Properties (45)
| Predicate | Object |
|---|---|
| gptkbp:instanceOf |
painting
|
| gptkbp:artist |
gptkb:William_Hogarth
|
| gptkbp:artMovement |
British_art
|
| gptkbp:artwork |
social commentary
inspired future artists influenced later satirical works remains a subject of study dramatic poses use of allegory storytelling through imagery balanced arrangement of figures conflict and choice detailed character expressions |
| gptkbp:colors |
vibrant colors
|
| gptkbp:communityEvents |
gptkb:the_Judgment_of_Paris
|
| gptkbp:critical_reception |
mixed reviews at the time of creation
|
| gptkbp:culturalHeritage |
Judgment_of_Paris_in_literature
|
| gptkbp:culturalImpact |
reflected societal values
|
| gptkbp:culturalSignificance |
satirical commentary on society
|
| gptkbp:depicts |
goddesses_of_Olympus
|
| gptkbp:dimensions |
91.4 cm × 122.2 cm
|
| gptkbp:exhibits |
gptkb:Royal_Academy_of_Arts
exhibited in various galleries |
| gptkbp:historicalContext |
18th century England
reflects 18th-century attitudes |
| gptkbp:historicalFigures |
Paris,_the_Trojan_prince
|
| gptkbp:historicalSignificance |
important_work_in_Hogarth's_oeuvre
|
| https://www.w3.org/2000/01/rdf-schema#label |
The Arraignment of Paris
|
| gptkbp:influence |
French_art
|
| gptkbp:influenced |
satirical painters
|
| gptkbp:influencedBy |
gptkb:Italian_Renaissance_art
Dutch_painting |
| gptkbp:inspiredBy |
Classical mythology
|
| gptkbp:location |
gptkb:National_Gallery,_London
|
| gptkbp:medium |
oil on canvas
|
| gptkbp:notableFeature |
depiction_of_the_Judgment_of_Paris
|
| gptkbp:owner |
gptkb:National_Gallery,_London
|
| gptkbp:relatedPatent |
The Marriage à la Mode
|
| gptkbp:style |
Rococo
narrative art |
| gptkbp:subject |
mythology
|
| gptkbp:symbolism |
beauty and desire
|
| gptkbp:technique |
chiaroscuro
|
| gptkbp:technology |
narrative composition
|
| gptkbp:yearEstablished |
1743
|