gptkbp:instance_of
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gptkb:literary_work
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gptkbp:bfsLayer
|
5
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gptkbp:bfsParent
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gptkb:The_Cripple_of_Inishmaan
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gptkbp:adapted_into
|
theatre productions
|
gptkbp:associated_with
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gptkb:Abbey_Theatre
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gptkbp:author
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gptkb:John_Millington_Synge
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gptkbp:contains
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gptkb:The_Playboy_of_the_Western_World
gptkb:The_Shadow_of_the_Glen
Riders to the Sea
|
gptkbp:critical_reception
|
well-received
|
gptkbp:explores
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rural life
gender roles
family dynamics
|
gptkbp:first_performance
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1907
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gptkbp:genre
|
gptkb:High_School
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Aran Islands Trilogy
|
gptkbp:influenced
|
modern Irish drama
|
gptkbp:influenced_by
|
Irish folklore
the Celtic Revival
|
gptkbp:inspired
|
Irish nationalism
|
gptkbp:language
|
English
|
gptkbp:notable_character
|
gptkb:Nora
gptkb:Maurya
Christy Mahon
Pegeen Mike
|
gptkbp:notable_quote
|
" We are all prisoners of our own making."
" The sea is a great teacher."
" I have a great love for the Aran Islands."
" Life is a struggle against the elements."
" The play is a thing of beauty."
|
gptkbp:published_by
|
gptkb:Maunsel_&_Co.
1907
|
gptkbp:setting
|
gptkb:Aran_Islands
|
gptkbp:themes
|
gptkb:TV_series
gptkb:military_conflict
isolation
|
gptkbp:translated_into
|
gptkb:French
gptkb:Spanish
gptkb:Native_American_tribe
|