|
gptkbp:instance_of
|
gptkb:novel
gptkb:film
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|
gptkbp:bfsLayer
|
3
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|
gptkbp:bfsParent
|
gptkb:Wim_Wenders
|
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:theatre
gptkb:film
The American Friend (film)
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|
gptkbp:author
|
gptkb:Patricia_Highsmith
|
|
gptkbp:awards
|
gptkb:none
Nominated for Best Director
Cannes Film Festival nomination
Nominated for Best Actor
Nominated for Best Cinematography
Nominated for Best Editing
Nominated for Best Foreign Language Film
Nominated for Best Music Score
|
|
gptkbp:based_on
|
gptkb:Ripley's_Game
|
|
gptkbp:box_office
|
$1.5 million
|
|
gptkbp:character
|
gptkb:Mr._Greenleaf
gptkb:Detective
gptkb:Tom_Ripley
gptkb:legal_case
gptkb:Jonathan_Zimmermann
Martha Zimmermann
|
|
gptkbp:character_arc
|
Jonathan Weiss's downfall
Tom Ripley's transformation
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|
gptkbp:character_development
|
complex characters
|
|
gptkbp:character_relationships
|
Jonathan Weiss and his family
Tom Ripley and Jonathan Weiss
Tom Ripley and his past
|
|
gptkbp:cinematography
|
gptkb:Robbie_Müller
|
|
gptkbp:conflict
|
gptkb:moral_ambiguity
ambiguous ending
|
|
gptkbp:country
|
gptkb:government_agency
gptkb:Monarch
gptkb:USA
|
|
gptkbp:critical_reception
|
Mixed reviews
mixed reviews
|
|
gptkbp:cultural_impact
|
Cult film status
influenced writers
influenced filmmakers
influenced artists
|
|
gptkbp:directed_by
|
gptkb:Wim_Wenders
|
|
gptkbp:director
|
gptkb:Wim_Wenders
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
|
gptkbp:edited_by
|
gptkb:Peter_Przygodda
|
|
gptkbp:features
|
gptkb:Police_Department
Friendship themes
Art forgery
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival_1977
|
|
gptkbp:film_series
|
Wim Wenders' films
|
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:Paris
gptkb:Hamburg
|
|
gptkbp:followed_by
|
Ripley’s Game
|
|
gptkbp:follows
|
gptkb:The_Goalkeeper's_Fear_of_the_Penalty
The Wrong Move
|
|
gptkbp:genre
|
gptkb:Thriller
gptkb:High_School
gptkb:film
psychological thriller
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The American Friend
|
|
gptkbp:influenced
|
gptkb:The_Talented_Mr._Ripley
gptkb:Film_noir
Art house films
European cinema
Thriller genre
Neo-noir films
The American Friend (novel)
|
|
gptkbp:influenced_by
|
gptkb:Orson_Welles
gptkb:Michelangelo_Antonioni
gptkb:Jean-Luc_Godard
gptkb:Alfred_Hitchcock
gptkb:Francois_Truffaut
gptkb:Patricia_Highsmith
gptkb:Fritz_Lang
gptkb:Patrice_Chéreau
American literature
European cinema
|
|
gptkbp:influences
|
noir fiction
|
|
gptkbp:inspiration
|
gptkb:The_Talented_Mr._Ripley
|
|
gptkbp:is_available_on
|
gptkb:Streaming_services
gptkb:DJ
gptkb:film
|
|
gptkbp:isbn
|
978-0-684-84329-0
|
|
gptkbp:language
|
gptkb:Native_American_tribe
English
|
|
gptkbp:main_character
|
gptkb:Jonathan_Weiss
gptkb:Tom_Ripley
|
|
gptkbp:motif
|
gptkb:Community_Center
gptkb:wealth
gptkb:artwork
|
|
gptkbp:music_by
|
gptkb:Jürgen_Knieper
|
|
gptkbp:narrative_style
|
third-person
omniscient narrator
|
|
gptkbp:page_count
|
256
|
|
gptkbp:plot
|
crime and betrayal
|
|
gptkbp:preceded_by
|
gptkb:Ripley_Under_Ground
|
|
gptkbp:precedes
|
The State of Things
|
|
gptkbp:premiere
|
gptkb:film_festival
|
|
gptkbp:published_by
|
gptkb:1970
|
|
gptkbp:publisher
|
gptkb:Simon_&_Schuster
|
|
gptkbp:reader_demographic
|
cult following
academic interest
|
|
gptkbp:release_date
|
gptkb:1977
|
|
gptkbp:release_year
|
gptkb:1977
|
|
gptkbp:released_in
|
gptkb:1977
|
|
gptkbp:remake
|
Ripley's Game (2002)
|
|
gptkbp:runtime
|
120 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Peter_Handke
gptkb:Daniel_Schmid
gptkb:Wim_Wenders
|
|
gptkbp:set_in
|
gptkb:Borough
gptkb:Paris
gptkb:Hamburg
|
|
gptkbp:setting
|
gptkb:government_agency
1970s
|
|
gptkbp:starring
|
gptkb:Lisa_Kreuzer
gptkb:Bruno_Ganz
gptkb:Dennis_Hopper
|
|
gptkbp:style
|
dark humor
psychological depth
suspenseful
|
|
gptkbp:symbolism
|
gptkb:betrayal
identity crisis
the American Dream
|
|
gptkbp:thematic_element
|
gptkb:existentialism
morality
social commentary
|
|
gptkbp:theme
|
gptkb:TV_series
gptkb:betrayal
gptkb:Police_Department
gptkb:Community_Center
gptkb:military_operation
gptkb:legal_case
|