gptkbp:instance_of
|
gptkb:musical
gptkb:TV_series
gptkb:ballet
gptkb:graphic_novel
gptkb:opera
gptkb:video_game
gptkb:novel
gptkb:film
|
gptkbp:bfsLayer
|
3
|
gptkbp:bfsParent
|
gptkb:Martin_Scorsese
gptkb:Winona_Ryder
gptkb:Daniel_Day-Lewis
|
gptkbp:adaptation
|
gptkb:television_series
gptkb:theatre
gptkb:1993
gptkb:opera
gptkb:film
gptkb:film_series
adapted into a film
The Age of Innocence (novel)
opera adaptation by Philip Glass
|
gptkbp:art_style
|
historical accuracy
2 D graphics
|
gptkbp:associated_act
|
2
three
|
gptkbp:author
|
gptkb:Edith_Wharton
|
gptkbp:availability
|
digital download
|
gptkbp:awards
|
gptkb:Cannes_Film_Festival_Best_Costume_Design
gptkb:BAFTA_Award_for_Best_Production_Design
gptkb:National_Board_of_Review_Award_for_Best_Film
gptkb:award
gptkb:none
gptkb:Drama_Desk_Award_for_Outstanding_Music
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Musical_or_Comedy
gptkb:Tony_Award_for_Best_Original_Score
gptkb:Grammy_Award_for_Best_Opera_Recording
gptkb:Academy_Award_for_Best_Costume_Design
gptkb:Best_Art_Direction
Best Actor – Motion Picture Musical or Comedy
Best Actress – Motion Picture Musical or Comedy
Best Costume Design
Best Motion Picture – Musical or Comedy
|
gptkbp:based_on
|
novel by Edith Wharton
|
gptkbp:box_office
|
$34 million
Moderate success
|
gptkbp:budget
|
$36 million
|
gptkbp:cast
|
gptkb:Richard_E._Grant
gptkb:Jesse_Blumberg
gptkb:David_Portillo
gptkb:Elizabeth_De_Shong
gptkb:Dame_Miriam_Margolyes
gptkb:David_Adam_Moore
gptkb:Kathy_Bates
gptkb:Winona_Ryder
gptkb:Daniel_Day-Lewis
gptkb:Michelle_Pfeiffer
gptkb:David_Strathairn
gptkb:Megan_Samarin
gptkb:Kelli_O'_Hara
gptkb:Matthew_Worth
gptkb:Annalene_Beechey
gptkb:Brian_Mulligan
gptkb:John_Brancy
Ariana Wehr
|
gptkbp:character_arc
|
growth and change
|
gptkbp:character_customization
|
gptkb:none
|
gptkbp:character_development
|
complex characters
Ellen Olenska's struggle
May Welland's innocence
Newland Archer's transformation
Ellen Olenska's struggle for independence
May Welland's traditional values
Newland Archer's internal conflict
Newland Archer's conflict
focus on social norms
|
gptkbp:character_relationships
|
gptkb:Community_Center
family dynamics
love triangle
complex dynamics
|
gptkbp:choreography
|
gptkb:Edwaard_Liang
gptkb:Graciela_Daniele
|
gptkbp:cinematography
|
gptkb:Michael_Ballhaus
|
gptkbp:community
|
online discussions
|
gptkbp:community_support
|
fan forums
|
gptkbp:composer
|
gptkb:John_Corigliano
gptkb:Marsha_Norman
|
gptkbp:conflict
|
internal conflict
external conflict
individual vs society
|
gptkbp:country
|
gptkb:United_States
|
gptkbp:critical_reception
|
Positive
Positive reviews
generally positive
mixed reviews
widely acclaimed
|
gptkbp:cultural_impact
|
influenced later literature
influenced modern opera
exploration of social norms
exploration of Gilded Age society
exploration of American high society
critique of upper-class society
|
gptkbp:cultural_references
|
referenced in popular culture
inspired artworks
adapted into stage plays
influenced fashion and art
quoted in literature
inspired other literary works
|
gptkbp:depicts
|
Upper-class society
|
gptkbp:developer
|
The Adventure Company
|
gptkbp:difficulty
|
moderate
|
gptkbp:directed_by
|
gptkb:Martin_Scorsese
|
gptkbp:director
|
gptkb:Martin_Scorsese
gptkb:Michael_Mayer
|
gptkbp:duration
|
approximately 90 minutes
|
gptkbp:edited_by
|
gptkb:Thelma_Schoonmaker
|
gptkbp:explores
|
Themes of love and duty
|
gptkbp:fan_base
|
small but dedicated
|
gptkbp:features
|
gptkb:May_Welland
gptkb:Countess_Ellen_Olenska
|
gptkbp:film_festival
|
gptkb:film_festival
|
