gptkbp:instanceOf
|
gptkb:film
|
gptkbp:awardReceived
|
gptkb:Academy_Award_for_Best_Visual_Effects
|
gptkbp:basedOn
|
original screenplay
|
gptkbp:boxOfficeGross
|
$90 million
|
gptkbp:budget
|
$43–47 million
|
gptkbp:cinematography
|
gptkb:Mikael_Salomon
|
gptkbp:countryOfOrigin
|
gptkb:United_States
|
gptkbp:director
|
gptkb:James_Cameron
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
|
gptkbp:editor
|
gptkb:Howard_E._Smith
gptkb:Joel_Goodman
gptkb:Conrad_Buff
|
gptkbp:filmingLocation
|
gptkb:Cherokee_Nuclear_Power_Plant
gptkb:Gaffney,_South_Carolina
|
gptkbp:genre
|
gptkb:science_fiction
adventure
thriller
|
gptkbp:hasVersion
|
gptkb:The_Abyss:_Special_Edition
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Abyss (film)
|
gptkbp:imdbID
|
tt0096754
|
gptkbp:language
|
English
|
gptkbp:musicBy
|
gptkb:Alan_Silvestri
|
gptkbp:nominatedFor
|
gptkb:Academy_Award_for_Best_Cinematography
gptkb:Academy_Award_for_Best_Original_Score
gptkb:Academy_Award_for_Best_Picture
gptkb:Academy_Award_for_Best_Sound
|
gptkbp:notableFor
|
gptkb:Academy_Award_for_Best_Visual_Effects
pioneering visual effects
|
gptkbp:officialWebsite
|
https://www.foxmovies.com/movies/the-abyss
|
gptkbp:prequel
|
none
|
gptkbp:producer
|
gptkb:Gale_Anne_Hurd
|
gptkbp:productionCompany
|
gptkb:20th_Century_Fox
gptkb:Lightstorm_Entertainment
|
gptkbp:rating
|
PG-13
|
gptkbp:releaseDate
|
August 9, 1989
|
gptkbp:runtime
|
140 minutes
|
gptkbp:sequel
|
none
|
gptkbp:setIn
|
gptkb:Caribbean_Sea
gptkb:marine
|
gptkbp:starring
|
gptkb:Todd_Graff
gptkb:Kimberly_Scott
gptkb:J.C._Quinn
gptkb:Michael_Biehn
gptkb:Ed_Harris
gptkb:Mary_Elizabeth_Mastrantonio
gptkb:Leo_Burmester
gptkb:John_Bedford_Lloyd
|
gptkbp:theme
|
underwater exploration
first contact with aliens
Cold War tension
|
gptkbp:writer
|
gptkb:James_Cameron
|
gptkbp:bfsParent
|
gptkb:Cherokee_Nuclear_Power_Plant
gptkb:Lawrence_Kasanoff
|
gptkbp:bfsLayer
|
6
|