Statements (424)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:album
gptkb:novel gptkb:sculpture gptkb:play gptkb:film |
| gptkbp:adaptation |
gptkb:film_adaptation
gptkb:ballet gptkb:stage_adaptation gptkb:television_adaptation gptkb:opera gptkb:theater gptkb:television gptkb:film |
| gptkbp:adaptation_year |
gptkb:1990
gptkb:2000 gptkb:2011 |
| gptkbp:adaptations |
gptkb:theater
gptkb:film |
| gptkbp:adapted_into |
gptkb:ballet
gptkb:opera |
| gptkbp:artist |
gptkb:Katy_Perry
gptkb:Seward_Johnson |
| gptkbp:artistic_director |
David Allday
|
| gptkbp:author |
gptkb:Kate_Chopin
|
| gptkbp:available_in |
gptkb:novel_adaptations
audiobook format |
| gptkbp:available_on |
gptkb:audiobook
gptkb:e_Book hardcover paperback |
| gptkbp:awards |
nominated for Best Actress
nominated for Best Horror Film |
| gptkbp:based_on |
The Awakening by Kate Chopin
|
| gptkbp:box_office |
$1.5 million
$1 million |
| gptkbp:budget |
£3 million
|
| gptkbp:character |
gptkb:Leonce_Pontellier
gptkb:Edna_Pontellier gptkb:Adele_Ratignolle gptkb:Alcée_Arobin gptkb:Robert_Lebrun gptkb:Madame_Ratignolle gptkb:Léonce_Pontellier gptkb:Adèle_Ratignolle gptkb:Mademoiselle_Reisz gptkb:Madame_Lebrun the ghost Doctor Mandelet Mrs. Maud Martha's aspirations Martha's conflicts with authority Martha's confrontation with her past Martha's emotional conflicts Martha's emotional journey Martha's emotional struggles Martha's existential questions Martha's exploration of self. Martha's family dynamics Martha's friendships Martha's internal conflict Martha's journey of self-discovery Martha's journey through conflict Martha's journey towards self-acceptance Martha's legacy Martha's personal growth Martha's quest for freedom Martha's quest for happiness Martha's quest for meaning Martha's relationships Martha's relationships with family Martha's relationships with men Martha's role in society Martha's romantic relationships Martha's search for identity Martha's self-discovery Martha's societal challenges Martha's societal expectations Martha's societal pressures Martha's societal role Martha's struggles for independence Martha's struggles with conformity Victor Lebrun the children of Edna Pontellier Florence Cathcart Mr. Abaddon Robert Mallory |
| gptkbp:character_arc |
Martha's transformation
|
| gptkbp:character_development |
gptkb:Leonce_Pontellier
gptkb:Robert_Lebrun gptkb:Madame_Ratignolle gptkb:Mademoiselle_Reisz Edna's awakening Edna's transformation Martha's struggle Edna's relationships Edna's struggles |
| gptkbp:chart_position |
gptkb:Billboard_200
|
| gptkbp:cinematography |
Rory Stewart Kinnear
|
| gptkbp:cinematography_by |
gptkb:David_Johnson
|
| gptkbp:climax |
Edna's awakening
Edna's final decision |
| gptkbp:completed |
gptkb:1980
|
| gptkbp:conflict |
social
internal conflict internal societal expectations personal desires personal vs societal expectations societal conflict Edna's struggle for independence |
| gptkbp:controversy |
gptkb:censorship
|
| gptkbp:costume_design |
gptkb:Michele_Clapton
|
| gptkbp:country |
gptkb:United_Kingdom
gptkb:United_States |
| gptkbp:critical_analysis |
gptkb:historical_context
feminist literary criticism psychological interpretation |
| gptkbp:critical_reception |
controversial
mixed reviews |
| gptkbp:cultural_aspect |
gptkb:modernism
gptkb:women's_roles artistic expression individualism post-Civil War America Southern society sexuality racial issues class distinctions marriage norms |
| gptkbp:cultural_impact |
gptkb:scholarship
