The Annunciation (National Gallery)
GPTKB entity
Statements (55)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:painting
|
| gptkbp:bfsLayer |
3
|
| gptkbp:bfsParent |
gptkb:Leonardo_da_Vinci
|
| gptkbp:acquisition |
1824
|
| gptkbp:art_movement |
gptkb:organization
|
| gptkbp:art_style |
perspective
light and shadow use of light recognized as a masterpiece reflects the values of the time composition and balance realism and detail symmetrical arrangement foreground and background interaction the figures of Gabriel and Mary |
| gptkbp:artist |
gptkb:Jan_van_Eyck
fine details in clothing |
| gptkbp:artistic_influence |
influenced Baroque art
contributed to the development of oil painting inspired modern interpretations of the Annunciation |
| gptkbp:artistic_legacy |
inspired future generations of artists
Flemish painting tradition |
| gptkbp:collection |
National Gallery collection
|
| gptkbp:color |
vibrant colors
|
| gptkbp:cultural_impact |
Flemish culture
influenced religious art |
| gptkbp:dimensions |
220 cm × 220 cm
|
| gptkbp:exhibition |
gptkb:National_Gallery,_London
exhibited in various art exhibitions |
| gptkbp:historical_context |
created during the early Renaissance period
|
| gptkbp:historical_significance |
important work in art history
depicts the announcement of the Virgin Mary's pregnancy |
| https://www.w3.org/2000/01/rdf-schema#label |
The Annunciation (National Gallery)
|
| gptkbp:influence |
gptkb:statue
|
| gptkbp:influenced_artists |
subsequent Renaissance artists
|
| gptkbp:innovation |
use of oil paint
|
| gptkbp:inspiration |
gptkb:church
|
| gptkbp:is_criticized_for |
highly regarded by critics
|
| gptkbp:location |
gptkb:National_Gallery,_London
|
| gptkbp:medium |
oil on wood
|
| gptkbp:narrative_style |
tells the story of the Annunciation
|
| gptkbp:notable_artists |
other works by Jan van Eyck
|
| gptkbp:notable_features |
detailed realism
|
| gptkbp:notable_for |
intricate background
|
| gptkbp:open_to_public |
on display to the public
|
| gptkbp:restoration |
restored in the 20th century
|
| gptkbp:style |
gptkb:Northern_Renaissance
|
| gptkbp:subject |
gptkb:Annunciation
|
| gptkbp:symbolism |
divine intervention
represents purity and divinity |
| gptkbp:symbolizes |
Gabriel and Mary
|
| gptkbp:technique |
layering of paint
|
| gptkbp:themes |
faith and spirituality
|
| gptkbp:was_a_patron_of |
gptkb:Philip_the_Good
|
| gptkbp:year_created |
1432
|