|
gptkbp:instance_of
|
gptkb:film_adaptation
gptkb:comics
gptkb:television_series
gptkb:novel
gptkb:film
gptkb:film_series
|
|
gptkbp:adaptation
|
gptkb:graphic_novel
gptkb:television
gptkb:film
Sheckley's story
The 10th Victim (film)
|
|
gptkbp:adaptation_year
|
gptkb:1965
|
|
gptkbp:art_style
|
futuristic aesthetics
stylized visuals
Pop art influences
|
|
gptkbp:aspect_ratio
|
2.35:1
|
|
gptkbp:author
|
gptkb:Giovanni_Simonelli
|
|
gptkbp:available_on
|
gptkb:DVD
gptkb:Blu-ray
|
|
gptkbp:awards
|
Nominated for Best Director.
Nominated for Best Actress.
|
|
gptkbp:based_on
|
gptkb:Short_story_by_Robert_Sheckley
gptkb:short_story
short story by Robert Sheckley
The 10th Victim (short story)
The 10th Victim (film)
|
|
gptkbp:based_on_work
|
gptkb:The_Seventh_Victim
|
|
gptkbp:box_office
|
gptkb:unknown
$1 million
|
|
gptkbp:budget
|
gptkb:unknown
|
|
gptkbp:character
|
gptkb:The_Hunter
gptkb:Caroline_Meredith
gptkb:Marcello
The Victim
the Victim
the Hunter
Andress's character
Mastroianni's character
Marcello Mastroianni as the hunter.
Ursula Andress as the prey.
Marcello's character
Ursula's character
|
|
gptkbp:character_arc
|
Mastroianni's character arc
|
|
gptkbp:character_development
|
gptkb:moral_ambiguity
Complex characters
complex characters
Marcello's motivations
Milly's transformation
|
|
gptkbp:character_motivation
|
survival instinct
|
|
gptkbp:character_relationships
|
romantic tension
|
|
gptkbp:cinematography
|
gptkb:Alberto_Spagnoli
Luigi Kuveiller
|
|
gptkbp:cinematography_by
|
gptkb:Alberto_Spagnoli
|
|
gptkbp:color
|
gptkb:Technicolor
gptkb:Color
|
|
gptkbp:conflict
|
survival of the fittest
game of death
|
|
gptkbp:costume_design
|
gptkb:Giorgio_Armani
|
|
gptkbp:country
|
gptkb:Italy
gptkb:United_States
|
|
gptkbp:created_by
|
gptkb:Eugène_Ionesco
gptkb:Milo_Manara
|
|
gptkbp:critical_analysis
|
analyzed in film studies
|
|
gptkbp:critical_reception
|
Mixed reviews
positive
mixed reviews
|
|
gptkbp:cultural_impact
|
cult classic
inspired films
inspired video games
influenced fashion trends
inspired other films
influenced literature
inspired future dystopian films
Influenced later dystopian films.
Influenced various media in sci-fi genre.
|
|
gptkbp:cultural_references
|
Referenced in literature.
Referenced in music.
Referenced in art.
Referenced in various films.
The 10th Victim in pop culture
Referenced in fashion.
|
|
gptkbp:cultural_significance
|
reflects societal fears
commentary on media violence
|
|
gptkbp:directed_by
|
gptkb:Elio_Petri
|
|
gptkbp:director
|
gptkb:unknown
gptkb:Elio_Petri
|
|
gptkbp:distributor
|
gptkb:20th_Century_Fox
gptkb:unknown
Cineriz
|
|
gptkbp:duration
|
30 minutes
|
|
gptkbp:edited_by
|
Franco Arcalli
|
|
gptkbp:editing
|
Franco Arcalli
|
|
gptkbp:famous_quote
|
" The game is a game of death."
