|
gptkbp:instance_of
|
gptkb:graphic_novel
gptkb:artwork
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:animated_film
|
|
gptkbp:adaptations
|
gptkb:none
|
|
gptkbp:art_style
|
surrealism
detailed illustrations
|
|
gptkbp:artist
|
sculpture and installation
|
|
gptkbp:arts_programs
|
MFA from the University of Auckland
|
|
gptkbp:aspect_ratio
|
1.85:1
|
|
gptkbp:audience
|
cult following
|
|
gptkbp:author
|
gptkb:Shaun_Tan
|
|
gptkbp:available_formats
|
gptkb:audiobook
hardcover
digital
paperback
digital edition
paperback edition
|
|
gptkbp:awards
|
gptkb:award
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Sound_Editing
gptkb:2007_Eisner_Award
gptkb:CBCA_Picture_Book_of_the_Year
2007 Eisner Award for Best U. S. Edition of International Material
|
|
gptkbp:based_on
|
gptkb:Story_of_Your_Life
The Arrival and the Departure by John Patrick
|
|
gptkbp:birth_year
|
gptkb:1973
|
|
gptkbp:box_office
|
$3.5 million
$10 million
$203 million
$203.4 million
|
|
gptkbp:budget
|
$1.5 million
$25 million
$47 million
|
|
gptkbp:character
|
gptkb:Zane_Zaminsky
gptkb:Colonel_Weber
gptkb:Ian_Donnelly
gptkb:Miriam
gptkb:Professor
gptkb:Agent
gptkb:Dr._Louise_Banks
Hannah Banks
Heptapod
|
|
gptkbp:character_development
|
Frank Sinatra's character undergoes transformation
|
|
gptkbp:characters
|
gptkb:government_officials
gptkb:Daughter
gptkb:father
gptkb:Mother
gptkb:family
strangers
immigrant
stranger
unnamed protagonist
fellow immigrants
|
|
gptkbp:cinematography
|
gptkb:Bradford_Young
gptkb:David_Tattersall
|
|
gptkbp:cinematography_by
|
gptkb:Ernest_Laszlo
gptkb:Bradford_Young
|
|
gptkbp:collection
|
private and public collections
|
|
gptkbp:color
|
Black and white
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:Michael_Parekowhai
|
|
gptkbp:critical_reception
|
mixed reviews
widely acclaimed
Certified Fresh on Rotten Tomatoes
|
|
gptkbp:cultural_impact
|
inspired discussions on immigration
reflected Cold War tensions
Considered a modern classic in science fiction.
Inspired various analyses in film studies.
Praised for its emotional depth.
Recognized for its unique narrative structure.
Influenced discussions on linguistics and communication.
|
|
gptkbp:dimensions
|
varies
|
|
gptkbp:directed_by
|
gptkb:Denis_Villeneuve
|
|
gptkbp:director
|
gptkb:Stanley_Kramer
gptkb:Denis_Villeneuve
gptkb:David_Twohy
|
|
gptkbp:distributor
|
gptkb:Columbia_Pictures
gptkb:Paramount_Pictures
gptkb:MGM_Distribution_Co.
|
|
gptkbp:edited_by
|
gptkb:Joe_Walker
Frederick Knudtson
|
|
gptkbp:editing
|
gptkb:Michael_Tronick
|
|
gptkbp:editor
|
gptkb:Joe_Walker
|
|
gptkbp:exhibition
|
various galleries
|
|
gptkbp:exhibitions
|
internationally recognized
|
|
gptkbp:film_editing
|
gptkb:Michael_Tronick
Frederick Knudtson
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
gptkb:Miklós_Rózsa
|
|
gptkbp:film_series
|
gptkb:none
|
|
gptkbp:film_technique
|
realism
location shooting
|
|
gptkbp:filming_location
|
gptkb:California
gptkb:Los_Angeles
gptkb:Mexico
gptkb:Quebec
gptkb:Montreal
|
|
gptkbp:format
|
hardcover
wordless novel
|
|
gptkbp:genre
|
gptkb:science_fiction
gptkb:drama
gptkb:fantasy
|
|
gptkbp:home_media_release
|
2017-02-14
DVD release in 2005
Blu-ray release in 2011
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Arrival
|
|
gptkbp:illustrator
|
gptkb:Shaun_Tan
|
|
gptkbp:impact
|
cultural discussions
translated into multiple languages
used in educational settings
inspired other artists
influenced graphic storytelling
inspired discussions on immigration
influenced other graphic novels
recognized in art exhibitions
raised awareness of immigrant issues
|
|
gptkbp:influenced_by
|
gptkb:The_War_of_the_Worlds
gptkb:Arrival_of_the_Birds
gptkb:Contact
|
|
gptkbp:influences
|
gptkb:cultural_identity
gptkb:Arrival
gptkb:E._T._the_Extra-Terrestrial
gptkb:The_Day_the_Earth_Stood_Still
gptkb:The_Fifth_Element
gptkb:The_Thing
gptkb:The_Twilight_Zone
gptkb:The_X-Files
gptkb:War_of_the_Worlds
gptkb:Independence_Day
gptkb:The_Andromeda_Strain
gptkb:Blade_Runner
