gptkbp:instance_of
|
gptkb:document
|
gptkbp:bfsLayer
|
4
|
gptkbp:bfsParent
|
gptkb:Lee_Ufan
|
gptkbp:art_style
|
gptkb:Fluxus
gptkb:Installations
gptkb:Minimalism
gptkb:artwork
Conceptual art
Paintings
Performances
Sculptures
|
gptkbp:attendance
|
over 300,000 visitors
|
gptkbp:curator
|
gptkb:Arnold_Bode
|
gptkbp:exhibition
|
gptkb:Karlsaue_Park
gptkb:Fridericianum
gptkb:color
gptkb:Documenta_Halle
Contemporary art
100 days
|
https://www.w3.org/2000/01/rdf-schema#label
|
The 1967 Documenta
|
gptkbp:impact
|
Promoted new artistic movements
|
gptkbp:legacy
|
Highlighted the role of art in society.
Encouraged interdisciplinary approaches.
Fostered dialogue between artists and audiences.
Influenced biennials worldwide.
Set a precedent for future Documentas.
|
gptkbp:location
|
gptkb:Kassel,_Germany
|
gptkbp:media_coverage
|
International press
|
gptkbp:notable_album
|
Beuys' ' How to Explain Pictures to a Dead Hare'.
Ono's ' Cut Piece'.
Rauschenberg's ' Canyon'.
Warhol's ' Brillo Boxes'.
Flavin's ' Monument'.
|
gptkbp:notable_artists
|
gptkb:Joseph_Beuys
gptkb:Yoko_Ono
gptkb:Andy_Warhol
gptkb:Dan_Flavin
gptkb:Robert_Rauschenberg
|
gptkbp:notable_performance
|
approximately 100
|
gptkbp:related_event
|
gptkb:Documenta_4
|
gptkbp:significance
|
Influential in contemporary art discourse
|
gptkbp:sponsor
|
gptkb:Federal_Republic_of_Germany
gptkb:City_of_Kassel
gptkb:State_of_Hesse
|
gptkbp:theme
|
Art and the environment
|
gptkbp:year
|
gptkb:1967
|