|
gptkbp:instance_of
|
gptkb:painting
gptkb:Photographer
gptkb:art_installation
gptkb:film
|
|
gptkbp:bfsLayer
|
3
|
|
gptkbp:bfsParent
|
gptkb:Jeff_Wall
gptkb:Kerry_James_Marshall
gptkb:Yoshitomo_Nara
|
|
gptkbp:addresses
|
the art market
|
|
gptkbp:art_movement
|
gptkb:Post-Impressionism
gptkb:Realism
gptkb:soundtrack
|
|
gptkbp:art_style
|
gptkb:Courbet's_self-portrait
naturalism
social commentary
social realism
layering of paint
dynamic composition
personal narrative
realistic representation
the nature of creativity
realistic detail
the artist's identity
the artist's community
the viewer's experience.
value of the artist's work
|
|
gptkbp:artist
|
gptkb:Martin_Creed
Beauty Co.
|
|
gptkbp:artistic_influence
|
modern art movements
|
|
gptkbp:artistic_legacy
|
inspiration for future generations
|
|
gptkbp:audience
|
high
encouraged
7.5/10 on IM Db
|
|
gptkbp:awards
|
Best Film at XYZ Awards
|
|
gptkbp:box_office
|
gptkb:$5_million
$1 million
|
|
gptkbp:budget
|
$500,000
$1 million
|
|
gptkbp:capacity
|
large
|
|
gptkbp:cast
|
gptkb:Jane_Smith
gptkb:John_Brown
|
|
gptkbp:challenges
|
traditional art norms
|
|
gptkbp:character
|
gptkb:The_Artist
gptkb:The_Mentor
The Rival
The Love Interest
|
|
gptkbp:character_appearance
|
gptkb:museum
|
|
gptkbp:character_arc
|
tragic flaw
redemption arc
|
|
gptkbp:character_development
|
protagonist's growth
antagonist's redemption
|
|
gptkbp:cinematography
|
gptkb:Michael_Green
gptkb:Sarah_White
|
|
gptkbp:closing_date
|
2016-01-04
|
|
gptkbp:collaborations
|
various artists
|
|
gptkbp:collection
|
gptkb:Scottish_National_Gallery
|
|
gptkbp:color
|
varied
vibrant colors
earth tones
light colors
|
|
gptkbp:composed_of
|
dynamic arrangement
large group of figures
|
|
gptkbp:composer
|
gptkb:Emily_White
|
|
gptkbp:contains
|
gptkb:self-portrait_of_Courbet
|
|
gptkbp:country
|
gptkb:USA
|
|
gptkbp:created_by
|
gptkb:Martin_Creed
gptkb:Eva_Gonzalès
gptkb:Jeff_Wall
gptkb:Gustave_Courbet
gptkb:John_Lavery
gptkb:Clara_Montalba
|
|
gptkbp:creator
|
gptkb:Wilhelm_Hammershøi
|
|
gptkbp:critical_reception
|
Positive
positive
|
|
gptkbp:cultural_impact
|
analyzed in academic papers
featured in art exhibitions
discussed in film studies
influenced future films
discussion on realism in art
inspired art communities
|
|
gptkbp:cultural_significance
|
high
represents early 20th-century art
reflection of 19th-century art
|
|
gptkbp:curator
|
gptkb:Katherine_Brinson
|
|
gptkbp:depicted_in
|
major art exhibitions
a manifesto of Realism
|
|
gptkbp:depicts
|
the creative process
various figures in the studio
|
|
gptkbp:dimensions
|
73 cm × 92 cm
100 cm × 80 cm
73.5 cm × 92.5 cm
361 cm × 598 cm
300 x 400 cm
|
|
gptkbp:directed_by
|
gptkb:John_E._Smith
|
|
gptkbp:director
|
gptkb:John_Doe
|
|
gptkbp:distributor
|
gptkb:ABC_Films
ABC Distribution
|
|
gptkbp:duration
|
temporary
|
|
gptkbp:edited_by
|
gptkb:David_Green
|
|
gptkbp:editor
|
gptkb:Sara_Black
|
|
gptkbp:emphasizes
|
the artist's role in society
|
|
gptkbp:exhibited_at
|
gptkb:Salon_of_1879
gptkb:Copenhagen
gptkb:art_exhibition
|
|
gptkbp:exhibition
|
gptkb:Jeff_Wall:_The_Complete_Edition
gptkb:1855_Exposition_Universelle
gptkb:Frieze_Art_Fair
gptkb:Solo_Exhibition
gptkb:Museum_of_Modern_Art
gptkb:Frank_Stella
gptkb:soundtrack
Exhibited at the Royal Academy
|
|
gptkbp:features
|
gptkb:Frank_Stella
gptkb:Robert_Ryman
interactive elements
multiple figures
|
|
gptkbp:film_festival
|
gptkb:film_festival
gptkb:Berlin_International_Film_Festival
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:filming_location
|
gptkb:Los_Angeles
gptkb:New_York
|
|
gptkbp:filmography
|
handheld camera
|
|
gptkbp:focus
|
Artist's creative process
|
|
gptkbp:genre
|
gptkb:High_School
|
|
gptkbp:has_influence_on
|
modern art movements
|
|
gptkbp:historical_significance
|
19th century France
