Statements (45)
| Predicate | Object |
|---|---|
| gptkbp:instance_of |
gptkb:art_exhibition
|
| gptkbp:bfsLayer |
5
|
| gptkbp:bfsParent |
gptkb:art_installation_by_studio_Olafur_Eliasson
|
| gptkbp:attendance |
Artists and critics
|
| gptkbp:cultural_impact |
Showcased avant-garde movements
Fostered cultural exchange Influenced future biennales Promoted art education Set standards for future exhibitions Showcased diverse artistic styles Encouraged public engagement with art Promoted international art dialogue Encouraged innovation in art Attracted international attention Influenced art criticism Encouraged artist collaborations Established Venice as an art hub Highlighted emerging art trends Increased visibility for modern artists Promoted cross-cultural influences |
| gptkbp:exhibition |
gptkb:art_exhibition
|
| gptkbp:founder |
gptkb:Giovanni_Segantini
|
| gptkbp:frequency |
gptkb:music_festival
|
| https://www.w3.org/2000/01/rdf-schema#label |
The 1900 Venice Biennale
|
| gptkbp:influenced |
Modern Art Exhibitions
|
| gptkbp:is_featured_in |
The Dance by Henri Matisse
The Scream by Edvard Munch The Card Players by Paul Cézanne The Night Café by Vincent van Gogh The Bathers by Paul Cézanne The Red Studio by Henri Matisse The Blue Period by Pablo Picasso The Melancholy by Giorgio de Chirico |
| gptkbp:location |
gptkb:Venice
|
| gptkbp:notable_artists |
gptkb:Henri_Matisse
gptkb:Pablo_Picasso gptkb:Vincent_van_Gogh gptkb:Paul_Cézanne gptkb:Giorgio_de_Chirico |
| gptkbp:predecessor |
gptkb:1895_Venice_Biennale
|
| gptkbp:significance |
gptkb:festival
|
| gptkbp:sponsor |
gptkb:government_agency
|
| gptkbp:successor |
gptkb:1901_Venice_Biennale
|
| gptkbp:theme |
gptkb:soundtrack
|
| gptkbp:year |
1900
|