Statements (224)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:theatre
gptkb:play |
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Cavalcade
gptkb:theatre gptkb:Monarch gptkb:Fleabag gptkb:play gptkb:Something_Rotten! |
| gptkbp:adaptation |
gptkb:radio_station
stage adaptations film adaptation in development |
| gptkbp:adapted_into |
gptkb:television_series
gptkb:film a film |
| gptkbp:artist |
gptkb:Julian_Opie
|
| gptkbp:cast |
multiple actors
|
| gptkbp:choreography |
entertains and informs
blends humor with drama |
| gptkbp:collaborations |
playwright and director
|
| gptkbp:composed_of |
fact and fiction
|
| gptkbp:depicts |
weekly meetings
weekly meetings with Prime Ministers meetings between the Queen and her Prime Ministers |
| gptkbp:directed_by |
gptkb:Stephen_Daldry
|
| gptkbp:examines |
political relationships
|
| gptkbp:exhibited_at |
gptkb:Victoria_and_Albert_Museum
gptkb:Museum_of_Contemporary_Art_St._John's |
| gptkbp:explores |
political themes
the role of the monarchy relationship between the Queen and her Prime Ministers Meetings between the Queen and her Prime Ministers Conversations between Queen Elizabeth II and her Prime Ministers the relationship between the Queen and her Prime Ministers |
| gptkbp:features |
gptkb:Queen_Elizabeth_II
gptkb:Dame_Helen_Mirren gptkb:Helen_Mirren gptkb:historical_figure weekly meetings Queen Elizabeth II's perspective imaginative dialogue |
| gptkbp:features_character |
gptkb:Tony_Blair
gptkb:Sir_Winston_Churchill gptkb:Gordon_Brown gptkb:David_Cameron gptkb:Margaret_Thatcher |
| gptkbp:follows |
gptkb:Queen_Elizabeth_II
|
| gptkbp:genre |
gptkb:High_School
|
| gptkbp:has |
multiple characters
multiple acts performed internationally nominated for several awards revived multiple times analyzed in academic studies adapted into a film adapted for television performed in various venues a running time of approximately 2 hours performed by notable actors |
| gptkbp:has_awards |
gptkb:Tony_Award_for_Best_Play
gptkb:award gptkb:Evening_Standard_Theatre_Award gptkb:Critics'_Circle_Theatre_Award Olivier Award for Best Actress Whats On Stage Award |
| gptkbp:has_character |
gptkb:James_Callaghan
gptkb:Tony_Blair gptkb:John_Major gptkb:Sir_Winston_Churchill gptkb:Queen_Elizabeth_II gptkb:Rishi_Sunak gptkb:Theresa_May gptkb:Gordon_Brown gptkb:Harold_Wilson gptkb:Edward_Heath gptkb:David_Cameron gptkb:Margaret_Thatcher gptkb:Clement_Attlee |
| gptkbp:has_genre |
gptkb:High_School
|
| gptkbp:has_song |
original score by composer
|
| gptkbp:has_style |
costume design by designer
lighting design by designer set design by designer sound design by designer |
| gptkbp:has_theme |
gptkb:award
gptkb:historical_event gptkb:Monarch gptkb:Politician gptkb:superhero Power and responsibility |
| gptkbp:highlights |
political events
the relationship between the monarchy and government |
| gptkbp:historical_documentation |
21st century Britain
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Audience
|
| gptkbp:includes |
monologues
dramatic reenactments dramatic monologues |
| gptkbp:inspired_by |
real-life events
real events |
| gptkbp:is |
a cultural artifact
a narrative of resilience a work of art a critical success a biographical play based on real events a reflection of societal changes a theatrical experience a drama a historical drama a blend of fact and fiction a popular production a reflection on power dynamics a significant work in contemporary theatre a reflection of the times a two-act play a theatrical exploration of identity a critical examination of leadership a political play a part of British theatre history a part of the National Theatre's repertoire set in the 20th century a commentary on monarchy a commentary on public perception a dialogue between past and present a narrative of influence a notable achievement in theatre production a popular choice among audiences a portrayal of personal relationships a portrayal of the Queen's role a reflection on duty and service a representation of the British monarchy a showcase of political history a significant contribution to drama a significant cultural commentary. a source of inspiration for future works a study of tradition versus modernity a theatrical interpretation of history performed by a cast of actors |
| gptkbp:is_a |
gptkb:High_School
|
| gptkbp:is_about |
gptkb:The_British_monarchy
|
| gptkbp:is_associated_with |
the National Theatre's repertoire
|
| gptkbp:is_characterized_by |
historical accuracy
its dialogue |
| gptkbp:is_discussed_in |
the context of political theatre
|
| gptkbp:is_evaluated_by |
gptkb:battle
|
| gptkbp:is_explored_in |
historical leadership
|
| gptkbp:is_known_for |
its dialogue
its strong performances its historical accuracy |
| gptkbp:is_part_of |
British theatre history
Peter Morgan's body of work the National Theatre's legacy |
| gptkbp:is_played_by |
examines history
examines the role of women in power invites discussion on governance. |
| gptkbp:is_recognized_for |
strong performances
|
| gptkbp:is_reflected_in |
gptkb:historical_event
gptkb:British_politics British identity the role of the monarchy the monarchy's role the changing role of the monarchy |
| gptkbp:is_represented_in |
the British establishment
|
| gptkbp:language |
English
|
| gptkbp:length |
approximately 2 hours
|
| gptkbp:medium |
Digital print
|
| gptkbp:narrative_style |
power dynamics
challenges perceptions challenges political norms explores the impact of leadership on society |
| gptkbp:notable_for |
Its portrayal of political history
|
| gptkbp:notable_inductees |
various awards
|
| gptkbp:notable_performers |
gptkb:British_politics
gptkb:Politician the public's perception of the monarchy the evolution of politics |
| gptkbp:performed_by |
gptkb:Borough
gptkb:West_End gptkb:Gielgud_Theatre internationally the English language the West End |
| gptkbp:portrayed_by |
gptkb:historical_event
historical meetings the relationship between the monarchy and government |
| gptkbp:premiered_on |
gptkb:2013
|
| gptkbp:produced_by |
gptkb:musical
gptkb:theatre gptkb:West_End gptkb:The_National_Theatre gptkb:The_Royal_Court_Theatre gptkb:Matthew_Byam_Shaw gptkb:The_Gielgud_Theatre |
| gptkbp:production_years |
gptkb:musical
International tours West End production Revival productions National Theatre production |
| gptkbp:received |
gptkb:Olivier_Award_for_Best_New_Play
critical acclaim positive reviews |
| gptkbp:research |
gptkb:Politician
personal relationships in politics |
| gptkbp:runtime |
2 hours and 30 minutes
|
| gptkbp:set_in |
gptkb:20th_century
gptkb:Buckingham_Palace gptkb:United_Kingdom the 21st century the reign of Queen Elizabeth II |
| gptkbp:showcases |
dramatic storytelling
the Queen's perspective |
| gptkbp:significance |
contemporary theatre
|
| gptkbp:translated_into |
Multiple languages
multiple languages other languages |
| gptkbp:type |
gptkb:art_installation
|
| gptkbp:winner |
gptkb:Olivier_Award_for_Best_New_Play
gptkb:award |
| gptkbp:work |
invites discussion
invites audience reflection addresses historical accountability |
| gptkbp:written_by |
gptkb:Peter_Morgan
|
| gptkbp:year |
gptkb:2018
|
| gptkbp:year_created |
gptkb:2005
|