gptkbp:film_score
|
7.2/10
|
gptkbp:filming_location
|
gptkb:Borough
gptkb:The_Walter_Kerr_Theatre
|
gptkbp:first_aired
|
gptkb:1993
|
gptkbp:first_performance
|
gptkb:San_Francisco_Opera
2016 at the San Francisco Opera
|
gptkbp:followed_by
|
gptkb:The_Glimpses_of_the_Moon
|
gptkbp:follows
|
gptkb:Newland_Archer
|
gptkbp:game_engine
|
proprietary engine
|
gptkbp:game_features
|
cutscenes
|
gptkbp:game_length
|
approximately 10 hours
|
gptkbp:game_mechanics
|
exploration and interaction
|
gptkbp:game_modes
|
single-player
|
gptkbp:game_world
|
open world
|
gptkbp:gameplay
|
point-and-click
|
gptkbp:genre
|
gptkb:musical
gptkb:church
gptkb:Romance
gptkb:amusement_park
gptkb:High_School
gptkb:opera
|
gptkbp:has_cameo
|
gptkb:historical_figure
|
gptkbp:has_lore
|
gptkb:historical_event
|
gptkbp:has_merchandise
|
gptkb:DJ
gptkb:soundtrack
gptkb:museum
Novel adaptations
Film posters
|
gptkbp:has_sequel
|
gptkb:None
|
gptkbp:historical_context
|
gptkb:Gilded_Age_America
reflects societal changes
depicts class struggles
turn of the 20th century
illustrates gender roles
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Age of Innocence
|
gptkbp:in-game_items
|
gptkb:museum
|
gptkbp:influenced_by
|
classic adventure games
19th-century American literature
Edith Wharton's writing style
|
gptkbp:influences
|
gptkb:Gustave_Flaubert
gptkb:Realism
gptkb:Victorian_literature
gptkb:Gilded_Age_America
gptkb:Henry_James
American literature
American realism
Naturalism
|
gptkbp:inspiration
|
gptkb:Gilded_Age_New_York
gptkb:Edith_Wharton's_novel_of_the_same_name
Wharton's own experiences
Edith Wharton's own experiences
Edith Wharton's novel
|
gptkbp:inspired_by
|
Real-life events
|
gptkbp:is_critical_for
|
examined in literary studies
discussed in feminist literature
analyzed for its themes
feminist readings
historical readings
psychological readings
|
gptkbp:isbn
|
978-0-14-243727-8
978-0-14-243794-2
|
gptkbp:language
|
English
branching dialogue
|
gptkbp:legacy
|
cult classic
|
gptkbp:length
|
approximately 2 hours and 30 minutes
|
gptkbp:librettist
|
gptkb:William_M._Hoffman
|
gptkbp:lyricist
|
gptkb:Philip_Glass
|
gptkbp:main_character
|
gptkb:Newland_Archer
gptkb:May_Welland
gptkb:Countess_Ellen_Olenska
|
gptkbp:merchandise
|
gptkb:none
|
gptkbp:mod_support
|
gptkb:none
|
gptkbp:motif
|
gptkb:betrayal
isolation
romanticism
love and desire
tradition vs. change
tradition vs change
|
gptkbp:music_by
|
gptkb:Elmer_Bernstein
gptkb:Philip_Glass
|
gptkbp:music_style
|
contemporary classical
|
gptkbp:narrative_style
|
Period drama
flashbacks
third-person omniscient
foreshadowing
personal desires
linear storytelling
character-driven story
social conventions
|
gptkbp:network
|
gptkb:BBC
|
gptkbp:notable_character
|
gptkb:Winona_Ryder
gptkb:Newland_Archer
gptkb:May_Welland
gptkb:Jonny_Lee_Miller
gptkb:Countess_Ellen_Olenska
|
gptkbp:notable_production
|
gptkb:San_Diego_Opera
gptkb:Pittsburgh_Opera
gptkb:2016_San_Francisco_Opera_production
gptkb:Glimmerglass_Festival
gptkb:Lyric_Opera_of_Chicago
gptkb:Opera_Philadelphia
gptkb:Santa_Fe_Opera
gptkb:Atlanta_Opera
gptkb:Cincinnati_Opera
gptkb:Royal_Opera_House
gptkb:Opera_Theatre_of_Saint_Louis
gptkb:Nashville_Opera
gptkb:Chautauqua_Opera
gptkb:Minnesota_Opera
gptkb:Washington_National_Opera
gptkb:Opera_North
gptkb:Fort_Worth_Opera
gptkb:New_Orleans_Opera
gptkb:opera
gptkb:Florida_Grand_Opera
gptkb:Opera_Colorado
gptkb:Des_Moines_Metro_Opera
gptkb:Opera_Saratoga
gptkb:Ash_Lawn_Opera
gptkb:Baltimore_Opera
Opera in the Heights
2019 New York City Opera production
|
gptkbp:notable_quote
|
“ The past is never dead. It's not even past.”
