|
gptkbp:instance_of
|
gptkb:opera
gptkb:character
|
|
gptkbp:adaptation
|
gptkb:stage_adaptation
|
|
gptkbp:awards
|
Olivier Award nomination
|
|
gptkbp:based_on
|
gptkb:Tess_of_the_d'_Urbervilles
|
|
gptkbp:choreography
|
notable
|
|
gptkbp:composer
|
gptkb:Thomas_Adès
|
|
gptkbp:critical_reception
|
positive
|
|
gptkbp:director
|
gptkb:Roman_Polanski
|
|
gptkbp:duration
|
approximately 2 hours
|
|
gptkbp:first_performance
|
gptkb:Royal_Opera_House
|
|
gptkbp:genre
|
gptkb:opera
|
|
https://www.w3.org/2000/01/rdf-schema#label
|
Tess
|
|
gptkbp:influenced_by
|
gptkb:Thomas_Hardy
gptkb:Romanticism
|
|
gptkbp:is_friend_of
|
gptkb:Ellie
|
|
gptkbp:language
|
English
|
|
gptkbp:librettist
|
gptkb:Philip_Hensher
|
|
gptkbp:notable_character
|
gptkb:Tess_Durbeyfield
gptkb:Alec_d'_Urberville
gptkb:Angel_Clare
|
|
gptkbp:notable_production
|
gptkb:Glyndebourne_Festival_Opera_2021
Birmingham Opera Company 2020
Royal Opera House 2019
|
|
gptkbp:notable_themes
|
gptkb:betrayal
gptkb:loss
gptkb:identity
gptkb:sacrifice
gptkb:family
love
nature
innocence
redemption
societal expectations
moral conflict
|
|
gptkbp:number_of_acts
|
2
|
|
gptkbp:orchestration
|
large orchestra
|
|
gptkbp:partnership
|
gptkb:Joel_Miller
|
|
gptkbp:performance_style
|
modern opera
|
|
gptkbp:premiere
|
gptkb:2019
|
|
gptkbp:recordings
|
available on CD
|
|
gptkbp:setting
|
19th century England
|
|
gptkbp:sings
|
English
|
|
gptkbp:thematic_element
|
gptkb:social_class
gptkb:fate
rural life
gender roles
|
|
gptkbp:bfsParent
|
gptkb:The_Last_Goodbye
gptkb:The_Last_of_Us
gptkb:The_Way_You_Look_Tonight
gptkb:Dylan
gptkb:Bette_(TV_series)
gptkb:Rebel_Alliance
gptkb:A_Chorus_Line
gptkb:Happiest_Season
gptkb:October_Road
|
|
gptkbp:bfsLayer
|
4
|