gptkb:2001:_A_Space_Odyssey
gptkb:Close_Encounters_of_the_Third_Kind
gptkb:Arrival_of_a_Train_at_La_Ciotat
gptkb:Star_Wars
gptkb:Contact
Signs
immigrant stories
post-war cinema
personal experiences of immigration
|
|
gptkbp:inspiration
|
personal experiences of immigration
|
|
gptkbp:inspired_by
|
Ted Chiang's short story
|
|
gptkbp:is_acclaimed_for
|
Nominated for 8 Academy Awards
|
|
gptkbp:isbn
|
978-1-876140-32-1
978-0-7432-2721-2
|
|
gptkbp:language
|
English
wordless
|
|
gptkbp:legacy
|
influenced later war films
|
|
gptkbp:location
|
gptkb:New_Zealand
|
|
gptkbp:main_character
|
Unnamed immigrant
|
|
gptkbp:main_theme
|
gptkb:displacement
gptkb:identity
hope
|
|
gptkbp:material
|
bronze
|
|
gptkbp:music_by
|
gptkb:Johann_Johannsson
gptkb:Miklós_Rózsa
|
|
gptkbp:music_composer
|
gptkb:John_Frizzell
|
|
gptkbp:narrative
|
non-linear
|
|
gptkbp:narrative_style
|
non-linear
silent storytelling
|
|
gptkbp:narrative_theme
|
war and peace
|
|
gptkbp:nationality
|
gptkb:New_Zealand
|
|
gptkbp:nominated_for
|
gptkb:Academy_Award_for_Best_Adapted_Screenplay
gptkb:Academy_Award_for_Best_Director
gptkb:Academy_Award_for_Best_Film_Editing
gptkb:Academy_Award_for_Best_Picture
gptkb:Academy_Award_for_Best_Sound_Editing
gptkb:Academy_Award_for_Best_Production_Design
gptkb:Academy_Award_for_Best_Sound_Mixing
|
|
gptkbp:notable_quote
|
" The only thing that matters is the truth."
|
|
gptkbp:page_count
|
128
|
|
gptkbp:pages
|
128
|
|
gptkbp:plot
|
A linguist is recruited by the military to communicate with extraterrestrial beings.
A linguist is recruited to communicate with extraterrestrial beings.
An astronomer discovers intelligent life from another planet.
|
|
gptkbp:premiere
|
gptkb:2004_Toronto_International_Film_Festival
gptkb:New_York_Film_Festival
|
|
gptkbp:premiered_on
|
gptkb:Toronto_International_Film_Festival
|
|
gptkbp:production_company
|
gptkb:Film_Nation_Entertainment
gptkb:20th_Century_Fox
gptkb:Lionsgate
gptkb:MGM
gptkb:Stanley_Kramer_Productions
|
|
gptkbp:published_in
|
gptkb:2006
|
|
gptkbp:published_year
|
gptkb:2006
|
|
gptkbp:publisher
|
gptkb:Arthur_A._Levine_Books
gptkb:Lothian_Books
|
|
gptkbp:rating
|
PG-13
94% on Rotten Tomatoes
81 on Metacritic
|
|
gptkbp:received
|
Critical acclaim
|
|
gptkbp:related_works
|
gptkb:The_Lost_Thing
gptkb:Tales_from_Outer_Suburbia
gptkb:The_Red_Tree
Rules of Summer
The Viewer
|
|
gptkbp:release_country
|
gptkb:United_States
|
|
gptkbp:release_date
|
gptkb:2004
December 25, 1956
2016-11-11
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1956
|
|
gptkbp:released_in
|
gptkb:2016
|
|
gptkbp:remake
|
The Arrival (1996)
|
|
gptkbp:runtime
|
100 minutes
116 minutes
108 minutes
|
|
gptkbp:screenplay_by
|
gptkb:John_Patrick
gptkb:Eric_Heisserer
gptkb:David_Twohy
|
|
gptkbp:setting
|
gptkb:Earth
immigration experience
alien spacecraft
immigrant experience
|
|
gptkbp:significance
|
explores themes of belonging
|
|
gptkbp:soundtrack
|
gptkb:original_score
Released by Deutsche Grammophon
The Arrival (soundtrack)
|
|
gptkbp:starring
|
gptkb:Forest_Whitaker
gptkb:Frank_Sinatra
gptkb:Amy_Adams
gptkb:Maximilian_Schell
gptkb:Charlie_Sheen
gptkb:Jeremy_Renner
gptkb:David_Niven
gptkb:Deborah_Kerr
gptkb:Teri_Polo
|
|
gptkbp:style
|
gptkb:contemporary_art
surrealistic
|
|
gptkbp:symbolism
|
gptkb:City
gptkb:food
gptkb:birds
language barriers
suitcases
|
|
gptkbp:target_audience
|
children and adults
young adults
|
|
gptkbp:theme
|
gptkb:migration
science and technology
alien life
government conspiracy
|
|
gptkbp:themes
|
gptkb:Time
gptkb:displacement
gptkb:humanity
gptkb:survival
gptkb:language
gptkb:communication
gptkb:identity
gptkb:sacrifice
gptkb:time
gptkb:family
Humanity
hope
belonging
cultural differences
journey
|
|
gptkbp:type
|
gptkb:sculpture
|
|
gptkbp:visual_effects
|
gptkb:ILM
gptkb:Double_Negative
|
|
gptkbp:year_created
|
gptkb:2010
|
|
gptkbp:bfsParent
|
gptkb:The_Terminal_soundtrack
gptkb:Henri_Cartier-Bresson
gptkb:Hardwell
gptkb:The_Lost_World:_Jurassic_Park
|
|
gptkbp:bfsLayer
|
4
|