“ There are moments when you feel that you are not living your own life.”
“ The one thing that can never be taken from you is your own mind.”
“ He was a man of his time.”
“ It was a world of rules and conventions.”
|
gptkbp:notable_recordings
|
multiple recordings available
|
gptkbp:notable_song
|
' Ellen's Aria'
' The Choice'
' The Marriage of Newland and May'
|
gptkbp:number_of_teams
|
third-person perspective
impact story progression
|
gptkbp:orchestration
|
large orchestra
|
gptkbp:page_count
|
gptkb:368
|
gptkbp:performance
|
performed internationally
|
gptkbp:performed_by
|
gptkb:The_Joffrey_Ballet
|
gptkbp:platform
|
gptkb:operating_system
|
gptkbp:preceded_by
|
gptkb:The_Custom_of_the_Country
|
gptkbp:premiere
|
gptkb:1991
|
gptkbp:premiere_date
|
gptkb:2016
|
gptkbp:premiered_on
|
gptkb:2012
gptkb:New_York_Film_Festival
|
gptkbp:produced_by
|
gptkb:Columbia_Pictures
|
gptkbp:producer
|
gptkb:Martin_Scorsese
|
gptkbp:production_company
|
gptkb:The_Metropolitan_Opera
gptkb:Columbia_Pictures
|
gptkbp:published_by
|
gptkb:The_United_States
gptkb:1920
|
gptkbp:publisher
|
gptkb:D._Appleton_&_Company
The Adventure Company
|
gptkbp:puzzles
|
inventory-based puzzles
|
gptkbp:rating
|
75%
|
gptkbp:record_label
|
gptkb:Orange_Mountain_Music
|
gptkbp:release_date
|
gptkb:2002
gptkb:2017
October 2002
September 13, 1993
|
gptkbp:release_platform
|
gptkb:PC
|
gptkbp:release_region
|
gptkb:North_America
|
gptkbp:release_year
|
gptkb:1993
|
gptkbp:released_in
|
the 1990s
|
gptkbp:runtime
|
139 minutes
138 minutes
|
gptkbp:screenplay_by
|
gptkb:Jay_Cocks
|
gptkbp:sequel
|
gptkb:none
|
gptkbp:set_in
|
gptkb:Borough
|
gptkbp:setting
|
gptkb:Borough
gptkb:19th_century
New York City in the 1870s
|
gptkbp:significance
|
explores social norms
exploration of gender roles
depiction of desire
critique of social norms
critique of marriage
critique of upper-class morality
pioneering feminist themes
depiction of romantic ideals
|
gptkbp:sound
|
ambient sound effects
|
gptkbp:soundtrack
|
gptkb:musical
|
gptkbp:starring
|
gptkb:Winona_Ryder
gptkb:Daniel_Day-Lewis
gptkb:Michelle_Pfeiffer
|
gptkbp:style
|
neoclassical ballet
|
gptkbp:symbolism
|
the social elite
the New York society
the orchid
the New York City elite
the old world vs new world
the old New York society
|
gptkbp:system_requirements
|
minimum Windows 98
|
gptkbp:target_audience
|
adventure game fans
|
gptkbp:theme
|
Societal norms
societal norms and personal desire
|
gptkbp:themes
|
gptkb:award
gptkb:class
individual vs. society
societal norms
society and class
hypocrisy
love and betrayal
love and sacrifice
love and desire
class and society
love and marriage
class and privilege
tradition versus change
|
gptkbp:updates
|
gptkb:none
|
gptkbp:user_interface
|
point-and-click interface
|
gptkbp:voice_actor
|
professional voice actors
|
gptkbp:year
|
gptkb:Gilded_Age
|