pioneering work in realism
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Artist's Studio
|
|
gptkbp:includes
|
various social classes
|
|
gptkbp:influenced
|
future artists
later artists
|
|
gptkbp:influenced_by
|
gptkb:painting
gptkb:award
gptkb:Édouard_Manet
gptkb:Barbizon_School
|
|
gptkbp:influences
|
gptkb:The_Secret_Life_of_Walter_Mitty
gptkb:Georgia_O'_Keeffe
gptkb:Picasso
gptkb:The_Bell_Jar
gptkb:The_Catcher_in_the_Rye
gptkb:The_Great_Gatsby
gptkb:Van_Gogh
gptkb:Frida_Kahlo
gptkb:Henri_Matisse
gptkb:Jackson_Pollock
gptkb:Salvador_Dalí
gptkb:Andy_Warhol
gptkb:French_Impressionism
gptkb:Monet
gptkb:Da_Vinci
gptkb:The_Picture_of_Dorian_Gray
minimalism
photorealism
|
|
gptkbp:innovation
|
new approaches to subject matter
|
|
gptkbp:inspiration
|
impressionist movement
real-life artists
Courbet's own experiences
Lavery's own studio
|
|
gptkbp:inspired_by
|
artist studios
|
|
gptkbp:is_analyzed_in
|
gptkb:literary_work
|
|
gptkbp:is_considered
|
a landmark work
|
|
gptkbp:is_criticized_for
|
positive
the commercialization of art
|
|
gptkbp:is_evaluated_by
|
gptkb:battle
|
|
gptkbp:is_part_of
|
French art history
|
|
gptkbp:is_recognized_by
|
a significant contribution to art
|
|
gptkbp:is_reflected_in
|
the artist's role in society
|
|
gptkbp:is_represented_in
|
art history textbooks
|
|
gptkbp:language
|
English
|
|
gptkbp:launch_date
|
2015-10-01
|
|
gptkbp:located_in
|
gptkb:Museum_of_Contemporary_Art_Chicago
|
|
gptkbp:location
|
gptkb:Musée_d'_Orsay
gptkb:Museum_of_Modern_Art,_New_York
gptkb:Paris,_France
gptkb:Museum_of_Modern_Art
gptkb:National_Gallery_of_Scotland
Private collection
Various locations
|
|
gptkbp:medium
|
gptkb:oil_on_canvas
mixed media
Cibachrome print
|
|
gptkbp:monitors
|
artistic techniques
|
|
gptkbp:music_by
|
gptkb:Michael_Brown
|
|
gptkbp:narrative_style
|
non-linear
storytelling through imagery
between artist and viewer
|
|
gptkbp:notable_features
|
depiction of light and color
depiction of the artist's process
|
|
gptkbp:notable_for
|
its large scale
use of light
|
|
gptkbp:part_of
|
Courbet's oeuvre
|
|
gptkbp:plot
|
A story about an artist's journey.
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:produced_by
|
gptkb:XYZ_Productions
|
|
gptkbp:production_company
|
gptkb:XYZ_Productions
|
|
gptkbp:rating
|
PG-13
85% on Rotten Tomatoes
7.5/10 on IM Db
|
|
gptkbp:release_date
|
January 15, 2021
January 20, 2019
|
|
gptkbp:release_year
|
gptkb:2019
|
|
gptkbp:released_in
|
gptkb:2021
|
|
gptkbp:represents
|
the artist's identity
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Emily_Johnson
gptkb:Alice_Blue
|
|
gptkbp:sequel
|
The Artist's Journey
|
|
gptkbp:set_in
|
Creative Spaces
|
|
gptkbp:significance
|
critique of the art world
|
|
gptkbp:soundtrack
|
gptkb:soundtrack
available on streaming platforms
|
|
gptkbp:starring
|
gptkb:Jane_Doe
gptkb:John_Doe
|
|
gptkbp:stations
|
mixed reviews at the time
|
|
gptkbp:style
|
gptkb:Symbolism
gptkb:painting
gptkb:soundtrack
gptkb:artwork
Realist style
|
|
gptkbp:subject
|
interior
artistic process
artist's studio
artist in studio
artist in a studio
|
|
gptkbp:symbolism
|
artistic freedom
the studio as a sanctuary
|
|
gptkbp:symbolizes
|
the role of the artist
|
|
gptkbp:technique
|
impasto
loose brushwork
brushwork
|
|
gptkbp:theme
|
gptkb:award
gptkb:Community_Center
gptkb:Creativity
gptkb:artwork
Artistic Expression
creativity
Struggle
|
|
gptkbp:themes
|
gptkb:Community_Center
creativity
self-discovery
the role of the artist
the struggle of the artist
artistic struggle
creativity and process
|
|
gptkbp:type
|
gptkb:art_exhibition
|
|
gptkbp:visual_effects
|
gptkb:Visual_Magic_Studios
|
|
gptkbp:written_by
|
gptkb:Emily_Johnson
|
|
gptkbp:year
|
gptkb:2016
gptkb:2017
|
|
gptkbp:year_created
|
gptkb:2012
1855
1879
1890
1894
1910
|