gptkb:literary_criticism American literature book clubs literary studies feminist literature featured in documentaries influential influenced feminist literature academic discussions feminist movements artistic interpretations women's rights advocacy inspired theatrical performances influenced contemporary authors studied in academia adapted into graphic novels inspired art and illustrations discussed in podcasts influenced feminist movements discussions on feminism inspired discussions on women's rights subject of literary analysis featured in academic studies included in literary canon included in high school curricula analyzed in literary journals subject of literary awards |
| gptkbp:cultural_references |
German society
|
| gptkbp:depicts |
a giant emerging from the ground
|
| gptkbp:director |
gptkb:Nick_Murphy
gptkb:Nick_Copus |
| gptkbp:distributor |
gptkb:Lionsgate
gptkb:Momentum_Pictures |
| gptkbp:edited_by |
gptkb:John_Wilson
|
| gptkbp:editing |
gptkb:John_Smith
|
| gptkbp:exhibition |
outdoor sculpture park
|
| gptkbp:film_festival |
gptkb:Toronto_International_Film_Festival
|
| gptkbp:film_series |
standalone
|
| gptkbp:filming_location |
gptkb:England
gptkb:New_Orleans gptkb:Wales |
| gptkbp:first_published |
1899
|
| gptkbp:followed_by |
gptkb:The_Awakening:_A_Novel
|
| gptkbp:genre |
gptkb:Pop
gptkb:novel gptkb:drama gptkb:horror Literary fiction literary fiction |
| gptkbp:has_reception |
initially criticized
later celebrated |
| gptkbp:height |
70 feet
|
| gptkbp:historical_context |
turn of the century Germany
|
| gptkbp:home_media_release |
February 2012
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Awakening
|
| gptkbp:influence |
American literature
Southern literature literature studies feminist movements modern feminism modern feminist literature modern feminist writers |
| gptkbp:influenced |
gptkb:Dame_Margaret_Atwood
gptkb:Toni_Morrison gptkb:Alice_Walker gptkb:Virginia_Woolf gptkb:Zora_Neale_Hurston gptkb:literary_criticism American literature modern drama modern feminist literature modernist writers modern feminist writers German theatre |
| gptkbp:influenced_artists |
gptkb:Frank_Wedekind
|
| gptkbp:influenced_by |
gptkb:Realism
gptkb:Virginia_Woolf gptkb:Henrik_Ibsen gptkb:Romanticism gptkb:Charlotte_Perkins_Gilman gptkb:French_literature American literature Transcendentalism Naturalism naturalism feminist movements Ibsen's works |
| gptkbp:influences |
gptkb:Realism
gptkb:The_Sixth_Sense gptkb:The_Others Naturalism modernist literature modern feminist literature |
| gptkbp:inspiration |
gptkb:women's_rights_movement
gptkb:French_literature realism the human experience Chopin's life Chopin's life experiences |
| gptkbp:inspired |
gptkb:literary_criticism
feminist movements |
| gptkbp:inspired_by |
real-life events
|
| gptkbp:is_similar_to |
The Awakening (play)
|
| gptkbp:isbn |
978-0-14-243733-9
|
| gptkbp:label |
gptkb:Capitol_Records
|
| gptkbp:language |
gptkb:German
English |
| gptkbp:legacy |
feminist literature
|
| gptkbp:length |
45:00
|
| gptkbp:literary_devices |
gptkb:artistic_legacy
gptkb:metaphor simile symbolism imagery irony foreshadowing |
| gptkbp:literary_movement |
gptkb:Realism
Naturalism |
| gptkbp:literary_significance |
psychological depth
early feminist literature exploration of women's roles early feminist text critique of marriage |
| gptkbp:location |
gptkb:National_Harbor,_Maryland
|
| gptkbp:main_character |
gptkb:Edna_Pontellier
gptkb:Martha |
| gptkbp:makeup_artist |
gptkb:Nick_Dudman
|
| gptkbp:material |
fiberglass
|
| gptkbp:motif |
gptkb:marriage
gptkb:art gptkb:identity gptkb:music love freedom isolation self-discovery childhood motherhood awakening |
| gptkbp:music_by |
gptkb:John_Lunn
|
| gptkbp:music_composer |
gptkb:Daniel_Pemberton
|
| gptkbp:narrative_style |
realism
stream of consciousness third-person third-person limited dialogue-driven |
| gptkbp:notable_character |
gptkb:Adele_Ratignolle
gptkb:Robert_Lebrun gptkb:Madame_Ratignolle gptkb:Léonce_Pontellier gptkb:Mademoiselle_Reisz |
| gptkbp:notable_production |
Berlin premiere
|
| gptkbp:notable_quote |
" The world is a stage."
