Statements (45)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Lee_Ufan
|
| gptkbp:associated_with |
gptkb:Minimalism
gptkb:Pop_Art gptkb:Fluxus_movement gptkb:artwork |
| gptkbp:attendance |
thousands of visitors
|
| gptkbp:cultural_significance |
reflected social issues
showcased avant-garde art promoted international artists fostered artistic dialogue highlighted new media |
| gptkbp:exhibition |
several months
|
| https://www.w3.org/2000/01/rdf-schema#label |
The 1969 Paris Biennale
|
| gptkbp:impact |
expanded the definition of art
influenced curatorial practices shaped public perception of contemporary art encouraged cross-disciplinary collaboration inspired future biennales |
| gptkbp:influenced |
modern art movements
|
| gptkbp:is_featured_in |
gptkb:artwork
paintings installations |
| gptkbp:legacy |
recognized for its innovative approach
contributed to the evolution of biennales acknowledged for its historical importance celebrated for its diversity of artists remains a reference point for art exhibitions |
| gptkbp:location |
gptkb:Paris
|
| gptkbp:notable_artists |
The Obliteration Room by Yayoi Kusama
The Niki de Saint Phalle's shooting paintings Daniel Buren's striped columns Homage to New York by Jean Tinguely |
| gptkbp:notable_members |
gptkb:Yayoi_Kusama
gptkb:Jean_Tinguely gptkb:Daniel_Buren gptkb:Robert_Rauschenberg gptkb:Niki_de_Saint_Phalle |
| gptkbp:organizer |
gptkb:French_Ministry_of_Culture
|
| gptkbp:preceded_by |
gptkb:1967_Paris_Biennale
|
| gptkbp:succeeded_by |
1971 Paris Biennale
|
| gptkbp:theme |
gptkb:soundtrack
|
| gptkbp:type |
gptkb:music_festival
|
| gptkbp:year |
gptkb:1969
|