|
gptkbp:instance_of
|
gptkb:painting
gptkb:installation_art
gptkb:photographs
gptkb:film
|
|
gptkbp:addresses
|
the art market
|
|
gptkbp:art_movement
|
gptkb:Post-Impressionism
gptkb:Realism
gptkb:contemporary_art
|
|
gptkbp:art_style
|
naturalism
dynamic composition
|
|
gptkbp:artist
|
gptkb:Martin_Creed
|
|
gptkbp:artistic_exploration
|
the nature of creativity
|
|
gptkbp:artistic_expression
|
gptkb:Courbet's_self-portrait
social realism
personal narrative
value of the artist's work
|
|
gptkbp:artistic_focus
|
the artist's identity
|
|
gptkbp:artistic_influence
|
modern art movements
|
|
gptkbp:artistic_innovation
|
new approaches to subject matter
|
|
gptkbp:artistic_legacy
|
inspiration for future generations
|
|
gptkbp:artistic_technique
|
layering of paint
realistic representation
realistic detail
|
|
gptkbp:artistic_vision
|
social commentary
the artist's community
the viewer's experience.
|
|
gptkbp:audience
|
high
encouraged
7.5/10 on IMDb
|
|
gptkbp:awards
|
Best Film at XYZ Awards
|
|
gptkbp:box_office
|
gptkb:$5_million
$1 million
|
|
gptkbp:budget
|
$500,000
$1 million
|
|
gptkbp:capacity
|
large
|
|
gptkbp:challenges
|
traditional art norms
|
|
gptkbp:character
|
gptkb:The_Artist
gptkb:The_Mentor
The Rival
The Love Interest
|
|
gptkbp:character_arc
|
tragic flaw
redemption arc
|
|
gptkbp:character_development
|
protagonist's growth
antagonist's redemption
|
|
gptkbp:cinematography
|
gptkb:Michael_Green
|
|
gptkbp:cinematography_by
|
gptkb:Sarah_White
|
|
gptkbp:closing_date
|
2016-01-04
|
|
gptkbp:collaborations
|
various artists
|
|
gptkbp:collection
|
gptkb:Scottish_National_Gallery
|
|
gptkbp:color_palette
|
varied
vibrant colors
earth tones
light colors
|
|
gptkbp:composed_by
|
dynamic arrangement
large group of figures
|
|
gptkbp:contains
|
gptkb:self-portrait_of_Courbet
|
|
gptkbp:costume_design
|
gptkb:award
|
|
gptkbp:country
|
gptkb:USA
|
|
gptkbp:created_by
|
gptkb:Martin_Creed
gptkb:Eva_Gonzalès
gptkb:Jeff_Wall
gptkb:Gustave_Courbet
gptkb:John_Lavery
gptkb:Clara_Montalba
|
|
gptkbp:creator
|
gptkb:Wilhelm_Hammershøi
|
|
gptkbp:critical_reception
|
Positive
positive
|
|
gptkbp:criticism
|
positive
|
|
gptkbp:cultural_impact
|
analyzed in academic papers
featured in art exhibitions
discussed in film studies
influenced future films
discussion on realism in art
inspired art communities
|
|
gptkbp:cultural_significance
|
high
represents early 20th-century art
reflection of 19th-century art
|
|
gptkbp:curator
|
gptkb:Katherine_Brinson
|
|
gptkbp:depicted_in
|
a manifesto of Realism
|
|
gptkbp:depicts
|
the creative process
various figures in the studio
|
|
gptkbp:dimensions
|
73 cm × 92 cm
100 cm × 80 cm
73.5 cm × 92.5 cm
361 cm × 598 cm
300 x 400 cm
|
|
gptkbp:directed_by
|
gptkb:John_Smith
|
|
gptkbp:director
|
gptkb:John_Doe
|
|
gptkbp:distributor
|
gptkb:ABC_Films
ABC Distribution
|
|
gptkbp:duration
|
temporary
|
|
gptkbp:edited_by
|
gptkb:David_Green
|
|
gptkbp:editor
|
gptkb:Sarah_Black
|
|
gptkbp:emphasizes
|
the artist's role in society
|
|
gptkbp:exhibited_at
|
gptkb:Salon_of_1879
gptkb:Copenhagen
gptkb:Exposition_Universelle
|
|
gptkbp:exhibition
|
gptkb:Jeff_Wall:_The_Complete_Edition
gptkb:Solo_Exhibition
gptkb:Frank_Stella
gptkb:contemporary_art
|
|
gptkbp:exhibition_history
|
Exhibited at the Royal Academy
|
|
gptkbp:exhibition_venue
|
gptkb:Museum_of_Modern_Art
|
|
gptkbp:features
|
interactive elements
multiple figures
|
|
gptkbp:features_works_by
|
gptkb:Frank_Stella
gptkb:Robert_Ryman
|
|
gptkbp:film_festival
|
gptkb:Berlin_International_Film_Festival
gptkb:Cannes_Film_Festival
gptkb:Toronto_International_Film_Festival
gptkb:Venice_Film_Festival
|
|
gptkbp:film_technique
|
handheld camera
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
gptkb:New_York
|
|
gptkbp:focus
|
Artist's creative process
|
|
gptkbp:genre
|
gptkb:drama
|
|
gptkbp:has_influence_on
|
modern art movements
|
|
gptkbp:has_reception
|
mixed reviews at the time
|
|
gptkbp:historical_significance
|
19th century France
pioneering work in realism
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Artist's Studio
