|
gptkbp:instance_of
|
gptkb:painting
|
|
gptkbp:art_movement
|
gptkb:Renaissance
|
|
gptkbp:art_style
|
detailed realism
|
|
gptkbp:artist
|
gptkb:Hans_Holbein_the_Younger
|
|
gptkbp:artistic_influence
|
Holbein's other works
|
|
gptkbp:artistic_legacy
|
considered a masterpiece
|
|
gptkbp:artistic_technique
|
realism
|
|
gptkbp:associated_with
|
gptkb:diplomatic_relations
|
|
gptkbp:color_palette
|
rich colors
|
|
gptkbp:cultural_impact
|
inspired modern art
|
|
gptkbp:cultural_significance
|
Renaissance art
|
|
gptkbp:depicts
|
gptkb:historical_artifacts
gptkb:scientific_instruments
religious symbols
objects of knowledge
|
|
gptkbp:dimensions
|
207 cm × 144.8 cm
|
|
gptkbp:exhibited_at
|
European art exhibitions
|
|
gptkbp:exhibition
|
National Gallery exhibitions
|
|
gptkbp:features
|
gptkb:books
gptkb:Vendee_Globe
gptkb:Team_Skull
gptkb:musical_instruments
symbolic objects
elaborate clothing
rich textures
|
|
gptkbp:historical_context
|
Reformation period
|
|
gptkbp:historical_significance
|
reflects 16th-century Europe
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Ambassadors (second version)
|
|
gptkbp:influence
|
art history
|
|
gptkbp:influenced
|
subsequent artists
|
|
gptkbp:influenced_by
|
gptkb:Italian_Renaissance
|
|
gptkbp:inspired_by
|
humanism
|
|
gptkbp:location
|
gptkb:National_Gallery,_London
|
|
gptkbp:medium
|
oil on oak panel
|
|
gptkbp:notable_aspect
|
detailed representation
|
|
gptkbp:notable_feature
|
anamorphic perspective
|
|
gptkbp:notable_technique
|
glazing
perspective
chiaroscuro
layering of paint
sfumato
underpainting
|
|
gptkbp:part_of
|
National Gallery collection
|
|
gptkbp:represents
|
gptkb:cultural_exchange
social status
intellectual pursuits
|
|
gptkbp:style
|
gptkb:Northern_Renaissance
|
|
gptkbp:subject
|
two ambassadors
|
|
gptkbp:symbolism
|
death and mortality
|
|
gptkbp:technique
|
gptkb:oil_painting
|
|
gptkbp:themes
|
wealth and power
|
|
gptkbp:year_created
|
1533
|
|
gptkbp:bfsParent
|
gptkb:The_Ambassadors
gptkb:Hans_Holbein_the_Younger
|
|
gptkbp:bfsLayer
|
5
|