|
gptkbp:instance_of
|
gptkb:play
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:adapted_into
|
gptkb:Television_producer
gptkb:film
stage productions
various theater companies
radio plays
the author's experiences
|
|
gptkbp:author
|
gptkb:Elmer_Rice
|
|
gptkbp:character_development
|
Daisy's aspirations
Mr. Mc Teague's role
Mr. Zero's transformation
Mrs. Zero's struggles
|
|
gptkbp:critical_reception
|
mixed
mixed reviews
|
|
gptkbp:cultural_impact
|
gptkb:American_theater
|
|
gptkbp:depicts
|
the life of a calculator operator
|
|
gptkbp:discusses
|
impact of automation
|
|
gptkbp:examines
|
the role of technology in society
|
|
gptkbp:explores
|
alienation in modern society
|
|
gptkbp:famous_for
|
satirical take on technology
|
|
gptkbp:features
|
symbolic characters
|
|
gptkbp:first_performance
|
1923
|
|
gptkbp:genre
|
gptkb:Expressionism
gptkb:drama
|
|
gptkbp:has
|
multiple adaptations
|
|
gptkbp:has_influenced
|
theater movements
|
|
gptkbp:has_performed_at
|
internationally
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Adding Machine
|
|
gptkbp:influence
|
gptkb:Expressionism
|
|
gptkbp:influenced
|
later works of theater
|
|
gptkbp:influenced_by
|
gptkb:Industrial_Revolution
gptkb:Futurism
gptkb:Dadaism
gptkb:Surrealism
|
|
gptkbp:inspired
|
academic studies
musical adaptations
|
|
gptkbp:is_available_in
|
published script
|
|
gptkbp:is_available_on
|
gptkb:streaming_platforms
|
|
gptkbp:is_considered
|
a classic of American theater
a significant work in American literature
a precursor to modernist theater
|
|
gptkbp:is_discussed_in
|
theater history books
|
|
gptkbp:is_explored_in
|
literary analyses
|
|
gptkbp:is_influential_in
|
the field of drama
|
|
gptkbp:is_notable_for
|
its critique of capitalism
|
|
gptkbp:is_noted_for
|
its innovative structure
|
|
gptkbp:is_part_of
|
American theater canon
the American avant-garde movement
|
|
gptkbp:is_referenced_in
|
gptkb:popular_culture
|
|
gptkbp:is_reviewed_by
|
theater critics
|
|
gptkbp:is_set_in
|
an office environment
|
|
gptkbp:is_studied_in
|
theater courses
|
|
gptkbp:language
|
English
|
|
gptkbp:main_character
|
gptkb:Mr._Zero
|
|
gptkbp:music_style
|
minimalism
monologues
nonlinear narrative
|
|
gptkbp:notable_character
|
gptkb:Daisy_Devore
gptkb:Mr._Mc_Teague
Mrs. Zero
|
|
gptkbp:notable_quote
|
" I am a machine."
" I am not a man, I am a machine."
" Numbers are all that matter."
" What is life without numbers?"
" I have become obsolete."
|
|
gptkbp:notable_themes
|
gptkb:existentialism
gptkb:identity
gptkb:technology
alienation
|
|
gptkbp:original_language
|
English
|
|
gptkbp:performance_style
|
expressionism
naturalism
|
|
gptkbp:performed_at
|
gptkb:theater_festivals
|
|
gptkbp:performed_by
|
high schools
professional theater companies
|
|
gptkbp:performed_in
|
multiple languages
|
|
gptkbp:popularized_by
|
in American drama
|
|
gptkbp:premiere_location
|
gptkb:New_York_City
|
|
gptkbp:premiered_on
|
gptkb:The_Provincetown_Playhouse
|
|
gptkbp:protagonist
|
gptkb:Mr._Zero
|
|
gptkbp:published
|
1923
|
|
gptkbp:published_in
|
1923
|
|
gptkbp:revival
|
frequent
|
|
gptkbp:revived_in
|
various decades
|
|
gptkbp:setting
|
gptkb:United_States
gptkb:office
|
|
gptkbp:style
|
absurdist
|
|
gptkbp:symbolism
|
gptkb:machinery
automation
numbers
|
|
gptkbp:theme
|
dehumanization
|
|
gptkbp:themes
|
gptkb:existentialism
|
|
gptkbp:uses
|
absurdist elements
|
|
gptkbp:written_by
|
gptkb:Elmer_Rice
|
|
gptkbp:written_in
|
three acts
|
|
gptkbp:bfsParent
|
gptkb:William_S._Burroughs
gptkb:the_Provincetown_Players
|
|
gptkbp:bfsLayer
|
5
|