|
gptkbp:instance_of
|
gptkb:musical
gptkb:ballet
gptkb:television_series
gptkb:graphic_novel
gptkb:opera
gptkb:video_game
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:opera
gptkb:theater
gptkb:miniseries
gptkb:television
gptkb:film
gptkb:stage_play
The Age of Innocence (novel)
opera adaptation by Philip Glass
|
|
gptkbp:adaptation_year
|
gptkb:1993
|
|
gptkbp:adaptations
|
gptkb:film_adaptation
gptkb:film_adaptations
gptkb:television_adaptation
gptkb:theater
gptkb:television
gptkb:film
adapted into a film
|
|
gptkbp:art_style
|
historical accuracy
2 D graphics
|
|
gptkbp:author
|
gptkb:Edith_Wharton
|
|
gptkbp:availability
|
digital download
|
|
gptkbp:awards
|
gptkb:Pulitzer_Prize
gptkb:Drama_Desk_Award_for_Outstanding_Music
gptkb:Tony_Award_for_Best_Original_Score
gptkb:Grammy_Award_for_Best_Opera_Recording
|
|
gptkbp:based_on
|
novel by Edith Wharton
|
|
gptkbp:box_office
|
$34 million
Moderate success
|
|
gptkbp:budget
|
$36 million
|
|
gptkbp:cast
|
gptkb:Richard_E._Grant
gptkb:Jesse_Blumberg
gptkb:David_Portillo
gptkb:Elizabeth_De_Shong
gptkb:Dame_Miriam_Margolyes
gptkb:David_Adam_Moore
gptkb:Kathy_Bates
gptkb:Winona_Ryder
gptkb:Daniel_Day-Lewis
gptkb:Michelle_Pfeiffer
gptkb:David_Strathairn
gptkb:Megan_Samarin
gptkb:Kelli_O'_Hara
gptkb:Matthew_Worth
gptkb:Annalene_Beechey
gptkb:Brian_Mulligan
gptkb:John_Brancy
Ariana Wehr
|
|
gptkbp:character_arc
|
growth and change
|
|
gptkbp:character_customization
|
gptkb:none
|
|
gptkbp:character_development
|
complex characters
Ellen Olenska's struggle
May Welland's innocence
Newland Archer's transformation
Ellen Olenska's struggle for independence
May Welland's traditional values
Newland Archer's internal conflict
Newland Archer's conflict
focus on social norms
|
|
gptkbp:character_relationships
|
gptkb:friendship
family dynamics
love triangle
complex dynamics
|
|
gptkbp:choreography
|
gptkb:Edwaard_Liang
gptkb:Graciela_Daniele
|
|
gptkbp:cinematography
|
gptkb:Michael_Ballhaus
|
|
gptkbp:cinematography_by
|
gptkb:Michael_Ballhaus
|
|
gptkbp:community_support
|
fan forums
|
|
gptkbp:composer
|
gptkb:John_Corigliano
gptkb:Marsha_Norman
|
|
gptkbp:conflict
|
internal conflict
external conflict
individual vs society
|
|
gptkbp:country
|
gptkb:United_States
|
|
gptkbp:critical_analysis
|
examined in literary studies
discussed in feminist literature
analyzed for its themes
feminist readings
historical readings
psychological readings
|
|
gptkbp:critical_reception
|
Positive
Positive reviews
generally positive
mixed reviews
widely acclaimed
|
|
gptkbp:cultural_impact
|
influenced later literature
influenced modern opera
exploration of social norms
exploration of Gilded Age society
exploration of American high society
critique of upper-class society
|
|
gptkbp:cultural_references
|
referenced in popular culture
inspired artworks
adapted into stage plays
influenced fashion and art
quoted in literature
inspired other literary works
|
|
gptkbp:depicts
|
Upper-class society
|
|
gptkbp:developer
|
The Adventure Company
|
|
gptkbp:difficulty
|
moderate
|
|
gptkbp:directed_by
|
gptkb:Martin_Scorsese
|
|
gptkbp:director
|
gptkb:Martin_Scorsese
gptkb:Michael_Mayer
|
|
gptkbp:duration
|
approximately 90 minutes
|
|
gptkbp:edited_by
|
gptkb:Thelma_Schoonmaker
|
|
gptkbp:executive_producer
|
gptkb:Martin_Scorsese
|
|
gptkbp:explores
|
Themes of love and duty
|
|
gptkbp:fan_base
|
small but dedicated
|
|
gptkbp:features
|
gptkb:May_Welland
gptkb:Countess_Ellen_Olenska
|
|
gptkbp:film_awards
|
gptkb:BAFTA_Award_for_Best_Production_Design
gptkb:National_Board_of_Review_Award_for_Best_Film
gptkb:Golden_Globe_Award_for_Best_Motion_Picture_–_Musical_or_Comedy
gptkb:Academy_Award_for_Best_Costume_Design
Best Costume Design
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_score
|
7.2/10
|
|
gptkbp:film_supporting_actress
|
gptkb:Winona_Ryder
|
|
gptkbp:filming_location
|
gptkb:New_York_City
|
|
gptkbp:first_aired
|
gptkb:1993
|
|
gptkbp:first_performance
|
gptkb:San_Francisco_Opera
2016 at the San Francisco Opera
|
|
gptkbp:followed_by
|
