Statements (47)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Lee_Ufan
|
| gptkbp:art_movement |
gptkb:Minimalism
gptkb:Pop_art gptkb:artwork Conceptual art |
| gptkbp:awards |
Golden Lion for Best National Participation.
Silver Lion for Best Artist. Special Prize. |
| gptkbp:closing_date |
September 1969
|
| gptkbp:curator |
gptkb:Giorgio_Morandi
|
| gptkbp:exhibition |
International Art Exhibition
3 months. |
| gptkbp:historical_context |
Influenced by the civil rights movement.
Emergence of feminist art. Exploration of identity politics. Held during a time of social upheaval. Increased globalization of art. Part of the counterculture movement. Reflected changing attitudes in art. Response to the Vietnam War. Rise of anti-establishment sentiments. Shift towards interdisciplinary practices. |
| https://www.w3.org/2000/01/rdf-schema#label |
The 1969 Venice Biennale
|
| gptkbp:impact |
Helped establish Venice as a major art center.
|
| gptkbp:is_featured_in |
Rhythm 0 by Marina Abramović
Bed by Robert Rauschenberg Soft Toilet by Claes Oldenburg The Cut Piece by Yoko Ono |
| gptkbp:launch_date |
June 1969
|
| gptkbp:location |
gptkb:Venice,_Italy
|
| gptkbp:media_coverage |
Extensive international media coverage.
|
| gptkbp:notable_members |
gptkb:Marina_Abramović
gptkb:Yoko_Ono gptkb:Robert_Rauschenberg gptkb:Claes_Oldenburg |
| gptkbp:organizer |
gptkb:La_Biennale_di_Venezia
|
| gptkbp:preceded_by |
gptkb:1968_Venice_Biennale
|
| gptkbp:significance |
Influenced future Biennales.
Diverse international participation. First Biennale to include performance art. Increased focus on conceptual art. |
| gptkbp:succeeded_by |
gptkb:1970_Venice_Biennale
|
| gptkbp:theme |
The Individual and the Group
|
| gptkbp:visitors |
Over 100,000 visitors.
|
| gptkbp:year |
gptkb:1969
|