recurring themes.
|
|
gptkbp:music
|
gptkb:David_Raksin
|
|
gptkbp:music_by
|
gptkb:David_Raksin
|
|
gptkbp:music_composer
|
gptkb:John_Doe
|
|
gptkbp:narrative
|
Non-linear storytelling.
Explores the cost of ambition.
|
|
gptkbp:narrative_focus
|
gptkb:Hollywood_film_industry
|
|
gptkbp:notable_awards
|
gptkb:BAFTA_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Drama
gptkb:Writers_Guild_of_America_Award_for_Best_Written_American_Drama
gptkb:Academy_Award_for_Best_Art_Direction_(Black-and-White)
gptkb:Academy_Award_for_Best_Actress_in_a_Supporting_Role
|
|
gptkbp:notable_quote
|
" You can't make a deal with the devil and not expect to pay for it."
|
|
gptkbp:number_of_episodes
|
gptkb:26
|
|
gptkbp:number_of_seasons
|
gptkb:1
|
|
gptkbp:original_network
|
gptkb:CBS
|
|
gptkbp:plot
|
A producer's rise and fall in Hollywood.
|
|
gptkbp:plot_summary
|
A ruthless Hollywood producer manipulates everyone around him.
|
|
gptkbp:produced_by
|
gptkb:John_Houseman
|
|
gptkbp:producer
|
gptkb:L._Scott_Caldwell
|
|
gptkbp:production_company
|
gptkb:Metro-Goldwyn-Mayer
|
|
gptkbp:release_date
|
gptkb:1952
January
January 10, 1952
|
|
gptkbp:release_format
|
gptkb:film
theatrical
|
|
gptkbp:release_region
|
gptkb:United_States
|
|
gptkbp:release_type
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1952
gptkb:2010
|
|
gptkbp:released
|
gptkb:1952
|
|
gptkbp:released_in
|
gptkb:1952
|
|
gptkbp:remake
|
The Bad and the Beautiful (TV series)
The Bad and the Beautiful (2010)
|
|
gptkbp:resolution
|
Ambiguous endings.
|
|
gptkbp:runtime
|
90 minutes
118 minutes
|
|
gptkbp:screenplay
|
gptkb:L._Scott_Caldwell
gptkb:Charles_Schnee
|
|
gptkbp:screenplay_by
|
gptkb:Charles_Schnee
|
|
gptkbp:set_in
|
Hollywood.
|
|
gptkbp:setting
|
gptkb:Hollywood
|
|
gptkbp:sound
|
MGM Studio Sound Department
|
|
gptkbp:soundtrack
|
Released as an album.
|
|
gptkbp:starring
|
gptkb:Kirk_Douglas
gptkb:Lana_Turner
gptkb:Dick_Powell
gptkb:Walter_Pidgeon
|
|
gptkbp:symbolism
|
Represents Hollywood archetypes.
Represents the duality of Hollywood.
|
|
gptkbp:themes
|
gptkb:betrayal
gptkb:sacrifice
love
redemption
ambition
Ambition, betrayal, and redemption.
Explores the nature of success.
Greed and ambition.
|
|
gptkbp:video_output
|
35mm
|
|
gptkbp:won_award
|
gptkb:Academy_Award_for_Best_Supporting_Actress
gptkb:6
|
|
gptkbp:bfsParent
|
gptkb:Kirk_Douglas
gptkb:Vincente_Minnelli
|
|
gptkbp:bfsLayer
|
4
|