Statements (45)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Lee_Ufan
|
| gptkbp:art_movement |
gptkb:Pop_art
gptkb:artwork Conceptual art |
| gptkbp:attendance |
International artists and critics
|
| gptkbp:closing_date |
November 1968
|
| gptkbp:cultural_significance |
Showcased emerging artists
Engaged with contemporary issues Challenged traditional art norms Influenced art criticism Set a precedent for future biennales Encouraged experimental art forms Encouraged public participation in art Expanded the definition of art Fostered international dialogue in art Highlighted political art Promoted cross-cultural exchanges Promoted the role of the artist in society Reflected social upheaval of the 1960s Reflected the spirit of the 1960s |
| gptkbp:exhibition |
6 months
International Art Exhibition |
| https://www.w3.org/2000/01/rdf-schema#label |
The 1968 Venice Biennale
|
| gptkbp:impact |
Promoted avant-garde art
Influenced future biennales |
| gptkbp:is_featured_in |
Canyon by Robert Rauschenberg
Bed by Claes Oldenburg The White Room by Yoko Ono |
| gptkbp:launch_date |
June 1968
|
| gptkbp:location |
gptkb:Venice,_Italy
|
| gptkbp:notable_album |
The Combine by Robert Rauschenberg
The Room of the Future by Yoko Ono The Soft Toilet by Claes Oldenburg |
| gptkbp:notable_members |
gptkb:Yoko_Ono
gptkb:Robert_Rauschenberg gptkb:Claes_Oldenburg |
| gptkbp:organizer |
gptkb:La_Biennale_di_Venezia
|
| gptkbp:preceded_by |
gptkb:1966_Venice_Biennale
|
| gptkbp:significant_event |
Protests against the Vietnam War
Counterculture movement influence |
| gptkbp:succeeded_by |
gptkb:1970_Venice_Biennale
|
| gptkbp:theme |
The Individual and the Group
|
| gptkbp:year |
gptkb:1968
|