Statements (51)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:document
|
| gptkbp:bfsLayer |
4
|
| gptkbp:bfsParent |
gptkb:Lee_Ufan
|
| gptkbp:art_style |
gptkb:Installations
Paintings Performances Sculptures |
| gptkbp:attendance |
Approximately 130,000 visitors
|
| gptkbp:collaborations |
International artists and curators
|
| gptkbp:critical_reception |
Mixed reviews from critics
|
| gptkbp:curator |
gptkb:Arnold_Bode
|
| gptkbp:exhibition |
gptkb:Documenta-Halle
gptkb:Fridericianum gptkb:color gptkb:Kunsthalle Contemporary art 100 days |
| gptkbp:followed_by |
gptkb:Documenta_2
|
| https://www.w3.org/2000/01/rdf-schema#label |
The 1961 Documenta
|
| gptkbp:impact |
Showcased avant-garde movements
Encouraged public engagement with art Promoted international artists Influenced future Documenta exhibitions |
| gptkbp:legacy |
Highlighted the role of art in society
Continues to be referenced in art history Fostered a dialogue between artists and the public Set a precedent for large-scale exhibitions |
| gptkbp:location |
gptkb:Kassel,_Germany
|
| gptkbp:media_coverage |
Extensive international media attention
|
| gptkbp:movement |
gptkb:Fluxus
gptkb:Minimalism gptkb:artwork Conceptual art Happenings |
| gptkbp:notable_album |
The Large Glass by Marcel Duchamp
The Fat Chair by Joseph Beuys Erased de Kooning Drawing by Robert Rauschenberg The Black Room by Yves Klein The White Reliefs by Lucio Fontana |
| gptkbp:notable_artists |
gptkb:Joseph_Beuys
gptkb:Marcel_Duchamp gptkb:Yves_Klein gptkb:Lucio_Fontana gptkb:Robert_Rauschenberg |
| gptkbp:notable_performance |
Over 100
|
| gptkbp:preceded_by |
Documenta 1
|
| gptkbp:related_event |
gptkb:Documenta_12
|
| gptkbp:significance |
Influential in post-war art movements
|
| gptkbp:sponsor |
gptkb:Federal_Republic_of_Germany
|
| gptkbp:theme |
Art and the environment
|
| gptkbp:year |
gptkb:1961
|