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gptkbp:instance_of
|
gptkb:novel
gptkb:film
|
|
gptkbp:adaptation
|
gptkb:film
|
|
gptkbp:adapted_into
|
stage plays
|
|
gptkbp:art_style
|
gptkb:Karel_Zeman
|
|
gptkbp:author
|
gptkb:Karel_Čapek
|
|
gptkbp:available_on
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gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:based_on
|
novel by Karel Čapek
|
|
gptkbp:character_development
|
philosophical themes
|
|
gptkbp:cinematography_by
|
gptkb:Karel_Zeman
|
|
gptkbp:collection
|
Czech science fiction literature.
|
|
gptkbp:contains
|
elements of absurdism
|
|
gptkbp:costume_design
|
gptkb:Karel_Zeman
|
|
gptkbp:country
|
gptkb:Czechoslovakia
|
|
gptkbp:critical_reception
|
positive
positive reviews
|
|
gptkbp:cultural_impact
|
influenced later sci-fi films
|
|
gptkbp:directed_by
|
gptkb:Karel_Zeman
|
|
gptkbp:discusses
|
technology's impact on society
|
|
gptkbp:distributor
|
gptkb:Czech_State_Film
|
|
gptkbp:edited_by
|
gptkb:Karel_Zeman
|
|
gptkbp:explores
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the nature of reality
|
|
gptkbp:features
|
scientific concepts
animated sequences
|
|
gptkbp:features_a_plot_about
|
a new energy source
|
|
gptkbp:film_editing
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gptkb:Karel_Zeman
The Absolute at Large (film)
|
|
gptkbp:film_festival
|
multiple international festivals
|
|
gptkbp:film_length
|
85 minutes
|
|
gptkbp:followed_by
|
gptkb:The_War_with_the_Newts
|
|
gptkbp:follows
|
gptkb:The_Fabulous_World_of_Jules_Verne
|
|
gptkbp:genre
|
gptkb:science_fiction
|
|
gptkbp:has_a_presence_in
|
among science fiction fans
|
|
gptkbp:has_been_restored
|
yes
|
|
gptkbp:has_cameo
|
gptkb:none
|
|
gptkbp:has_influenced
|
subsequent science fiction works
|
|
gptkbp:home_media_release
|
gptkb:1999
gptkb:2005
gptkb:2015
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The Absolute at Large
|
|
gptkbp:influence
|
gptkb:existentialism
|
|
gptkbp:influenced
|
Czech cinema
|
|
gptkbp:influenced_by
|
gptkb:Expressionism
gptkb:Futurism
gptkb:Czech_New_Wave
gptkb:Dadaism
surrealism
|
|
gptkbp:inspiration
|
modern writers
|
|
gptkbp:inspired
|
philosophical discussions
|
|
gptkbp:inspired_by
|
philosophy of technology
|
|
gptkbp:is_analyzed_in
|
literary critiques
|
|
gptkbp:is_available_in
|
audiobook format
|
|
gptkbp:is_available_on
|
digital platforms
|
|
gptkbp:is_characterized_by
|
dark humor
|
|
gptkbp:is_considered
|
a classic of science fiction
|
|
gptkbp:is_known_for
|
its philosophical depth
|
|
gptkbp:is_often_compared_to
|
gptkb:Brave_New_World
|
|
gptkbp:is_often_discussed_in
|
philosophical circles
|
|
gptkbp:is_part_of
|
Czech literature
|
|
gptkbp:is_recognized_for
|
its innovative ideas
|
|
gptkbp:is_referenced_in
|
academic studies
|
|
gptkbp:is_regarded_as
|
a precursor to cyberpunk
|
|
gptkbp:is_set_in
|
the early 20th century
|
|
gptkbp:is_studied_in
|
university courses
|
|
gptkbp:language
|
gptkb:Czech
|
|
gptkbp:main_character
|
Professor Hlaváček
|
|
gptkbp:main_theme
|
gptkb:philosophy
|
|
gptkbp:music_by
|
Emanuel Vajtauer
|
|
gptkbp:narrative_style
|
satirical
|
|
gptkbp:notable_awards
|
gptkb:none
|
|
gptkbp:notable_character
|
Professor M. H. K. K. K.
|
|
gptkbp:notable_for
|
gptkb:special_effects
|
|
gptkbp:notable_speakers
|
capitalism
|
|
gptkbp:plot_summary
|
A man discovers a machine that can create anything.
|
|
gptkbp:precedes
|
gptkb:Journey_to_the_Beginning_of_Time
|
|
gptkbp:premiered_on
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:produced_by
|
gptkb:Karel_Zeman
|
|
gptkbp:production_company
|
gptkb:Filmové_studio_Barrandov
|
|
gptkbp:provided
|
literary anthologies
|
|
gptkbp:published
|
1925
|
|
gptkbp:publisher
|
gptkb:Vydavatelství_František_Borový
|
|
gptkbp:released_in
|
gptkb:1949
|
|
gptkbp:remake
|
gptkb:none
|
|
gptkbp:remastered
|
yes
|
|
gptkbp:runtime
|
85 minutes
|
|
gptkbp:screenplay_by
|
gptkb:Karel_Zeman
|
|
gptkbp:set_in
|
gptkb:Czechoslovakia
|
|
gptkbp:setting
|
gptkb:Czechoslovakia
|
|
gptkbp:soundtrack
|
Emanuel Vajtauer
|
|
gptkbp:translated_into
|
multiple languages
|
|
gptkbp:video_output
|
black and white
|
|
gptkbp:visual_effects
|
gptkb:Karel_Zeman
|
|
gptkbp:bfsParent
|
gptkb:Josef_Čapek
gptkb:Karel_Čapek
|
|
gptkbp:bfsLayer
|
5
|