|
gptkbp:instance_of
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gptkb:play
|
|
gptkbp:adaptation
|
gptkb:musical
gptkb:radio_station
gptkb:film
|
|
gptkbp:author
|
gptkb:Ben_Jonson
|
|
gptkbp:character
|
gptkb:Ananias
gptkb:the_City_of_London
gptkb:Dame_Pliant
gptkb:Sir_Epicure_Mammon
Drugger
Kastril
|
|
gptkbp:critical_reception
|
well-received
|
|
gptkbp:cultural_significance
|
reflects societal issues of the time
|
|
gptkbp:first_performance
|
1610
|
|
gptkbp:genre
|
gptkb:musical
|
|
gptkbp:historical_context
|
gptkb:Jacobean_England
social stratification
early 17th century
rise of capitalism
theatrical traditions of the time
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Alchemist (1610)
|
|
gptkbp:influence
|
Jacobean drama
subsequent comedies
|
|
gptkbp:influenced_by
|
gptkb:Italian_commedia_dell'arte
Roman comedy
classical comedies
|
|
gptkbp:inspired
|
modern adaptations
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Dol_Common
gptkb:Face
Subtle
|
|
gptkbp:notable_performance
|
gptkb:theatre
gptkb:West_End_productions
gptkb:Royal_Shakespeare_Company
international tours
Broadway productions
|
|
gptkbp:notable_quote
|
" The greatest part of the world is a stage."
|
|
gptkbp:official_language
|
English
|
|
gptkbp:performance
|
frequently revived
|
|
gptkbp:plot
|
con artists trick wealthy clients
|
|
gptkbp:published_by
|
gptkb:Richard_Meighen
1612
|
|
gptkbp:related_works
|
gptkb:The_Devil_is_an_Ass
gptkb:Volpone
|
|
gptkbp:setting
|
gptkb:Borough
|
|
gptkbp:style
|
satirical
|
|
gptkbp:theme
|
gptkb:class
gptkb:greed
gptkb:military_operation
|
|
gptkbp:bfsParent
|
gptkb:Abel_Drugger
|
|
gptkbp:bfsLayer
|
5
|