|
|
gptkbp:features
|
gptkb:Assassin
satirical elements
game of death
|
|
gptkbp:film
|
gptkb:Italian
gptkb:Ursula_Andress
gptkb:Marcello_Mastroianni
dystopian future
|
|
gptkbp:film_awards
|
gptkb:none
|
|
gptkbp:film_editing
|
Franco Arcalli
|
|
gptkbp:film_festival
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:film_length
|
105 minutes
|
|
gptkbp:film_score
|
gptkb:original_score_by_Piero_Piccioni
gptkb:Piero_Piccioni
|
|
gptkbp:film_series
|
The 10th Victim series
|
|
gptkbp:film_technique
|
gptkb:The_Most_Dangerous_Game
|
|
gptkbp:filming_location
|
gptkb:Italy
gptkb:Rome
|
|
gptkbp:filmography
|
gptkb:Alberto_Spagnoli
|
|
gptkbp:first_aired
|
gptkb:1965
|
|
gptkbp:first_published
|
gptkb:1967
|
|
gptkbp:followed_by
|
gptkb:The_10th_Victim:_The_Game
The 10th Victim (film adaptation)
|
|
gptkbp:follows
|
gptkb:The_9th_Victim
a deadly game
|
|
gptkbp:genre
|
gptkb:action
gptkb:science_fiction
gptkb:comedy
science fiction comedy
|
|
gptkbp:has_theme
|
violence and society
|
|
gptkbp:home_media_release
|
gptkb:DVD
gptkb:Blu-ray
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
The 10th Victim
|
|
gptkbp:influenced
|
gptkb:video_games
gptkb:anime_series
gptkb:Video_games
gptkb:Battle_Royale
gptkb:The_Running_Man
gptkb:television_shows
Comic books
|
|
gptkbp:influenced_artists
|
gptkb:dystopian_fiction
1960s music trends
pop art influences
|
|
gptkbp:influenced_by
|
gptkb:The_Most_Dangerous_Game
gptkb:Italian_cinema
gptkb:The_Hunger_Games
Dystopian literature
Satirical films
science fiction genre
The 10th Victim (film)
The 10th Victim (novel)
|
|
gptkbp:influences
|
gptkb:Battle_Royale
gptkb:The_Hunger_Games
|
|
gptkbp:inspiration
|
Dystopian literature
satirical commentary
|
|
gptkbp:inspired_by
|
The 10th Victim short story
|
|
gptkbp:is_distributed_by
|
gptkb:20th_Century_Fox
|
|
gptkbp:is_influenced_by
|
gptkb:Italian_cinema
|
|
gptkbp:is_notable_for
|
its commentary on violence
|
|
gptkbp:is_recognized_for
|
its unique narrative style
|
|
gptkbp:is_set_in
|
a dystopian future
|
|
gptkbp:isbn
|
978-88-04-12345-6
|
|
gptkbp:language
|
gptkb:Italian
English
|
|
gptkbp:last_aired
|
gptkb:1965
|
|
gptkbp:legacy
|
cult classic status
Cult classic status
|
|
gptkbp:literary_devices
|
gptkb:allegory
irony
foreshadowing
|
|
gptkbp:merchandise
|
gptkb:Clothing_line
Board games
Posters
Action figures
Video game adaptations
|
|
gptkbp:motif
|
violence
|
|
gptkbp:music
|
gptkb:Piero_Piccioni
|
|
gptkbp:music_by
|
gptkb:Piero_Piccioni
|
|
gptkbp:music_composer
|
gptkb:Piero_Piccioni
|
|
gptkbp:narrative
|
Non-linear storytelling
|
|
gptkbp:narrative_style
|
satirical
satirical narrative
|
|
gptkbp:network
|
gptkb:Rai_1
|
|
gptkbp:notable_awards
|
gptkb:N/_A
|
|
gptkbp:notable_character
|
gptkb:Marcello
Milly
|
|
gptkbp:notable_quote
|
" The game is on!"
|
|
gptkbp:number_of_episodes
|
gptkb:10
|
|
gptkbp:original_language
|
gptkb:Italian
|
|
gptkbp:page_count
|
gptkb:200
|
|
gptkbp:plot
|
A game where people hunt each other.
A futuristic game where people hunt each other.
A futuristic game where participants hunt each other.
a deadly game of survival
|
|
gptkbp:premiere
|
gptkb:Cannes_Film_Festival
|
|
gptkbp:premise
|
A deadly game of survival.
|
|
gptkbp:produced_by
|
gptkb:Dino_De_Laurentiis
|
|
gptkbp:production_company
|
gptkb:unknown
gptkb:Rai
gptkb:Dino_De_Laurentiis_Cinematografica
gptkb:Rizzoli_Film
|
|
gptkbp:protagonist
|
Milly
|
|
gptkbp:published_by
|
gptkb:Mondadori
gptkb:Sergio_Bonelli_Editore
|
|
gptkbp:published_in
|
1953
|
|
gptkbp:release_country
|
gptkb:Italy
|
|
gptkbp:release_date
|
gptkb:1965
1965-12-01
1965-10-01
|
|
gptkbp:release_format
|
theatrical
|
|
gptkbp:release_year
|
gptkb:1965
gptkb:2023
|
|
gptkbp:released_in
|
gptkb:1965
|
|
gptkbp:remake
|
remake in development
The 10th Victim (2023)
|
|
gptkbp:runtime
|
gptkb:unknown
105 minutes
|
|
gptkbp:screenplay
|
gptkb:Ennio_Flaiano
|
|
gptkbp:screenplay_by
|
gptkb:Elio_Petri
gptkb:Tullio_Pinelli
|
|
gptkbp:set_in
|
futuristic society
future
Future society
future society
|
|
gptkbp:setting
|
future society
Futuristic society
Futuristic society.
|
|
gptkbp:setting_time
|
21st century
|
|
gptkbp:sound
|
gptkb:Mono
|
|
gptkbp:soundtrack
|
gptkb:jazz_music
Released on vinyl.
Piero Piccioni's score
|
|
gptkbp:special_effects
|
practical effects
|
|
gptkbp:starring
|
gptkb:Ursula_Andress
gptkb:Marcello_Mastroianni
|
|
gptkbp:symbolism
|
symbolism of violence
Commentary on violence
death as entertainment
game as society
|
|
gptkbp:theme
|
Survival of the fittest
survival game
|
|
gptkbp:themes
|
gptkb:survival
gptkb:identity
consumerism
love and betrayal
Surveillance.
Consumerism.
violence and society
Violence and media.
violence and media
|
|
gptkbp:video_output
|
35mm
|
|
gptkbp:viewership
|
High in Italy
|
|
gptkbp:bfsParent
|
gptkb:David_Carradine
gptkb:Sergio_Leone
|
|
gptkbp:bfsLayer
|
4
|