" The sea is nothing but a great big ball of water." " The bird that would soar above the level plain of tradition and prejudice must have strong wings." " I am no longer one of Mr. Pontellier's possessions." ' The bird that would soar above the level plain of tradition and prejudice must have strong wings.' ' I would give up the world for you.' ' The voice of the sea speaks to the soul.' ' There is no other place for me.' ' The beginning of things, of a world especially, is necessarily vague.' ' She wanted to swim far out, where no woman had swum before.' ' I am no longer one of Mr. Pontellier's possessions.' ' The sea is nothing but a great big woman.' " A woman can be whatever she wants to be." " She was not a woman to be easily satisfied." " The sea was a great, wide, open space." " The voice of the sea speaks to the soul." " There is no other place for me." " The beginning of things, of a world especially, is necessarily vague, tangled, chaotic, and exceedingly disturbing." " She was becoming herself and daily casting aside that fictitious self which we assume like a garment." " She wanted to swim far out, where no woman had swum before." |
| gptkbp:notable_track |
gptkb:Firework
gptkb:Teenage_Dream gptkb:The_One_That_Got_Away gptkb:Last_Friday_Night_(T._G._I._F.) Dressin' Up |
| gptkbp:original_language |
gptkb:German
English |
| gptkbp:page_count |
256
|
| gptkbp:performance |
staged in various countries
|
| gptkbp:plot |
Edna's relationships
Edna's struggle for independence Edna's ultimate fate A woman investigates a series of ghost sightings. |
| gptkbp:plot_point |
Edna's affair
Edna's final act Edna's independence Edna's marriage Martha's decision-making |
| gptkbp:preceded_by |
gptkb:Teenage_Dream
|
| gptkbp:premiere |
gptkb:Toronto_International_Film_Festival
|
| gptkbp:premiere_date |
1900
|
| gptkbp:producer |
gptkb:Max_Martin
gptkb:Dr._Luke |
| gptkbp:production_company |
gptkb:Cineplex_Odeon_Films
gptkb:Sierra/_Affinity gptkb:Lionsgate gptkb:BBC_Films |
| gptkbp:protagonist |
gptkb:women
gptkb:Edna_Pontellier |
| gptkbp:publication_year |
gptkb:2009
|
| gptkbp:published |
gptkb:2009
1899 |
| gptkbp:published_by |
gptkb:Herbert_S._Stone_&_Company
gptkb:S._Fischer_Verlag |
| gptkbp:published_in |
1899
1900 The Awakening and Selected Stories |
| gptkbp:publisher |
gptkb:Herbert_S._Stone_&_Company
|
| gptkbp:rating |
PG-13
|
| gptkbp:release_date |
gptkb:1998
October 2011 2012-10-22 |
| gptkbp:release_format |
gptkb:DVD
gptkb:Blu-ray |
| gptkbp:release_year |
gptkb:2007
|
| gptkbp:resolution |
Edna's fate
|
| gptkbp:runtime |
100 minutes
90 minutes |
| gptkbp:screenplay |
gptkb:Nick_Murphy
Stephen Volk |
| gptkbp:screenplay_by |
gptkb:Michael_Mc_Gowan
|
| gptkbp:set_in |
gptkb:1921
|
| gptkbp:setting |
gptkb:late_19th_century
gptkb:Germany gptkb:New_Orleans gptkb:Ghost |
| gptkbp:setting_time |
gptkb:late_19th_century
|
| gptkbp:single |
gptkb:Part_of_Me
gptkb:Wide_Awake |
| gptkbp:sound_design |
gptkb:Paul_Davies
|
| gptkbp:starring |
gptkb:Kate_Winslet
gptkb:Imelda_Staunton gptkb:Rebecca_Hall gptkb:Dominic_West gptkb:Hugh_Bonneville gptkb:Jeremy_Northam |
| gptkbp:style |
realism
stream of consciousness |
| gptkbp:succeeded_by |
gptkb:Prism
|
| gptkbp:symbol |
the ocean
the piano the parrot |
| gptkbp:symbolism |
gptkb:birds
the sea awakening the house the piano |
| gptkbp:thematic_element |
freedom vs constraint
|
| gptkbp:theme |
gptkb:marriage
gptkb:identity gptkb:feminism gptkb:society social issues self-discovery rebirth |
| gptkbp:themes |
gptkb:loss
gptkb:identity gptkb:feminism grief self-discovery supernatural |
| gptkbp:translated_into |
gptkb:French
gptkb:Italian gptkb:Spanish gptkb:German Chinese English multiple languages |
| gptkbp:viewpoint |
omniscient
limited omniscient |
| gptkbp:visual_effects |
gptkb:Framestore
|
| gptkbp:written_by |
gptkb:Hermann_Sudermann
gptkb:Kate_Chopin |
| gptkbp:bfsParent |
gptkb:Markus_Schulz
gptkb:Bill_Viola gptkb:Hirshhorn_Museum_and_Sculpture_Garden gptkb:The_Force_Awakens:_Original_Motion_Picture_Soundtrack gptkb:The_Force_Awakens:_A_New_Hope:_Original_Motion_Picture_Soundtrack gptkb:Rupi_Kaur gptkb:Imelda_Staunton gptkb:Kiki_Smith gptkb:Charles_White gptkb:Julian_Opie gptkb:Angels_&_Demons gptkb:Narada_Michael_Walden gptkb:Gareth_Emery gptkb:Kelley_Armstrong gptkb:Scream gptkb:Kamaal_Williams gptkb:František_Kupka gptkb:P._O._D. |
| gptkbp:bfsLayer |
4
|