Statements (72)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
|
| gptkbp:associated_with |
gptkb:Fluxus
gptkb:church gptkb:Cultural_exchange gptkb:Minimalism gptkb:Arts_Council gptkb:Community_Center gptkb:art_installation gptkb:artwork Conceptual art Video art Feminist art New media art Artistic expression Artistic diversity Artistic evolution Artistic identity Artistic innovation Artistic freedom Site-specific art Artistic experimentation Cultural critique Artistic history Artistic legacy Artistic collaboration Artistic research Interdisciplinary art Artistic tradition Artistic philosophy Art and politics Artistic vision Artistic dialogue Socially engaged art Artistic exploration Artistic practice Artistic influence Art activism Artistic engagement Artistic critique Artistic discourse Artistic activism Performance installation Artistic revolution Artistic theory Artistic narrative Art as a social practice Globalization in art Artistic renaissance Artistic transformation |
| gptkbp:attendance |
International artists and visitors
|
| gptkbp:curator |
gptkb:Giorgio_Morandi
|
| gptkbp:exhibition |
gptkb:music_festival
|
| https://www.w3.org/2000/01/rdf-schema#label |
The 1974 Venice Biennale
|
| gptkbp:impact |
Influenced contemporary art movements.
|
| gptkbp:is_featured_in |
The Artist is Present by Marina Abramović
Canyon by Robert Rauschenberg Tilted Arc by Richard Serra Map by Alighiero Boetti I Like America and America Likes Me by Joseph Beuys |
| gptkbp:location |
gptkb:Venice,_Italy
|
| gptkbp:notable_members |
gptkb:Joseph_Beuys
gptkb:Marina_Abramović gptkb:Richard_Serra gptkb:Robert_Rauschenberg gptkb:Alighiero_Boetti |
| gptkbp:preceded_by |
gptkb:1972_Venice_Biennale
|
| gptkbp:significant_event |
First time the Biennale included performance art.
|
| gptkbp:succeeded_by |
gptkb:1976_Venice_Biennale
|
| gptkbp:theme |
The International Exhibition of Contemporary Art
|
| gptkbp:year |
gptkb:1974
|
| gptkbp:bfsParent |
gptkb:Lee_Ufan
|
| gptkbp:bfsLayer |
4
|