The 1967 Documenta

GPTKB entity

Statements (46)
Predicate Object
gptkbp:instance_of gptkb:document
gptkbp:bfsLayer 4
gptkbp:bfsParent gptkb:Lee_Ufan
gptkbp:art_style gptkb:Fluxus
gptkb:Installations
gptkb:Minimalism
gptkb:artwork
Conceptual art
Paintings
Performances
Sculptures
gptkbp:attendance over 300,000 visitors
gptkbp:curator gptkb:Arnold_Bode
gptkbp:exhibition gptkb:Karlsaue_Park
gptkb:Fridericianum
gptkb:color
gptkb:Documenta_Halle
Contemporary art
100 days
https://www.w3.org/2000/01/rdf-schema#label The 1967 Documenta
gptkbp:impact Promoted new artistic movements
gptkbp:legacy Highlighted the role of art in society.
Encouraged interdisciplinary approaches.
Fostered dialogue between artists and audiences.
Influenced biennials worldwide.
Set a precedent for future Documentas.
gptkbp:location gptkb:Kassel,_Germany
gptkbp:media_coverage International press
gptkbp:notable_album Beuys' ' How to Explain Pictures to a Dead Hare'.
Ono's ' Cut Piece'.
Rauschenberg's ' Canyon'.
Warhol's ' Brillo Boxes'.
Flavin's ' Monument'.
gptkbp:notable_artists gptkb:Joseph_Beuys
gptkb:Yoko_Ono
gptkb:Andy_Warhol
gptkb:Dan_Flavin
gptkb:Robert_Rauschenberg
gptkbp:notable_performance approximately 100
gptkbp:related_event gptkb:Documenta_4
gptkbp:significance Influential in contemporary art discourse
gptkbp:sponsor gptkb:Federal_Republic_of_Germany
gptkb:City_of_Kassel
gptkb:State_of_Hesse
gptkbp:theme Art and the environment
gptkbp:year gptkb:1967