gptkb:The_Glimpses_of_the_Moon
|
|
gptkbp:follows
|
gptkb:Newland_Archer
|
|
gptkbp:game_awards
|
gptkb:none
|
|
gptkbp:game_community
|
online discussions
|
|
gptkbp:game_engine
|
proprietary engine
|
|
gptkbp:game_features
|
cutscenes
|
|
gptkbp:game_length
|
approximately 10 hours
|
|
gptkbp:game_mechanics
|
exploration and interaction
|
|
gptkbp:game_mode
|
single-player
|
|
gptkbp:game_updates
|
gptkb:none
|
|
gptkbp:game_world
|
open world
|
|
gptkbp:gameplay
|
point-and-click
|
|
gptkbp:genre
|
gptkb:musical
gptkb:Romance
gptkb:opera
gptkb:drama
gptkb:adventure
gptkb:historical_fiction
|
|
gptkbp:has_cameo
|
gptkb:historical_figures
|
|
gptkbp:has_lore
|
gptkb:historical_context
|
|
gptkbp:has_merchandise
|
gptkb:DVD
gptkb:soundtrack
gptkb:collectibles
Novel adaptations
Film posters
|
|
gptkbp:has_prequel
|
gptkb:None
|
|
gptkbp:has_sequel
|
gptkb:None
|
|
gptkbp:historical_context
|
gptkb:Gilded_Age_America
reflects societal changes
depicts class struggles
turn of the 20th century
illustrates gender roles
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Age of Innocence
|
|
gptkbp:in-game_items
|
gptkb:collectibles
|
|
gptkbp:influenced_by
|
classic adventure games
19th-century American literature
Edith Wharton's writing style
|
|
gptkbp:influences
|
gptkb:Gustave_Flaubert
gptkb:Realism
gptkb:Victorian_literature
gptkb:Gilded_Age_America
gptkb:Henry_James
American literature
American realism
Naturalism
|
|
gptkbp:inspiration
|
gptkb:Gilded_Age_New_York
gptkb:Edith_Wharton's_novel_of_the_same_name
Wharton's own experiences
Edith Wharton's own experiences
Edith Wharton's novel
|
|
gptkbp:inspired_by
|
Real-life events
|
|
gptkbp:isbn
|
978-0-14-243727-8
978-0-14-243794-2
|
|
gptkbp:language
|
English
|
|
gptkbp:language_spoken
|
branching dialogue
|
|
gptkbp:legacy
|
cult classic
|
|
gptkbp:length
|
approximately 2 hours and 30 minutes
|
|
gptkbp:librettist
|
gptkb:William_M._Hoffman
|
|
gptkbp:literary_significance
|
explores social norms
exploration of gender roles
depiction of desire
critique of social norms
critique of marriage
critique of upper-class morality
pioneering feminist themes
depiction of romantic ideals
|
|
gptkbp:lyricist
|
gptkb:Philip_Glass
|
|
gptkbp:main_actor
|
gptkb:Daniel_Day-Lewis
gptkb:Michelle_Pfeiffer
|
|
gptkbp:main_character
|
gptkb:Newland_Archer
gptkb:May_Welland
gptkb:Countess_Ellen_Olenska
|
|
gptkbp:main_theme
|
Societal norms
societal norms and personal desire
|
|
gptkbp:merchandise
|
gptkb:none
|
|
gptkbp:metacritic_score
|
75%
|
|
gptkbp:mod_support
|
gptkb:none
|
|
gptkbp:motif
|
gptkb:betrayal
isolation
romanticism
love and desire
tradition vs. change
tradition vs change
|
|
gptkbp:music_by
|
gptkb:Elmer_Bernstein
gptkb:Philip_Glass
|
|
gptkbp:music_style
|
contemporary classical
|
|
gptkbp:narrative
|
character-driven story
|
|
gptkbp:narrative_focus
|
personal desires
social conventions
|
|
gptkbp:narrative_style
|
Period drama
flashbacks
third-person omniscient
foreshadowing
linear storytelling
|
|
gptkbp:network
|
gptkb:BBC
|
|
gptkbp:notable_actor
|
gptkb:Winona_Ryder
gptkb:Jonny_Lee_Miller
|
|
gptkbp:notable_character
|
gptkb:Newland_Archer
gptkb:May_Welland
gptkb:Countess_Ellen_Olenska
|
|
gptkbp:notable_characters
|
gptkb:Newland_Archer
gptkb:May_Welland
gptkb:Countess_Ellen_Olenska
|
|
gptkbp:notable_production
|
gptkb:San_Diego_Opera
gptkb:Pittsburgh_Opera
gptkb:2016_San_Francisco_Opera_production
gptkb:Glimmerglass_Festival
gptkb:Lyric_Opera_of_Chicago
gptkb:Opera_Philadelphia
gptkb:Santa_Fe_Opera
gptkb:Atlanta_Opera
gptkb:Cincinnati_Opera
gptkb:Royal_Opera_House
gptkb:Opera_Theatre_of_Saint_Louis
gptkb:Nashville_Opera
gptkb:Chautauqua_Opera
gptkb:Minnesota_Opera
gptkb:Washington_National_Opera
gptkb:Opera_North
gptkb:Fort_Worth_Opera
gptkb:New_Orleans_Opera
gptkb:opera
gptkb:Florida_Grand_Opera
gptkb:Opera_Colorado
gptkb:Des_Moines_Metro_Opera
gptkb:Opera_Saratoga
gptkb:Ash_Lawn_Opera
gptkb:Baltimore_Opera
Opera in the Heights
2019 New York City Opera production
|
|
gptkbp:notable_quote
|
“ The past is never dead. It's not even past.”