|
|
gptkbp:includes
|
various social classes
|
|
gptkbp:influenced
|
future artists
later artists
|
|
gptkbp:influenced_by
|
gptkb:Édouard_Manet
gptkb:Barbizon_School
gptkb:Romanticism
gptkb:Impressionism
|
|
gptkbp:influences
|
gptkb:The_Secret_Life_of_Walter_Mitty
gptkb:Georgia_O'_Keeffe
gptkb:Picasso
gptkb:The_Bell_Jar
gptkb:The_Catcher_in_the_Rye
gptkb:The_Great_Gatsby
gptkb:Van_Gogh
gptkb:Frida_Kahlo
gptkb:Henri_Matisse
gptkb:Jackson_Pollock
gptkb:Salvador_Dalí
gptkb:Andy_Warhol
gptkb:French_Impressionism
gptkb:Monet
gptkb:Da_Vinci
gptkb:The_Picture_of_Dorian_Gray
minimalism
photorealism
|
|
gptkbp:inspiration
|
impressionist movement
real-life artists
Courbet's own experiences
Lavery's own studio
|
|
gptkbp:inspired_by
|
artist studios
|
|
gptkbp:is_acclaimed_for
|
yes
|
|
gptkbp:is_analyzed_in
|
gptkb:art_critics
|
|
gptkbp:is_considered
|
a landmark work
|
|
gptkbp:is_critiqued_by
|
the commercialization of art
|
|
gptkbp:is_displayed_in
|
major art exhibitions
|
|
gptkbp:is_located_at
|
gptkb:Museum_of_Contemporary_Art_Chicago
|
|
gptkbp:is_part_of
|
French art history
|
|
gptkbp:is_recognized_as
|
a significant contribution to art
|
|
gptkbp:is_reflected_in
|
the artist's role in society
|
|
gptkbp:is_represented_in
|
art history textbooks
|
|
gptkbp:is_set_in
|
Creative Spaces
|
|
gptkbp:language
|
English
|
|
gptkbp:location
|
gptkb:Musée_d'_Orsay
gptkb:Museum_of_Modern_Art,_New_York
gptkb:Paris,_France
gptkb:Museum_of_Modern_Art
gptkb:National_Gallery_of_Scotland
Private collection
Various locations
|
|
gptkbp:main_actor
|
gptkb:Jane_Smith
gptkb:John_Brown
|
|
gptkbp:makeup_artist
|
Beauty Co.
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
mixed media
Cibachrome print
|
|
gptkbp:metacritic_score
|
85% on Rotten Tomatoes
7.5/10 on IMDb
|
|
gptkbp:monitors
|
artistic techniques
|
|
gptkbp:music_by
|
gptkb:Michael_Brown
|
|
gptkbp:music_composer
|
gptkb:Emily_White
|
|
gptkbp:narrative
|
storytelling through imagery
between artist and viewer
|
|
gptkbp:narrative_style
|
non-linear
|
|
gptkbp:notable_exhibitions
|
gptkb:1855_Exposition_Universelle
gptkb:Frieze_Art_Fair
|
|
gptkbp:notable_features
|
depiction of light and color
depiction of the artist's process
|
|
gptkbp:notable_for
|
its large scale
use of light
|
|
gptkbp:opening_date
|
2015-10-01
|
|
gptkbp:part_of
|
Courbet's oeuvre
|
|
gptkbp:plot
|
A story about an artist's journey.
|
|
gptkbp:premiere
|
gptkb:Sundance_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:XYZ_Productions
|
|
gptkbp:production_company
|
gptkb:XYZ_Productions
|
|
gptkbp:rating
|
PG-13
85% on Rotten Tomatoes
|
|
gptkbp:release_date
|
January 15, 2021
January 20, 2019
|
|
gptkbp:release_year
|
gptkb:2019
|
|
gptkbp:released_in
|
gptkb:2021
|
|
gptkbp:represents
|
the artist's identity
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Emily_Johnson
gptkb:Alice_Blue
|
|
gptkbp:sequel
|
The Artist's Journey
|
|
gptkbp:significance
|
critique of the art world
|
|
gptkbp:soundtrack
|
gptkb:soundtrack
available on streaming platforms
|
|
gptkbp:starring
|
gptkb:Jane_Doe
gptkb:John_Doe
|
|
gptkbp:style
|
gptkb:Symbolism
gptkb:contemporary_art
gptkb:Impressionism
gptkb:conceptual_art
Realist style
|
|
gptkbp:subject
|
interior
artistic process
artist's studio
artist in studio
artist in a studio
|
|
gptkbp:symbolism
|
artistic freedom
the studio as a sanctuary
|
|
gptkbp:symbolizes
|
the role of the artist
|
|
gptkbp:technique
|
impasto
loose brushwork
brushwork
|
|
gptkbp:theme
|
gptkb:art
gptkb:Success
gptkb:Creativity
gptkb:friendship
Artistic Expression
creativity
Struggle
|
|
gptkbp:themes
|
gptkb:friendship
creativity
self-discovery
the role of the artist
the struggle of the artist
artistic struggle
creativity and process
|
|
gptkbp:type
|
gptkb:art_exhibition
|
|
gptkbp:visual_effects
|
gptkb:Visual_Magic_Studios
|
|
gptkbp:written_by
|
gptkb:Emily_Johnson
|
|
gptkbp:year
|
gptkb:2016
gptkb:2017
|
|
gptkbp:year_created
|
gptkb:2012
1855
1879
1890
1894
1910
|
|
gptkbp:bfsParent
|
gptkb:Kerry_James_Marshall
|
|
gptkbp:bfsLayer
|
3
|