“ There are moments when you feel that you are not living your own life.”
“ The one thing that can never be taken from you is your own mind.”
“ He was a man of his time.”
“ It was a world of rules and conventions.”
|
|
gptkbp:notable_song
|
' Ellen's Aria'
' The Choice'
' The Marriage of Newland and May'
|
|
gptkbp:number_of_acts
|
2
three
|
|
gptkbp:orchestration
|
large orchestra
|
|
gptkbp:page_count
|
gptkb:368
|
|
gptkbp:performance
|
performed internationally
|
|
gptkbp:performed_by
|
gptkb:The_Joffrey_Ballet
|
|
gptkbp:platform
|
gptkb:Windows
|
|
gptkbp:players
|
third-person perspective
impact story progression
|
|
gptkbp:preceded_by
|
gptkb:The_Custom_of_the_Country
|
|
gptkbp:premiere
|
gptkb:1991
|
|
gptkbp:premiere_date
|
gptkb:2016
|
|
gptkbp:premiere_location
|
gptkb:The_Walter_Kerr_Theatre
|
|
gptkbp:premiered_on
|
gptkb:2012
gptkb:New_York_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Columbia_Pictures
|
|
gptkbp:production_company
|
gptkb:The_Metropolitan_Opera
gptkb:Columbia_Pictures
|
|
gptkbp:published
|
gptkb:1920
|
|
gptkbp:published_in
|
gptkb:The_United_States
|
|
gptkbp:publisher
|
gptkb:D._Appleton_&_Company
The Adventure Company
|
|
gptkbp:puzzles
|
inventory-based puzzles
|
|
gptkbp:record_label
|
gptkb:Orange_Mountain_Music
|
|
gptkbp:recordings
|
multiple recordings available
|
|
gptkbp:release_date
|
gptkb:2002
gptkb:2017
October 2002
September 13, 1993
|
|
gptkbp:release_platform
|
gptkb:PC
|
|
gptkbp:release_region
|
gptkb:North_America
|
|
gptkbp:release_year
|
gptkb:1993
|
|
gptkbp:released_in
|
the 1990s
|
|
gptkbp:runtime
|
139 minutes
138 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Jay_Cocks
|
|
gptkbp:sequel
|
gptkb:none
|
|
gptkbp:set_in
|
gptkb:New_York_City
|
|
gptkbp:setting
|
gptkb:19th_century
gptkb:New_York_City
New York City in the 1870s
|
|
gptkbp:sound
|
ambient sound effects
|
|
gptkbp:soundtrack
|
gptkb:original_score
|
|
gptkbp:starring
|
gptkb:Winona_Ryder
gptkb:Daniel_Day-Lewis
gptkb:Michelle_Pfeiffer
|
|
gptkbp:style
|
neoclassical ballet
|
|
gptkbp:symbolism
|
the social elite
the New York society
the orchid
the New York City elite
the old world vs new world
the old New York society
|
|
gptkbp:system_requirements
|
minimum Windows 98
|
|
gptkbp:target_audience
|
adventure game fans
|
|
gptkbp:themes
|
gptkb:marriage
gptkb:social_class
individual vs. society
societal norms
society and class
hypocrisy
love and betrayal
love and sacrifice
love and desire
class and society
love and marriage
class and privilege
tradition versus change
|
|
gptkbp:user_interface
|
point-and-click interface
|
|
gptkbp:voice_acting
|
professional voice actors
|
|
gptkbp:won_award
|
gptkb:Cannes_Film_Festival_Best_Costume_Design
gptkb:Academy_Award_for_Best_Costume_Design
gptkb:Best_Art_Direction
Best Actor – Motion Picture Musical or Comedy
Best Actress – Motion Picture Musical or Comedy
Best Costume Design
Best Motion Picture – Musical or Comedy
|
|
gptkbp:year
|
gptkb:Gilded_Age
|
|
gptkbp:bfsParent
|
gptkb:Martin_Scorsese
|
|
gptkbp:bfsLayer
|
3
|